In The Night Wood

In this contemporary fantasy, the grieving biographer of a Victorian fantasist finds himself slipping inexorably into the supernatural world that consumed his subject. Failed father, failed husband, and failed scholar, Charles Hayden hopes to put his life back together with a new project: a biography of Caedmon Hollow, the long-dead author of a legendary Victorian children's book, In the Night Wood, and forebear of his wife, Erin. Deep in mourning from the loss of their young daughter, they pack up their American lives, Erin gives up her legal practice, and the couple settles in Hollow's remote Yorkshire mansion. In the neighboring village, Charles meets a woman he might have loved, a child who could have been his own daughter, and the ghost of a self he hoped to bury. Erin, paralyzed by her grief, immerses herself in pills and painting images of a horned terror in the woods. In the primeval forest surrounding Caedmon Hollow's ancestral home, an ancient power is stirring, a long-forgotten king who haunts the Haydens' dreams. And every morning the fringe of darkling trees presses closer. Soon enough, Charles and Erin will venture into the night wood. Soon enough, they'll learn that the darkness under the trees is but a shadow of the darkness that waits inside us all.

A weekend away deep in the English countryside takes a sinister turn in this suspenseful and compulsive debut psychological thriller. Sometimes the only thing to fear...is yourself. Leonora (Lee to some, Nora to others) is a reclusive writer, but when an old friend unexpectedly invites her to a weekend away in an eerie glass house, she reluctantly agrees to make the trip. But a haunting realization creeps in to the party: they are not alone in the woods. Forty-eight hours later, Nora wakes up in a hospital bed with the knowledge that someone is dead. Wondering not “what happened?” but “what have I done?” she tries to piece together the events of the past weekend. In order to uncover secrets and reveal motives, Nora must revisit parts of herself that she’d rather leave buried where they belong: in the past. In the vein of The Girl on the Train and Gone Girl, this gripping thriller will have readers on the edge of their seats until the very last page.

Casey, Gena, and Maryann can think of a way better use of a week than a senior trip to Washington, D.C. Casey's plan is simple. Ditch the trip to D.C., camp out at her parents' amazing cabin in Delonga, and accidentally "run into" Lane and his friends on their fishing trip. She knows the boys will be across the lake--her friends will thank her once they're up there. Three girls for three boys will be the perfect party. After all, what could be more fun than five days in the woods? No curfews, no rules, and no parents. No one will even know they're up there. And no one will hear them when they scream for help. When the first body shows up, it's shocking. When the knock comes on the back door, it's horrifying. And when they realize there's nowhere to hide, they'll wish they were already dead. Surviving a week in the woods is a going to be a whole lot harder than these girls could ever imagine.

From the universally acclaimed author of The Remains of the Day comes a mesmerizing novel of completely unexpected mood and matter--a seamless, fictional universe, both wholly unrecognizable and familiar. When the public, day-to-day reality of a renowned pianist takes on a life of its own, he finds himself traversing landscapes that are by turns eerie, comical, and strangely malleable.

Based on the Celtic folktale of Tamlynne, The Nightwood tells the story of the young daughter of the Earl of March, who is enticed into the nearby wood by the haunting strains of Elfin music. Inside the mysterious forest, Elaine meets Tamlynne, an enchanted young knight in the court of the Elfin Queen. Elaine and Tamlynne fall in love, but in order for Tamlynne to escape the elves, Elaine must pay a terrible price. In the end, mortal love proves stronger than the power of the Elfin Queen and the two lovers are set free. Beautifully illustrated by Robin Muller, this edition of The Nightwood is sure to enchant fairytale lovers of all ages.

The New York Times bestselling sequel to Melissa Albert’s beloved The Hazel Wood! In The Night Country, Alice Proserpine dives back into a menacing, mesmerizing world of dark fairy tales and hidden doors of The Hazel Wood. Follow her and Ellery Finch as they learn The Hazel Wood was just the beginning, and that worlds die not with a whimper, but a bang. With Finch’s help, Alice escaped the Hinterland and her reclusive grandmother’s dark legacy. Now she and the rest of the dregs of the fairy tale world have washed up in New York City, where Alice is trying to make a new, unmagical life. But something is stalking the Hinterland’s survivors—and she suspects their deaths may have a darker purpose. Meanwhile, in the winking out world of the Hinterland, Finch seeks his own adventure, and—if he can find it—a way back home... Don’t miss Tales from the Hinterland, coming January 12, 2021!

Nightwood Theatre is the longest-running and most influential feminist theatre company in Canada. Since 1979, the company has produced works by Canadian women, providing new opportunities for women theatre artists. It has also been the "home company" for some of the biggest names in Canadian theatre, such as Ann-Marie MacDonald. In Nightwood Theatre, Scott describes the company?s journey toward defining itself as a feminist theatre establishment, highlighting its artistic leadership based on its relevance to diverse communities of women. She also traces Nightwood?s relationship with the media and places the theatre in an international context by comparing its history to that of like companies in the U.K. and the U.S