Indian Oratory

This collection of notable speeches by early-day leaders of twenty-two Indian tribes adds a new dimension to our knowledge of the original Americans and their own view of the tide of history engulfing them. Little written record of their oratory exists, although Indians made much use of publics address. Around the council fires tribal affairs were settled without benefit of the written word, and young men attended to hear the speeches, observe their delivery, and consider the weight of reasoned argument. Some of the early white men who traveled and lived among the Indians left transcriptions of tribal council meetings and speeches, and other orations were translated at treaty council meetings with delegates of the United States government. From these scattered reports and the few other existing sources this book presents a reconstruction of contemporary thought of the leading men of many tribes. Chronologically, the selections range from the days of early contact with the whites in the 1750’s to a speech by Quanah Parker in 1910. Several of the orations were delivered at the famous Medicine Lodge Council in 1867. A short biography of each orator states the conditions under which the speeches were made, locates the place of the council or meeting, and includes a photograph or copy of a painting of the speaker. Speakers chosen to represent the tribes at treaty council were all orators of great natural ability, well trained in the Indian oral traditions. Acutely conscious that they were the selected representatives of their people, these men delivered eloquent, moving speeches, often using wit and sarcasm to good effect. They were well aware of all the issues involved, and they bargained with great statesmanship for survival of their traditional way of life.

In Euroamerican annals of contact with Native Americans, Indians have consistently been portrayed as master orators who demonstrate natural eloquence during treaty negotiations, councils, and religious ceremonies. Esteemed by early European commentators more than indigenous storytelling, oratory was in fact a way of establishing self-worth among Native Americans, and might even be viewed as their supreme literary achievement. William Clements now explores the reasons for the acclaim given to Native oratory. He examines in detail a wide range of source material representing cultures throughout North America, analyzing speeches made by Natives as recorded by whites, such as observations of treaty negotiations, accounts by travelers, missionaries' reports, captivity narratives, and soldiers' memoirs. Here is a rich documentation of oratory dating from the earliest records: Benjamin Franklin's publication of treaty proceedings with the Six Nations of the Iroquois; the travel narratives of John Lawson, who visited Carolina Indians in the early 1700s; accounts of Jesuit missionary Pierre De Smet, who evangelized to Northern Plains Indians in the nineteenth century; and much more. The book also includes full texts of several orations. These texts are comprehensive documents that report not only the contents of the speeches but the entirety of the delivery: the textures, situations, and contexts that constitute oratorical events. While there are valid concerns about the reliability of early recorded oratory given the prejudices of those recording them, Clements points out that we must learn what we can from that record. He extends the thread unwoven in his earlier study Native American Verbal Art to show that the long history of textualization of American Indian oral performance offers much that can reward the reader willing to scrutinize the entirety of the texts. By focusing on this one genre of verbal art, he shows us ways in which the sources are—and are not—valuable and what we must do to ascertain their value. Oratory in Native North America is a panoramic work that introduces readers to a vast history of Native speech while recognizing the limitations in premodern reporting. By guiding us through this labyrinth, Clements shows that with understanding we can gain significant insight not only into Native American culture but also into a rich storehouse of language and performance art.

Comprises speeches, chiefly political.

Explores the significance of Indian control spirits as a dominating force in nineteenth-century American Spiritualism. The Specter of the Indian unveils the centrality of Native American spirit guides during the emergent years of American Spiritualism. By pulling together cultural and political history; the studies of religion, race, and gender; and the ghostly, Kathryn Troy offers a new layer of understanding to the prevalence of mystically styled Indians in American visual and popular culture. The connections between Spiritualist print and contemporary Indian policy provide fresh insight into the racial dimensions of social reform among nineteenth-century Spiritualists. Troy draws fascinating parallels between the contested belief of Indians as fading from the world, claims of returned apparitions, and the social impetus to provide American Indians with a means of existence in white America. Rather than vanishing from national sight and memory, Indians and their ghosts are shown to be ever present. This book transports the readers into dimly lit parlor rooms and darkened cabinets and lavishes them with detailed séance accounts in the words of those who witnessed them. Scrutinizing the otherworldly whisperings heard therein highlights the voices of mediums and those they sought to channel, allowing the author to dig deep into Spiritualist belief and practice. The influential presence of Indian ghosts is made clear and undeniable. Kathryn Troy teaches in the Department of Social Sciences and Criminal Justice at Suffolk County Community College and the Department of History, Politics, and Geography at Farmingdale State College, State University of New York.