Industrial Arts Design

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"Industrial Arts Design" by William H. Varnum is a practical guide for designing in wood, clay, base, and precious metals. It is intended for individual student use in high schools, normal schools, and colleges and as a reference book for elementary school teachers. Its more complex problems are intended as definite help to the industrial art designer or craftsman. The wood problems are treated with special reference to their adaptability to bench and cabinet work. The book has been written to fill a decided demand for a textbook that shall, without loss of time, directly apply well-recognized principles of general design to specific materials and problems encountered in the Industrial Arts.

Originally published in 1916 when the Arts & Crafts movement was in its heyday, this is a virtual textbook of materials, color, techniques, and designs. Arts & Crafts Design is a practical guide to the creation of high-quality, high-style furnishings through the industrial arts. "In this relativistic age in which de gustilrie non disputandum est (it is undisputed that each person has their own sense of taste), it is refreshing to look back to the early twentieth century when at least a few people were certain that there are universal rules for good art and also that they had themselves mastered these precepts and could pass them on to a society that loved commonly held values. William H. Varnum was one of those people. He offers here a textbook that will, if followed, allow students to 'directly apply well-recognized principles of design to specific materials and problems.' No situation esthetics here. In fact, he followed these principles in designing the logos representing his tools and ratio system on the cover of his book. "The publisher of this new edition has added a useful foreword and substitued the title Arts and Crafts Design for the original (1916) Industrial Arts Design, an appropriate modification since the term "industrial" suggests factory production whereas Varnum referred to objects that today we call "Craftsman"--Rookwood pottery, Stickley furniture, Jarvie candlesticks, etc. A delightful touch is that Varnum included pictures of these objects alongside the principles by which he believed they were designed. Varnum's book offers an enlightening, if somewhat technical, insight into thinking about design before World War I. There is no doubt that the Arts and Crafts period during which the principles of simple beauty married so neatly with function can be better understood and appreciated today through Varnum's perceptions." Robert Winter

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Excerpt from Industrial Arts Design: A Textbook of Practical Methods for Students, Teachers, and Craftsmen Industrial arts design develops the principles Of industrial design in a new and logical form which, it is believed, will simplify the teaching Of craft design. Chapters I to V deal with the elemen tary problems confronting the designer as he begins the first steps on his working drawing; Chapters VI to VIII Show the methods by which he may express his individuality through contour or outline enrichment, while Chapters IX to XVII explain the treatment Of the most difficult form Of decoration, that of surface enrichment. The Appendix. The appendix is added to Show the manner inwhich the rules may be directly applied to a course of study in either pottery or art metal. The present work is not intended to include the chemistry Of glaze mixing or other technical requirements to which reference is made in the appendix; consequently the reader is referred to The Potter's Craft by C. F. Binns and Pottery by George J. Cox for fuller explanations Of the formulae and technical ities Of the craft. Source of Principles. The principles herein advocated are directly related to architectural design which is to be regarded as the standard authority for the industrial arts designer. It was necessary to state these principles in the form of sufficiently flexible rules which would allow the student to use his own judgment, but at the same time, restrict him to the essential principles of good design. Rules. This presentation of the principles Of design by means of flexible rules in concrete form, serves to vitalize design by virtue of their immediate application to the material. The rules likewise save time for both pupil and instructor. This is regarded as an important factor, inasmuch as the amount Of time usually allotted to classroom teaching of design is limited. While these rules are applied to the specific materials, the designer may readily adjust them to other materials and find them equally applicable. Direct copying of designs from the illustrations is a dangerous expedient and is to be discouraged as a form of plagiarism which will eventually destroy the student's initiative, originality, and reputation for creative work. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.