In The Time Of The Drums

Mentu, an American-born slave boy, watches his beloved grandmother, Twi, lead the insurrection at Teakettle Creek of Ibo people arriving from Africa on a slave ship.

Sixteen-year-old Jem struggles to maintain the status quo at home in Trenton, New Jersey, when the family men join the war for independence. There are signs of rebellion in the Emerson household several years before the actual American Revolution hits in 1776! Brought up in a relatively liberal household, Jemima Emerson is quite a challenge for her tutor, John Reid, who is known as a Tory with strong ties to England. How could Jem's parents be friends with a man who opposes American freedom? Jem longs for freedom on every level, in the home and her homeland--and John represents the forces that restrict her. Jem and her family soon find themselves fighting for freedom in whatever ways they can in the Revolutionary War. Before long, Jem discovers that there is much more to Mr. Reid than she ever imagined. Her feelings about him change when Jem realizes that John shares her love of freedom--and will risk his life to defend it.

Mentu, an American-born slave boy, watches his beloved grandmother, Twi, lead the insurrection at Teakettle Creek of Ibo people arriving from Africa on a slave ship.

A Publishers Weekly Best Book of 2019 A Today Show Best Book of the Year A Booklist Book for Youth Editors’ Choice 2019 A Boston Globe–Horn Picture Book Honor Book 2020 An NPR Favorite Book of 2019 A Quill & Quire 2019 Book for Young People of the Year “Extraordinary.” —Publishers Weekly (starred review) “Inspirational.” —Booklist (starred review) “Laugh-out-loud funny.” —Shelf Awareness (starred review) “Will tickle kids and adults alike.” —Kirkus Reviews “An instant classic.” —Quill & Quire (starred review) From E.B. White Read Aloud honor artist Matthew Forsythe comes a picture book about a magical drum, an emerald forest, and the little frog who dares to make her own music. The biggest mistake Pokko’s parents ever made was giving her the drum. When Pokko takes the drum deep into the forest it is so quiet, so very quiet that Pokko decides to play. And before she knows it she is joined by a band of animals —first the raccoon, then the rabbit, then the wolf—and soon the entire forest is following her. Will Pokko hear her father’s voice when he calls her home? Pokko and the Drum is a story about art, persistence, and a family of frogs living in a mushroom.

Available for the first time in paperback, the award-winning The City Speaks in Drums follows two boys from North End Halifax as they explore their neighbourhood and the city beyond, finding music everywhere. At the skate park, by the Public Gardens, down Spring Garden Road, and on the boardwalk, drums and saxophones and dancers and basketballs create the jumbled, joyful, pulsing rhythm of Halifax. Shauntay Grant's playful spoken word-style poem and Susan Tooke's vivid illustrations create a wildly energetic and appealing journey through the big, bright city.

The Fun Drum Book for Kids will have you smiling, grooving and playing music in no time! This easy-to-follow drum method will help you unleash your creativity with or without a drum set! Perfect for beginners of all ages, it’s also a great tool for parents to teach their kids. Learn to play essential rudiments, classic rock grooves, familiar children’s songs, exciting drum fills and even creative solos in this colorful children's drumming book! Overflowing with pictures and diagrams, this step-by-step method is designed to keep the student's attention and produce results. Based on my nearly 20 years of teaching experience, this unique approach is guaranteed to provide hours of focused practice and play for anyone interested in the wide world of drumming.

In this vivid ethnography of social movements in the barrios, or poor shantytowns, of Caracas, Sujatha Fernandes reveals a significant dimension of political life in Venezuela since President Hugo Chávez was elected. Fernandes traces the histories of the barrios, from the guerrilla insurgency, movements against displacement, and cultural resistance of the 1960s and 1970s, through the debt crisis of the early 1980s and the neoliberal reforms that followed, to the Chávez period. She weaves barrio residents’ life stories into her account of movements for social and economic justice. Who Can Stop the Drums? demonstrates that the transformations under way in Venezuela are shaped by negotiations between the Chávez government and social movements with their own forms of historical memory, local organization, and consciousness. Fernandes portrays everyday life and politics in the shantytowns of Caracas through accounts of community-based radio, barrio assemblies, and popular fiestas, and the many interviews she conducted with activists and government officials. Most of the barrio activists she presents are Chávez supporters. They see the leftist president as someone who understands their precarious lives and has made important changes to the state system to redistribute resources. Yet they must balance receiving state resources, which are necessary to fund their community-based projects, with their desire to retain a sense of agency. Fernandes locates the struggles of the urban poor within Venezuela’s transition from neoliberalism to what she calls “post-neoliberalism.” She contends that in contemporary Venezuela we find a hybrid state; while Chávez is actively challenging neoliberalism, the state remains subject to the constraints and logics of global capital.

Patterns is one of the most comprehensive drum methods available. Covering a wide range of materials, the books can be used in any order, or in any combination with one another. They are a must for developing the kinds of skills necessary for drumset performance. Time-Functioning Patterns includes materials dealing with rock cymbal ostinatos, jazz independence, and the new linear phrasing concept that Gary developed.