In The Name Of The Family

**A Times (London) Best Book of the Year** Before the Corleones, before the Lannisters, there were the Borgias. One of history’s most notorious families comes to life in this riveting bestseller, as the House of Borgia crosses paths with a young diplomat named Niccolò Machiavelli. “Full to the brim with vivid historical details both gory and beautiful.” —Library Journal It is 1502 and Rodrigo Borgia, a self-confessed womanizer and master of political corruption, is now on the papal throne as Alexander VI. His daughter Lucrezia, aged twenty-two—already three times married and a pawn in her father’s plans—is discovering her own power. And then there is his son Cesare Borgia, brilliant, ruthless and increasingly unstable; it is his relationship with Machiavelli that gives the Florentine diplomat a master class on the dark arts of power and politics. What he learns will go on to inform his great work of modern politics, The Prince. But while the pope rails against old age and his son’s increasingly maverick behavior, it is Lucrezia who must navigate the treacherous court of Urbino and another challenging marriage to create her own place in history. Bestselling novelist Sarah Dunant employs her remarkable gifts as a storyteller to bring to life the passionate men and women of the Borgia family, as well as the ever-compelling figure of Machiavelli, through whom the reader will experience one of the most fascinating—and doomed—dynasties of all time.

Prominent cultural critic Judith Stacey offers a ringing rebuttal to the rhetoric of "family values" with this powerful argument for accepting family diversity-including a strong new case for legal same-sex marriage.

By the end of the fifteenth century, the beauty and creativity of Italy is matched only by its brutality and corruption. When Cardinal Rodrigo Borgia buys his way into the papacy, he is defined not just by his wealth, charisma and power, but by his blood: a Spanish Pope in a city run by Italians. If he is to succeed, he must use his Machiavellian son and innocent daughter. Stripping away the myths around the Borgias, Blood & Beauty breathes life into the astonishing family of Alexander VI and celebrates the raw power of history itself: compelling, complex, and relentless.

Containing entries for more than 45,000 English, Scottish, Welsh, Irish, Cornish, and immigrant surnames, The Oxford Dictionary of Family Names in Britain and Ireland is the ultimate reference work on family names of the UK. The Dictionary includes every surname that currently has more than 100 bearers. Each entry contains lists of variant spellings of the name, an explanation of its origins (including the etymology), lists of early bearers showing evidence for formation and continuity from the date of formation down to the 19th century, geographical distribution, and, where relevant, genealogical and bibliographical notes, making this a fully comprehensive work on family names. This authoritative guide also includes an introductory essay explaining the historical background, formation, and typology of surnames and a guide to surnames research and family history research. Additional material also includes a list of published and unpublished lists of surnames from the Middle Ages to the present day.

The Oxford Dictionary of Family Names of Ireland contains more than 3,800 entries covering the majority of family names that are established and current in Ireland, both in the Republic and in Northern Ireland. It establishes reliable and accurate explanations of historical origins (including etymologies) and provides variant spellings for each name as well as its geographical distribution, and, where relevant, genealogical and bibliographical notes for family names that have more than 100 bearers in the 1911 census of Ireland. Of particular value are the lists of early bearers of family names, extracted from sources ranging from the medieval period to the nineteenth century, providing for the first time, the evidence on which many surname explanations are based, as well as interesting personal names, locations and often occupations of potential family forbears. This unique Dictionary will be of the greatest interest not only to those interested in Irish history, students of the Irish language, genealogists, and geneticists, but also to the general public, both in Ireland and in the Irish diaspora in North America, Australia, and elsewhere.

Every family on earth and in heaven derives its name from God the Father. This means that as humans take their family names as their last names, every member of the human family on earth, has the name of God attached to their names-as their ultimate last name-for the glory of God who formed and made them out of Love, and has imparted His qualities and goodness on every single one of them. The importance of each of our last names to our lives is not so others can identify us as discrete individuals. The true importance of the last name that we each have is to reflect the values put into us in our upbringing. Our last names tell other people who we truly are! Our last name is designed by God to tell everyone we meet in life what values our family holds dear to their respective hearts. Our last name represents the journey we've made in our lives-where we have been; our experiences; our triumphs and failures-as part of our life experiences within our respective families. Our last names bear the hallmarks of the qualities our life's experiences had molded us into. According to this revelation of God, we are our last names. In much the same way human parents raise their children to grow up with certain values that would serve them well in life; God gave to all mankind His commands, and set automatic measures to keep us all in straight path, to avoid any of us falling off the cliff and plunging to our spiritual deaths. God filled the earth and the entire universe with His Grace to replenish us and restore us so we can continue to grow and mature spiritually; and to sustain all our life's processes-biological and otherwise.

Alessandra is not quite fifteen when her prosperous merchant father brings a young painter back with him from Holland to adorn the walls of the new family chapel. She is fascinated by his talents and envious of his abilities and opportunities to paint to the glory of God. Soon her love of art and her lively independence are luring her into closer involvement with all sorts of taboo areas of life. On excursions into the streets of night-time Florence she observes a terrible evil stalking the city and witnesses the rise of the fiery young priest, Savanarola, who has set out to rid the city of vice, richness, even art itself. Alessandra must make crucial decisions about the shape of her adult life, as Florence itself must choose between the old ways of the luxury-loving Medicis and the asceticism of Savanorola. And through it all, there is the painter, whose love will change everything.