Indian Boyhood

Classic memoir of life, experience, and education of a Lakota child in the late 1800s.

Personal memoir of Carl Sweezy (1881-1953), a full-blooded Arapaho artist, as told to Altha Bass.

A warm, at times hilarious, yet dark childhood memoir from a bestselling author. This memoir recalls the boyhood years of Ontario’s future lieutenant-governor, living in a dilapidated old house complete with outdoor toilet and coal oil-lamp lighting. Behind the outrageous stories, larger-than life-characters, and descriptions of the mores of a small village in the heart of Ontario’s cottage country are flashes of insight from the perspective of a child that recall the great classic Who has Seen the Wind by W.O. Mitchell. But why "a different Muskoka?" Because the boy was a half-breed kid. Visits to his mother’s reserve showed him that he was caught between two worlds. His mother’s fight with depression flowed from that dilemma. His father — the book’s main character — was a lovable, white, working class, happy-go-lucky guy who never had any money but who made the best home brew in the village — and his specialty was raisin wine. Like that raisin wine, this unusual book goes down easily and has a kick to it.

In reminiscing about his early years on Minnesota’s White Earth Reservation at the turn of the century, John Rogers reveals much about the life and customs of the Chippewas. He tells of food-gathering, fashioning bark canoes and wigwams, curing deerskin, playing games, and participating in sacred rituals. These customs were to be cast aside, however, when he was taken to a white school in an effort to assimilate him into white society. In the foreword to this new edition, Melissa L. Meyer places Roger’s memoirs within the story of the White Earth Reservation.

Chronicles first 15 years in life of a native Santee Sioux Indian in mid-19th century: childhood memories, training in the hunt, woodlore, religious practices, medicine men, more. 13 illustrations.

Born into a storied but impoverished family on the reservation of the Eastern Band of Cherokee Indians, Leonard Carson Lambert Jr.’s candid memoir is a remarkable story and an equally remarkable flouting of the stereotypes that so many tales of American Indian life have engendered. Up from These Hills provides a grounded, yet poignant, description of what it was like to grow up during the 1930s and 1940s in the mountains of western North Carolina and on a sharecropper’s farm in eastern Tennessee. Lambert straightforwardly describes his independent, hardworking, and stubborn parents; his colorful extended family; his eighth-grade teacher, who recognized his potential and first planted the idea that he might attend college; as well as siblings, schoolmates, and others who shaped his life. He paints a vivid picture of life on the reservation and off, documenting work, family life, education, religion, and more. Up from These Hills also tells the true story of how this family rose from depression-era poverty, a story rarely told about Indian families. With its utterly unique voice, this vivid memoir evokes an unknown yet important part of the American experience, even as it reveals the realities behind Indian experience and rural poverty in the first half of the twentieth century.

Autobiographical account of how Eastman became a young Indian scout reveals secrets of the Sioux: how to read footprints, hunt with a slingshot and bow and arrow, trap and fish, much more. 27 illustrations.