In Whose Name

The vast majority of all international judicial decisions have been issued since 1990. This increasing activity of international courts over the past two decades is one of the most significant developments within the international law. It has repercussions on all levels of governance and has challenged received understandings of the nature and legitimacy of international courts. It was previously held that international courts are simply instruments of dispute settlement, whose activities are justified by the consent of the states that created them, and in whose name they decide. However, this understanding ignores other important judicial functions, underrates problems of legitimacy, and prevents a full assessment of how international adjudication functions, and the impact that it has demonstrably had. This book proposes a public law theory of international adjudication, which argues that international courts are multifunctional actors who exercise public authority and therefore require democratic legitimacy. It establishes this theory on the basis of three main building blocks: multifunctionality, the notion of an international public authority, and democracy. The book aims to answer the core question of the legitimacy of international adjudication: in whose name do international courts decide? It lays out the specific problem of the legitimacy of international adjudication, and reconstructs the common critiques of international courts. It develops a concept of democracy for international courts that makes it possible to constructively show how their legitimacy is derived. It argues that ultimately international courts make their decisions, even if they do not know it, in the name of the peoples and the citizens of the international community.

"On 11 September 2001, the photographer Abbas watched the Twin Towers fall in New York - live on Siberian TV, thirteen time zones away. It spurred him to begin a journey through the Islamic world that would last seven years. The photographs published here are the final result of that project. Born in Iran, Abbas casts a sharp eye over a world seen by very few from the West until now. Seeking out people and places that have been overlooked by others, he reveals far more - and in greater depth - than photojournalists who focus on flashpoints or who race to break the latest news. Abbas is acclaimed for his special ability to freeze a moment in a particular social or political conflict, to frame actions or gestures that instantly become emblematic: what he calls 'the suspended moment'. Accompanied by Abbas's own candid personal travel diary, these photographs convey his robust enquiring spirit. 'I wanted to see how the umma [world community of Muslims] reacted to the jihadists in their midst, ' Abbas says. 'How does Islam, a religion, sustain a political ideology - Islamism?' Recording a route through sixteen countries - including Iran, Iraq, Lebanon, Afghanistan, Saudi Arabia, Israel and Palestine, Turkey, Indonesia, Thailand, Kenya and Zanzibar - Abbas's pictures swell with the undercurrents of global disturbance, uncertainty and threat. Yet there are gleams of optimism, too - a wedding, an impromptu ball game, children playing - that remind us of Abbas's gift as a humane interpreter of our existence. Abbas is widely recognized as one of the most exceptional photographers of our time. These images represent some of the most memorable and compelling work he has produced."--Publisher's description.

“Whose Name was Writ in Water” contains a fantastic collection of poetry by various authors written in dedication to English Romantic poet John Keats (1795–1821). Together with Lord Byron and Percy Bysshe Shelley, he was a key figure during the second generation of Romantic poets most famous for such poems as "Sleep and Poetry", “Ode to a Nightingale", and "On First Looking into Chapman's Homer". Keats died at the age of 25 from tuberculosis, only four years after the first publication of his works. Despite not being praised by critics during his short life, Keats has since become one of the most celebrated English poets to have ever lived. Contents include: "Adonais, by Percy Bysshe Shelley”, “Keats, by Frances A. Fuller”, “The Poet Keats”, “Keats, by Richard Watson Gilder”, “For the Anniversary of John Keats's Death, by Sara Teasdale”, and “Keats – A Sonnet, by Florence Earle Coates”. A beautiful collection of classic poems that will appeal to poetry lovers and those with a particular interest in the life and work of this incredible English literary figure. Ragged Hand is publishing this brand new collection of classic poetry now complete with a specially-commissioned new biography of the author.

'The volume is remarkable for the variety of its inspiration...' — Manchester Guardian, UK 'Anand's picture is real, comprehensive, and subtle, and the shifts in moods, from farce to comedy, from pathos to tragedy, and from the realistic to the poetic, are remarkable.' — V S Pritchett, British Literary Critic 'Anand is indeed adept in the art of spinning a yarn.' — Punjab Journal of English Studies, Guru Nanak Dev University

Sanora Babb’s long-hidden novel Whose Names Are Unknown tells of the High Plains farmers who fled drought and dust storms during the Great Depression. Written with empathy for the farmers’ plight, this powerful narrative is based upon the author’s firsthand experience. Babb submitted the manuscript for this book to Random House for consideration in 1939. Editor Bennett Cerf planned to publish this “exceptionally fine” novel but when John Steinbeck’s The Grapes of Wrath swept the nation, Cerf explained that the market could not support two books on the subject.