Nightwood

Nightwood Theatre is the longest-running and most influential feminist theatre company in Canada. Since 1979, the company has produced works by Canadian women, providing new opportunities for women theatre artists. It has also been the "home company" for some of the biggest names in Canadian theatre, such as Ann-Marie MacDonald. In Nightwood Theatre, Scott describes the company?s journey toward defining itself as a feminist theatre establishment, highlighting its artistic leadership based on its relevance to diverse communities of women. She also traces Nightwood?s relationship with the media and places the theatre in an international context by comparing its history to that of like companies in the U.K. and the U.S

Casey, Gena, and Maryann can think of a way better use of a week than a senior trip to Washington, D.C. Casey's plan is simple. Ditch the trip to D.C., camp out at her parents' amazing cabin in Delonga, and accidentally "run into" Lane and his friends on their fishing trip. She knows the boys will be across the lake--her friends will thank her once they're up there. Three girls for three boys will be the perfect party. After all, what could be more fun than five days in the woods? No curfews, no rules, and no parents. No one will even know they're up there. And no one will hear them when they scream for help. When the first body shows up, it's shocking. When the knock comes on the back door, it's horrifying. And when they realize there's nowhere to hide, they'll wish they were already dead. Surviving a week in the woods is a going to be a whole lot harder than these girls could ever imagine.

Based on the Celtic folktale of Tamlynne, The Nightwood tells the story of the young daughter of the Earl of March, who is enticed into the nearby wood by the haunting strains of Elfin music. Inside the mysterious forest, Elaine meets Tamlynne, an enchanted young knight in the court of the Elfin Queen. Elaine and Tamlynne fall in love, but in order for Tamlynne to escape the elves, Elaine must pay a terrible price. In the end, mortal love proves stronger than the power of the Elfin Queen and the two lovers are set free. Beautifully illustrated by Robin Muller, this edition of The Nightwood is sure to enchant fairytale lovers of all ages.

In this contemporary fantasy, the grieving biographer of a Victorian fantasist finds himself slipping inexorably into the supernatural world that consumed his subject. Failed father, failed husband, and failed scholar, Charles Hayden hopes to put his life back together with a new project: a biography of Caedmon Hollow, the long-dead author of a legendary Victorian children's book, In the Night Wood, and forebear of his wife, Erin. Deep in mourning from the loss of their young daughter, they pack up their American lives, Erin gives up her legal practice, and the couple settles in Hollow's remote Yorkshire mansion. In the neighboring village, Charles meets a woman he might have loved, a child who could have been his own daughter, and the ghost of a self he hoped to bury. Erin, paralyzed by her grief, immerses herself in pills and painting images of a horned terror in the woods. In the primeval forest surrounding Caedmon Hollow's ancestral home, an ancient power is stirring, a long-forgotten king who haunts the Haydens' dreams. And every morning the fringe of darkling trees presses closer. Soon enough, Charles and Erin will venture into the night wood. Soon enough, they'll learn that the darkness under the trees is but a shadow of the darkness that waits inside us all.

In this vibrant debut, Ellie Sawatzky rustles the underbrush of identity, seeking clarity on the nature of ownership and belonging. Haunted and inspired by old boyfriends, girls named Emily, ancestral ghosts, polar bears and mythic horses, None of This Belongs to Me plots a young woman’s coming of age in a time of environmental and socio-economic peril. From rural Ontario to Kitsilano to Burning Man, Sawatzky inquires into childhood learning, girlhood learning, what is inherited, what is acquired, what begins to take form in the iridescent space between innocence and experience (“The body’s crystal arithmetic”). Superimposing dreamscapes on realities, history on pop culture and everyday sorrows, this collection is a hymn for the broken-hearted, a plea for connection in the information age, and a call to question the ways in which we both nurture and harm one another and our environment. None of This Belongs to Me is pertinent now more than ever, as Sawatzky’s generation comes of age in a tumultuous time, forced to consider all of that which does not—and may never—belong to them. These poems invite readers to explore our inner and outer worlds, to question the ways we inhabit them, to infuse our modern lives with our potent histories.

NEW YORK TIMES BESTSELLER Charles Frazier, the acclaimed author of Cold Mountain and Thirteen Moons, returns with a dazzling novel set in small-town North Carolina in the early 1960s. With his brilliant portrait of Luce, a young woman who inherits her murdered sister’s troubled twins, Frazier has created his most memorable heroine. Before the children, Luce was content with the reimbursements of the rich Appalachian landscape, choosing to live apart from the small community around her. But the coming of the children changes everything, cracking open her solitary life in difficult, hopeful, dangerous ways. In a lean, tight narrative, Nightwoods resonates with the timelessness of a great work of art. “Impossible to shake.”—Entertainment Weekly “Fantastic.”—The Washington Post “Astute and compassionate.”—The Boston Globe

Belated Bris of the Brainsick traces 1) a belated and in some ways violent revelation about one’s ancestry and one’s past, 2) a resultant mental breakdown and 3) the pursuit of a new life with someone else who lives with mental illness. These events and the styles in which they are told are inflected by queer, transgender and disabled perspectives and aesthetics. If there is a narrative arc to the collection, it is not the usual one of falling ill and then regaining health; rather, it is the pursuit of a “queered” version of health.