Independence Colonial Relics And Monuments In The Caribbean

Independence, Colonial Relics, and Monuments in the Caribbean is a collection of critical perspectives on independence and the legacies of colonialism in the post-colonial Caribbean. The contributors examine themes relating to culture, identity, gender, nationhood, heritage and historic preservation in the post-independent Caribbean. In a twenty-first century context where calls for reparatory justice for the people of the Caribbean who have been disadvantaged by the effects of colonialism have intensified, this book is quite relevant as some chapters examine colonialism through relics, laws, statues and monuments, while other chapters explore the implications of African enslavement, the role of Indian indentureship, the Federation of the West Indies and the effect of the American based Black Lives Movement on the Caribbean.

Introductory surveys cover topics of regional importance; individual country chapters include analysis, statistics and directory information; plus information on regional organizations

Engaging the past, the present, and the future, The Workings of Diaspora: Jamaican Maroons and the Claims to Sovereignty shows how the lived experience of Jamaican Maroons is linked to the African Diaspora. In so doing, this interdisciplinary undertaking interrogates the definition of Diaspora but mainly emphasizes the term’s use. Mario Nisbett demonstrates that an examination of Jamaican Maroon communities, particularly their socio-political development, can further highlight the significance of the African Diaspora as an analytical tool. He shows how Jamaican Maroons inform resistance to abjection, a denial of full humanity, through claiming their African origin and developing solidarity and consciousness in order to affirm black humanity. This book establishes that present-day Jamaican Maroons remain relevant and engage the African Diaspora to improve black standing and bolster assertions of sovereignty.

This volume addresses the problem of how Caribbean nations deal with the challenges of protecting their cultural heritages or patrimonies within the context of pressing economic development concerns.

This volume originated in a conference on 'Capitalist Plantations in Colonial Asia', held at the Centre for Asian Studies of the University of Amsterdam and Free University of Amsterdam in September 1990. The contributions to this collection focus on the production of rubber, sugar, tea, and several less strategic plantation crops, in colonial Indochina, Java, Malaya, the Philippines, India, Ceylon, Mauritius and Fiji (although geographically anomalous, both the latter are included because of the centrality to their sugar plantations of indentured labour from India).

Encyclopedia of Caribbean Archaeology offers a comprehensive overview of the available archaeological research conducted in the region. Beginning with the earliest native migrations and moving through contemporary issues of heritage management, the contributors tackle the usual questions of colonization, adaptation, and evolution while embracing newer research techniques, such as geoinformatics, archaeometry, paleodemography, DNA analysis, and seafaring simulations. Entries are cross-referenced so that readers can efficiently access data on a variety of related topics. The introduction includes a survey of the various archaeological periods in the Caribbean, as well as a discussion of the region’s geography, climate, topography, and oceanography. It also offers an easy-to-read review of the historical archaeology, providing a better understanding of the cultural contexts of the Caribbean that resulted from the convergence of European, Native American, African, and then Asian settlers.

By the late 1980s and early 1990s, a great number of TV shows and music acts blossomed in Colombia, all of which resorted to regional identity as the narrative core for a renewed idea of national identity. Among them was “Clasicos de la provincial,” an album by Colombian singer Carlos Vives and his band La Provincia (1993), which marked the beginning of a successful career that has spanned nearly three decades. Vives´s work not only earned much deserved recognition in the musical industry from the beginning, but most importantly, has come to be renowned as a landmark in the cultural history of Colombia. This book is the first in-depth analysis focused on the creation and production process of Vives´s work, its main musical and literary features, and its influence on other musicians and in the construction of a narrative about national identity that is still relevant today. More than fifty interviews with Vives and members of the band, musicians, journalists, radio programmers, musical producers, and other key players of the process, together with an extensive review of hundreds of documents, are the sources for this book, which earned its authors a national award in Colombia (2015).