In The Gathering Woods

2000 Drue Heinz Literature Prize Winner Selected by Frank Conroy In the Gathering Woods contains a cast of characters who hail from the same Italian ancestors, but whose stories come at us unbounded by time and space. The book opens early in the twentieth century, with a narrator’s boyhood recollections of gathering mushrooms with his grandfather—a narrator who seems still haunted by a terrifying local legend that tormented him as a boy. We skip backward to a young shepherd-artist in the Apennine mountains in the 1500s, who yearns to be discovered, as Giotto was. Later, a preverbal baby accumulates bits of the conversation carried on by adults at the table above her head; a neurologist from Chicago returns to the Apennines to deposit shards of glass at a grave. Whether they speak in the lost dialect of an immigrant, of infancy, or of an adolescent girl’s school lessons, these stories call up fragments of language in a struggle to understand and attempt to console through the act of reassembling. The language of these stories is both lyrical and comic, providing insight through the details of Bernardi’s writing.

Fantasy roman.

In the climax of the New York Times–bestselling author’s paranormal romance trilogy, Native Americans from the future unite with the tribes of the past. This thrilling conclusion to the Prophecy Trilogy follows Tyhen, the Windwalker’s daughter, as she journeys to save her people from foreign invaders. She must now fulfill the prophecy by uniting the New Ones—those who come from the future—with the Native American tribes of the past. Her destiny is to save the future of the Native American nations, but as the gathering of these people approaches, danger follows. Tyhen and her soul mate Yuma must lead the party north, encountering various enemies and trials along the path. First published in 2015, The Gathering is the final book in the Prophecy Trilogy and was originally written under her pen name Dinah McCall.

War is coming. The Maji has sent his brides to lay claim to the land in his name. His power grows stronger as his fingers stretch out to cities near and far, adding immeasurable numbers to his forces. Innocents are slain. Alice Warde, Kayl'sro of the Agrodien, must fight the urge to intervene, allowing countless to suffer, as she builds the bond needed to sustain the power of her new sisters. But this is just one of the many sacrifices needed if any hope of victory is possible in this time of darkness. The Four have awakened. Life. Death. Earth. Sky. Three have united. The other seeks dominion. Only together can they restore order. The Brides of Woodmyst is the seventh book of The Woodmyst Chronicles. ​It is the continuing story of Alice Warde and her journey as a young girl coming of age, a leader of a lost people, a fierce warrior and a prime sorceress with more power than even she can imagine.

Learn how to fill forests with food by viewing agriculture from a remarkably different perspective: that a healthy forest can be maintained while growing a wide range of food, medicinal, and other nontimber products. The practices of forestry and farming are often seen as mutually exclusive, because in the modern world, agriculture involves open fields, straight rows, and machinery to grow crops, while forests are reserved primarily for timber and firewood harvesting. In Farming the Woods, authors Ken Mudge and Steve Gabriel demonstrate that it doesn’t have to be an either-or scenario, but a complementary one; forest farms can be most productive in places where the plow is not: on steep slopes and in shallow soils. Forest farming is an invaluable practice to integrate into any farm or homestead, especially as the need for unique value-added products and supplemental income becomes increasingly important for farmers. Many of the daily indulgences we take for granted, such as coffee, chocolate, and many tropical fruits, all originate in forest ecosystems. But few know that such abundance is also available in the cool temperate forests of North America. Farming the Woods covers in detail how to cultivate, harvest, and market high-value nontimber forest crops such as American ginseng, shiitake mushrooms, ramps (wild leeks), maple syrup, fruit and nut trees, ornamentals, and more. Along with profiles of forest farmers from around the country, readers are also provided comprehensive information on: • historical perspectives of forest farming; • mimicking the forest in a changing climate; • cultivation of medicinal crops; • cultivation of food crops; • creating a forest nursery; • harvesting and utilizing wood products; • the role of animals in the forest farm; and, • how to design your forest farm and manage it once it’s established. Farming the Woods is an essential book for farmers and gardeners who have access to an established woodland, are looking for productive ways to manage it, and are interested in incorporating aspects of agroforestry, permaculture, forest gardening, and sustainable woodlot management into the concept of a whole-farm organism.

On the heels of the wildly popular "The Darkest Powers" series comes the first in another supernatural YA trilogy from New York Times bestelling author Kelley Armstrong. Maya lives in a small medical-research town on Vancouver Island. How small? You can't find it on the map. It has less than two-hundred people, and her school has only sixty-eight students — for every grade from kindergarten to twelve. Now, strange things are happening in this claustrophobic town, and Maya's determined to get to the bottom of them. First, the captain of the swim team drowns mysteriously in the middle of a calm lake. A year later, mountain lions start appearing around Maya's home, and they won't go away. Her best friend, Daniel, starts getting negative vibes from certain people and things. It doesn't help that the new bad boy in town, Rafe, has a dangerous secret — and he's interested in one special part of Maya's anatomy: Her paw-print birthmark.

Romantic Englishness investigates how narratives of localised selfhood in English Romantic writing are produced in relation to national and transnational formations. This book focuses on autobiographical texts by authors such as John Clare, Samuel Taylor Coleridge, William Hazlitt, Charles Lamb, and William Wordsworth.