In The Sphere Of The Soviets

The book distinctive is listed in points (i) it focuses on Eastern European art covering the historical avant-garde to the post-war and contemporary periods of; (ii) it looks at some key artists in the countries that have not been given so much attention within this content i.e. Georgia, Dagestan, Chechnya and Central Asia; (iii) it looks beyond Eastern Europe to the influence of Russia/Soviet Union in Asia. It explores the theoretical models developed for understanding contemporary art across Eastern Europe and focus on the new generation of Georgian artists who emerged in the immediate years before and after the country’s independence from the Soviet Union; and on to discuss the legacy and debates around monuments across Poland, Russia and Ukraine.helps in Better understanding the postwar and contemporary art in Eastern Europe.

Nation-building as a process is never complete and issues related to identity, nation, state and regime-building are recurrent in the post-Soviet region. This comparative, inter-disciplinary volume explores how nation-building tools emerged and evolved over the last twenty years. Featuring in-depth case studies from countries throughout the post-Soviet space it compares various aspects of nation-building and identity formation projects. Approaching the issue from a variety of disciplines, and geographical areas, contributors illustrate chapter by chapter how different state and non-state actors utilise traditional instruments of nation-construction in new ways while also developing non-traditional tools and strategies to provide a contemporary account of how nation-formation efforts evolve and diverge.

This fascinating book argues that in Russia the relations between culture and nation, art and life, commodity and trash, often diverged from familiar Western European or American versions of modernity. The essays show how public and private overlapped and shaped each other, creating new perspectives on individuals and society in the Soviet Union.

Written from the perspective of the factory worker and peasant at the ground level, this study of Russia during the Revolution 1917-21 aims to shed light on the realities of living through and participating in these tumultuous events. The book is intended for undergraduate courses in history, Soviet studies, and politics.

The essays in this collection make up the first study of “dropping out” of late state socialism in Eastern Europe and the Soviet Union. From Leningrad intellectuals and Berlin squatters to Bosnian Muslim madrassa students and Romanian yogis, groups and individuals across the Eastern Bloc rejected mainstream socialist culture. In the process, multiple drop-out cultures were created, with their own spaces, music, values, style, slang, ideology and networks. Under socialism, this phenomenon was little-known outside the socialist sphere. Only very recently has it been possible to reconstruct it through archival work, oral histories and memoirs. Such a diverse set of subcultures demands a multi-disciplinary approach: the essays in this volume are written by historians, anthropologists and scholars of literature, cultural and gender studies. The history of these movements not only shows us a side of state socialist life that was barely known in the west. It also sheds new light on the demise and eventual collapse of late socialism, and raises important questions about the similarities and differences between Eastern and Western subcultures.