Indian Sculpture 700 1800

The sheer wealth and dizzying diversity of Indian sculpture are celebrated in this second volume of the catalogue raisonne of the Los Angeles County Museum's collection. Nearly two hundred sculptures produced during eleven centuries are described. Of these, one-quarter of the pieces are part of the Nasli and Alice Heeramaneck Collection, while the remaining three-quarters have been acquired since 1970. This splendid collection, while not representing all the major styles of sculpture that flourished on the Indian subcontinent from 700-1900, is certainly one of the most comprehensive among American and European museums. Included are stone, metal, ivory, and wood sculptures from fourteen states and territories of India and from Pakistan and Afghanistan. Organized by regions--Central and Western, Eastern, and Southern India, and the Northwest--the catalogue contains detailed descriptions and illustrations of the 188 sculptures, many with details or multiple views, for a total of 259 illustrations--251 in duotone and halftone and 8 in color.

The sheer wealth and dizzying diversity of Indian sculpture are celebrated in this second volume of the catalogue raisonn� of the Los Angeles County Museum's collection. Nearly two hundred sculptures produced during eleven centuries are described. Of these, one-quarter of the pieces are part of the Nasli and Alice Heeramaneck Collection, while the remaining three-quarters have been acquired since 1970. This splendid collection, while not representing all the major styles of sculpture that flourished on the Indian subcontinent from 700-1900, is certainly one of the most comprehensive among American and European museums. Included are stone, metal, ivory, and wood sculptures from fourteen states and territories of India and from Pakistan and Afghanistan. Organized by regions--Central and Western, Eastern, and Southern India, and the Northwest--the catalogue contains detailed descriptions and illustrations of the 188 sculptures, many with details or multiple views, for a total of 259 illustrations--251 in duotone and halftone and 8 in color.

George Michell provides a pioneering and richly illustrated introduction to the architecture, sculpture and painting of Southern India under the Vijayanagara empire and the states that succeeded it. This period, encompassing some four hundred years, from the fourteenth to the eighteenth century, was endowed with an abundance of religious and royal monuments which remain as testimonies to the history and ideology behind their evolution. The author evaluates the legacy of this artistic heritage, describing and illustrating buildings, sculptures and paintings that have never been published before. In a previously neglected area of art history, the author presents an original and much-needed reassessment.

At a glance, ancient Indian sculpture is quite attention-grabbing due to its structural form and somewhat devotional approach. It makes us curious and raises a lot of questions about it. There is a lot of books regarding the sculptures of India; however, there are something mysteries behind those ancient sculptures that need to unfold. The point of discussion of this book is related to some of the hidden rules and grammatical aspects of those ancient sculptures in the focus of Hindu doctrine and spiritualism. To understand widely the Indian sculptures, it is necessary to have the information on those secret rules, grammars, spiritual theology, and of course the Indian history. The writer of this book is an acclaimed Indian artist and award-winning blogger, who also passionate about traveling and photography. His experience in Indian art and culture got wider with his travel across India. In this book, he also shared his direct experience related to various aspects of Indian sculpture. It's a complete guide to making sense of the pauls of Indian sculpture through the perspective of an artist.

This Monograph, First Of Its Kind, Surveys The Female Sculptures Created By Indian Artists Through Centuries, From An Ancient Era Of Indus Valley Civilization To Medieval Times. Archaeological Data Is Interpretd In The Light Of Literary And Cultural Traditions Of India. Various Images The Sculptors Conceived Of Her As Mother Doddess, Yakshi, Devangana And Surasundari, Lover Par Excellemce, One As Fond Of Wine , Dance And Musaic, Shrinagara Nayika, Paragon Of Beauty And Inerllect And Also Embodiment Of Forces Of Death And Destruction, And Made Into Sculptures, Are Described Here In Very Lucid Language, To Give The Readers An Insight Into Indian Art.

In India, Hindu images have been cast for millennia through the lost wax process and brought to life by priests--becoming not merely venerated icons but actual embodiments of gods. Second and third generation Hindu Americans have increasingly adopted a more worldly perspective toward religious objects, viewing them as symbolic rather than actual presences of the deity. The author traces the origins of this important shift, and examines Western attitudes regarding sacred objects, as well as the complex layering of traditional and modern Hindu attitudes in a globalized world.