Incarcerated Stories

Indigenous women migrants from Central America and Mexico face harrowing experiences of violence before, during, and after their migration to the United States, like all asylum seekers. But as Shannon Speed argues, the circumstances for Indigenous women are especially devastating, given their disproportionate vulnerability to neoliberal economic and political policies and practices in Latin America and the United States, including policing, detention, and human trafficking. Speed dubs this vulnerability "neoliberal multicriminalism" and identifies its relation to settler structures of Indigenous dispossession and elimination. Using innovative ethnographic practices to record and recount stories from Indigenous women in U.S. detention, Speed demonstrates that these women's vulnerability to individual and state violence is not rooted in a failure to exercise agency. Rather, it is a structural condition, created and reinforced by settler colonialism, which consistently deploys racial and gender ideologies to manage the ongoing business of occupation and capitalist exploitation. With sensitive narration and sophisticated analysis, this book reveals the human consequences of state policy and practices throughout the Americas and adds vital new context for understanding the circumstances of migrants seeking asylum in the United States.

"Incarcerated stories uses ethnography and oral history to document and assess the plight of indigenous women migrants from Mexico and Central America to the United States. Their harrowing experiences of violence before, during, and after their migration parallel the worst stories we hear about immigrants' journeys; but as Speed argues, the circumstances for indigenous women are especially devastating against the backdrop of neoliberal economic and political reforms that have taken hold in Latin America as well as the U.S. First these women were promised greater autonomy and economic opportunity under reforms meant to promote indigenous rights at home, but the attention given to indigenous recognition veiled policies that furthered the economic disruption for women"--

A “profound, sometimes hilarious, often heartbreaking” (The New York Times) view of prison life, as told by currently and formerly incarcerated people, from the co-creators and co-hosts of the Peabody- and Pulitzer-nominated podcast Ear Hustle “A must-read for fans of the legendary podcast and all those who seek to understand crime, punishment, and mass incarceration in America.”—Piper Kerman, author of Orange Is the New Black When Nigel Poor and Earlonne Woods met, Nigel was a photography professor volunteering with the Prison University Project and Earlonne was serving thirty-one years to life at California’s San Quentin State Prison. Initially drawn to each other by their shared interest in storytelling, neither had podcast production experience when they decided to enter Radiotopia’s contest for new shows . . . and won. Using the prize for seed money, Nigel and Earlonne launched Ear Hustle, named after the prison term for “eavesdropping.” It was the first podcast created and produced entirely within prison and would go on to be heard millions of times worldwide, garner Peabody and Pulitzer award nominations, and help earn Earlonne his freedom when his sentence was commuted in 2018. In This Is Ear Hustle, Nigel and Earlonne share their own stories of how they came to San Quentin, how they created their phenomenally popular podcast amid extreme limitations, and what has kept them collaborating season after season. They present new stories, all with the same insight, balance, and rapport that distinguish the podcast. In an era when more than two million people are incarcerated across the United States—a number that grows by 600,000 annually—Nigel and Earlonne explore the full and often surprising realities of prison life. With characteristic candor and humor, their moving portrayals include unexpected moments of self-discovery, unlikely alliances, inspirational resilience, and ingenious work-arounds. One personal narrative at a time, framed by Nigel’s and Earlonne’s distinct perspectives, This Is Ear Hustle reveals the complexity of life for incarcerated and formerly incarcerated people while illuminating the shared experiences of humanity that unite us all.

Disruptive Prisoners reconstitutes the history of Canada’s federal prison system in the mid-twentieth century through a process of collective biography – one involving prisoners, administrators, prison reformers, and politicians. This social history relies on extensive archival research and access to government documents, but more importantly, uses the penal press materials created by prisoners themselves and an interview with one of the founding penal press editors to provide a unique and unprecedented analysis. Disruptive Prisoners is grounded in the lived experiences of men who were incarcerated in federal penitentiaries in Canada and argues that they were not merely passive recipients of intervention. Evidence indicates that prisoners were active agents of change who advocated for and resisted the initiatives that were part of Canada’s "New Deal in Corrections." While prisoners are silent in other criminological and historical texts, here they are central figures: the juxtaposition of their voices with the official administrative, parliamentary, and government records challenges the dominant tropes of progress and provides a more nuanced and complicated reframing of the post-Archambault Commission era. The use of an alternative evidential base, the commitment of the authors to integrating subaltern perspectives, and the first-hand accounts by prisoners of their experiences of incarceration makes this book a highly readable and engaging glimpse behind the bars of Canada’s federal prisons.

Is prison a humane form of punishment and an effective means of rehabilitation? Are current prison policies, such as shifting resources away from rehabilitation toward housing more offenders, improving the safety and lives of incarcerated populations? Considering that many Canadians have served time, are currently incarcerated, or may one day be incarcerated–and will be released back into society–it is essential for the functioning and betterment of communities that we understand the realities that shape the prison experience for adult male offenders. Surviving Incarceration reveals the unnecessary and omnipresent violence in prisons, the heterogeneity of the prisoner population, and the realities that different prisoners navigate in order to survive. Ricciardelli draws on interviews with almost sixty former federal prisoners to show how their criminal convictions, masculinity, and sexuality determined their social status in prison and, in consequence, their potential for victimization. The book outlines the modern "inmate code" that governs prisoner behaviours, the formal controls put forth by the administration, the dynamics that shape sex-offender experiences of incarceration, and the personal growth experiences of many prisoners as they cope with incarceration.

Bridget Donnelly. Charlotte Reveille. Kate Slattery. Emily Boyle. Until now, these were nothing but names marked down in the admittance registers and punishment reports of Kingston Penitentiary, Canada’s most notorious prison. In this shocking and heartbreaking book, Ted McCoy tells these women’s stories of incarceration and resistance in poignant detail. The four women served sentences at different times over a century, but the inhumanity they suffered was consistent. Locked away in dark basement wards, they experienced starvation and corporal punishment, sexual abuse and neglect – profoundly disturbing evidence of the hidden costs of isolation, punishment, and mass incarceration.

"A powerful document of the inner lives and creative visions of men and women rendered invisible by America’s prison system. More than two million people are currently behind bars in the United States. Incarceration not only separates the imprisoned from their families and communities; it also exposes them to shocking levels of deprivation and abuse and subjects them to the arbitrary cruelties of the criminal justice system. Yet, as Nicole Fleetwood reveals, America’s prisons are filled with art. Despite the isolation and degradation they experience, the incarcerated are driven to assert their humanity in the face of a system that dehumanizes them. Based on interviews with currently and formerly incarcerated artists, prison visits, and the author’s own family experiences with the penal system, Marking Time shows how the imprisoned turn ordinary objects into elaborate works of art. Working with meager supplies and in the harshest conditions—including solitary confinement—these artists find ways to resist the brutality and depravity that prisons engender. The impact of their art, Fleetwood observes, can be felt far beyond prison walls. Their bold works, many of which are being published for the first time in this volume, have opened new possibilities in American art. As the movement to transform the country’s criminal justice system grows, art provides the imprisoned with a political voice. Their works testify to the economic and racial injustices that underpin American punishment and offer a new vision of freedom for the twenty-first century."

In December 2008, twentysomething Jill Grunenwald graduated with her master's degree in library science, ready to start living her dream of becoming a librarian. But the economy had a different idea. As the Great Recession reared its ugly head, jobs were scarce. After some searching, however, Jill was lucky enough to snag one of the few librarian gigs left in her home state of Ohio. The catch? The job was behind bars as the prison librarian at a men's minimum-security prison. Talk about baptism by fire.