India News

"More than just a fascinating description of newsmaking and practice in an Indian city, this book has implications for theories of news and communication that make it a timely and significant contribution to the literature on journalism and newsmaking in the changing global environment.'--Mark Peterson, Miami University --

Shortlisted for the 2022 George A. and Jeanne S. DeLong Book History Book Prize presented by the Society for the History of Authorship, Reading and Publishing Winner of the 2021 Robert and Vineta Colby Scholarly Book Prize presented by the Research Society for Victorian Periodicals In Empire News, Priti Joshi examines the neglected archive of English-language newspapers from India to unpack the maintenance and tensions of empire. Focusing on the period between 1845 and 1860, she analyzes circulation—of newspapers and news, of peoples and ideas—and newspapers' coverage and management of crises. The book explores three moments of colonial crisis. The sensational trial of East India Company vs. Jyoti Prasad in Agra in 1851 as the Kohinoor diamond is exhibited in London's Hyde Park is a case lost but for colonial newspapers. In these accounts, the trial raises the specter of Warren Hastings and the costs of empire. The Uprising of 1857 was a geopolitical crisis, but for the Indian news media it was a story simultaneously of circulation and blockage, of contraction and expansion, of colonial media confronting its limits and innovating. Finally, Joshi traces circuits of exchange between Britain and India and across media platforms, including Dickens's Household Words, where the empire's mofussil (margin) appears in an unrecognized guise during and after the Uprising. By attending to these fascinating accounts in the Anglo-Indian press, Joshi illuminates the circulation and reproduction of colonial narratives and informs our understanding of the functioning of empire.

Post-liberalisation India has witnessed a dramatic growth of the television industry as well as on-screen images of the glitz and glamour of a vibrant, ‘shining’ India. Through a detailed ethnographic study of Star News and Star Ananda involving interviews, observations and content analysis, this book explores the milieu of 24-hour private news channels in India today. It offers insightful glimpses into the workings of one of the mightiest news corporations in the world and its ability to manufacture everyday reality for its audiences. Based on fieldwork in Mumbai and Kolkata, this study not only provides a detailed description of the television newsroom, its rituals and rhythms, but ventures beyond it to investigate how editorial and corporate strategies converge increasingly in an industry driven by profit. Through analysing how TRPs work to produce a non-inclusive idea of the ‘audience’ and examining hundreds of hours of news content, the book explores how news channels construct a vision of nationhood and of a successful and vibrant economy that caters primarily to the needs of the resurgent Indian middle class. While it will be of particular interest to media and cultural studies scholars and students, and to journalists and media professionals in general, this lively, engaging book also aims to give the general reader the wherewithal to analyse and critique the continuous barrage of 24-hour news television today.

In the year 2000, when the World Wide Web was only ten years old and words like 'Google' or 'blog' were still unknown, India's print media was the dominant source of news. Its unending stream of depressing news made many feel India was a country without a future. That scenario troubled a man as he kept pondering. If India was as terrible as the media made it out to be, how has it endured these thousands of years? Surely there are a great many who are doing the good work despite all obstacles that we merely complain about? Who are they and what good work are they doing? What or who made them dedicate themselves to their work? Driven by these questions, that man, D.V, Sridharan, then fifty-eight years old, decided to go out, discover their stories and highlight good news from India, for India and the world. After building a basic website-goodnewsindia.com-and armed with an early model of a digital camera, he drove around the country to meet and write about their work. It turned out there were numerous little-known heroes who, despite adverse circumstances, braved on with the good work they believed in. In the process, he discovered what was worth working on for the furtherance of India as a civilisation. Good News India showcases some of those ordinary Indians and their extraordinary work. These are stories of positive action, steely endeavour and quiet triumphs.

'Excellent...an incisive and much needed study of how television is changing India.' - Rajdeep Sardesai, Managing Editor, CNN-IBN and IBN-7More than fifty 24-hour news networks, operating in eleven different languages, emerged in India between 1992 and 2006. This book traces the evolution of satellite television and how it effected major changes in political culture, the state, and expressions of Indian nationhood. Explaining how television, a medium that developed in the industrial West, was adapted to suit Indian conditions, the book focuses specifically on the emergence of satellite news channels. It shows how live television used new forms of technology to plug into existing nodes of communication, which in turn led to the creation of a new visual language - national, regional and local - that altered politics and forms of identity formation in significant ways. Satellite television came to India as the representative of global capitalism in the early 1990s and crushed the governmental monopoly over broadcasting that had existed since independence. As such, the story of satellite news is also the story of India's encounter with the forces of globalisation. 'Accumulated with an insider's knowledge...a genuine contribution to the literature, bringing together valuable material that deserves a wide audience.' - Prof. Arvind Rajagopal, author of Politics After Television.