Indian Picture Writing

This collection of Delaware legends has long been out of print. Originally published in 1905, this collection of authentic Delaware legends has long been sought both by scholars and individuals who cherish the lessons these tales impart. Stories such as "The Hunter and the Owl" teach us the importance of keeping a promise. The legend "A-le-pah-qua, The Woman with the Two Plants" demonstrates how we should not abuse the powers we are given. This book does much more than introduce the richness of the original Delaware language to an English-speaking audience: Four of these legends have been retranslated into the Delaware language by native Delaware speakers. Readers will find line-by-line translations that reveal the eventual transformation of a transliterated Delaware text into an English-language story.

Offers guidance in understanding and producing American Indian picture writings, exploit markings and symbols of victory.

This collection of twenty-two Delaware Indian stories has long been sought out both by scholars and individuals. Beyond the lessons, the book introduces the richness of the original Delaware language to an English-speaking audience: four of these legends have been retranslated into the Delaware language by native Delaware speakers. Readers will find line-by-line translations that reveal the eventual transformation of a transliterated Delaware text into an English-language story.

Volume 2 of most complete account of Indian picture writing ever — with 1,290 illustrations and 54 additional plates (total in set) depicting inscriptions on stone, bone, skins, feathers, pottery, and more.

Plains Indian History and Culture, an engaging collection of articles and essays, reflects John C. Ewers multifaceted approach to Indian history, an approach that combines his far-reaching interest in American history generally, his professional training in anthropology, and his many decades of experience as a field-worker and museum curator. The author has drawn on interviews collected during a quarter-century of fieldwork with Indian elders, who in recalling their own experiences during the buffalo days, revealed unique insights into Plains Indian life. Ewers use his expertise in examining Indian-made artifacts and drawings as well as photographs taken by non-Indian artists who had firsthand contact with Indians. He throws new light on important changes in Plains Indian culture, on the history of intertribal relations, and on Indian relation with whites—traders, missionaries, soldiers, settlers, and the U.S. Government.