In The Style Of Cannonball Adderley

Many of the devices and techniques used by Cannonball Adderley are covered in this text. In addition to the theory chapters, many melodic lines and phrases in the style of Cannonball Adderley are presented. All the lines have been transposed into one key and grouped by the harmonic background they can be played against. the accompanying play-along CD enables students to first practice the material in one key, and then master each line in all twelve keys, working around the circle of fourths.Also available in Japanese from ATN, Inc.

Many of the devices and techniques used by "Cannonball" Adderley are covered in this text. In addition to the theory chapters, many melodic lines and phrases in the style of "Cannonball" Adderley are presented. All the lines have been transposed into one key and grouped by the harmonic background they can be played against. The accompanying play-along CD enables to students to first practice the material in one key, and then master each line in all twelve keys, working around the circle of fourths. "Also available in Japanese from ATN, Inc."

Transskriptioner efter pladeindspilninger med "Cannonball" Adderley

(Jazz Transcriptions). Nearly 50 of Julian "Cannonball" Adderley's recorded solos transcribed exactly for E-flat instruments, including: Blue Funk * Cannonball * Easy to Love (You'd Be So Easy to Love) * Fiddler on the Roof * I Remember You * Love for Sale * Milestones * Oleo * On Green Dolphin Street * People Will Say We're in Love * So What * Somethin' Else * Stardust * Straight No Chaser * Things Are Getting Better * What Is This Thing Called Love? * Who Cares? (So Long As You Care for Me) * You Got It * and many more.

Many of the devices and techniques used by Cannonball Adderley are covered in this text. In addition to the theory chapters, many melodic lines and phrases in the style of Cannonball Adderley are presented. All the lines have been transposed into one key and grouped by the harmonic background they can be played against. the accompanying play-along CD enables the students to first practice the material in one key, and then master each line in all twelve keys, working around the circle of fourths.Also available in Japanese from ATN, Inc.

(Book). Cannonball Adderley introduces his 1967 recording of "Walk Tall," by saying, "There are times when things don't lay the way they're supposed to lay. But regardless, you're supposed to hold your head up high and walk tall." This sums up the life of Julian "Cannonball" Adderley, a man who used a gargantuan technique on the alto saxophone, pride in heritage, devotion to educating youngsters, and insatiable musical curiosity to bridge gaps between jazz and popular music in the 1960s and '70s. His career began in 1955 with a Cinderella-like cameo in a New York nightclub, resulting in the jazz world's looking to him as "the New Bird," the successor to the late Charlie Parker. But Adderley refused to be typecast. His work with Miles Davis on the landmark Kind of Blue album helped further his reputation as a unique stylist, but Adderley's greatest fame came with his own quintet's breakthrough engagement at San Francisco's Jazz Workshop in 1959, which launched the popularization of soul jazz in the 1960s. With his loyal brother Nat by his side, along with stellar sidemen, such as keyboardist Joe Zawinul, Adderley used an engaging, erudite personality as only Duke Ellington had done before him. All this and more are captured in this engaging read by author Cary Ginell. "Hipness is not a state of mind, it is a fact of life." Cannonball Adderley

Many of the devices and techniques used by Cannonball Adderley are covered in this text. In addition to the theory chapters, many melodic lines and phrases in the style of Cannonball Adderley are presented. All the lines have been transposed into one key and grouped by the harmonic background they can be played against. The accompanying play-along CD enables the students to first practice the material in one key, and then master each line in all twelve keys, working around the circle of fourths. Also available in Japanese from ATN, Inc.

Many of the devices and techniques used by Cannonball Adderly are coveredin this text. In addition to the theory chapters, many melodic lines and phrases in the style of Cannonball Adderly are presented. All the lines have been transposed into one key and grouped by the harmonic background they can be played against. The accompanying play-along CD enables students to first practice the material in one key, and then master each line in all twelve keys, working around the circle of fourths