Infinite Country

A REESE’S BOOK CLUB PICK and INSTANT NEW YORK TIMES BESTSELLER WINNER OF THE 2021 NEW AMERICAN VOICES AWARD, LONGLISTED FOR THE 2022 ANDREW CARNEGIE MEDAL, A 2022 DAYTON LITERARY PEACE PRIZE FINALIST, AND A NATIONAL ENDOWMENT OF THE ARTS “BIG READS” SELECTION “A profound, beautiful novel.” —People * “Poignant.” —BuzzFeed * “A breathtaking story of the unimaginable prices paid for a better life.” —Esquire This “heartbreaking portrait of a family dealing with the realities of migration and separation” (Time) is “a sweeping love story and tragic drama [and] an authentic vision of what the American Dream looks like in a nationalistic country” (Elle). I often wonder if we are living the wrong life in the wrong country. Talia is being held at a correctional facility for adolescent girls in the forested mountains of Colombia after committing an impulsive act of violence that may or may not have been warranted. She urgently needs to get out and get back home to Bogotá, where her father and a plane ticket to the United States are waiting for her. If she misses her flight, she might also miss her chance to finally be reunited with her family. How this family came to occupy two different countries, two different worlds, comes into focus like twists of a kaleidoscope. We see Talia’s parents, Mauro and Elena, fall in love in a market stall as teenagers against a backdrop of civil war and social unrest. We see them leave Bogotá with their firstborn, Karina, in pursuit of safety and opportunity in the United States on a temporary visa, and we see the births of two more children, Nando and Talia, on American soil. We witness the decisions and indecisions that lead to Mauro’s deportation and the family’s splintering—the costs they’ve all been living with ever since. Award-winning, internationally acclaimed author Patricia Engel, herself a dual citizen and the daughter of Colombian immigrants, gives voice to all five family members as they navigate the particulars of their respective circumstances. Rich with Bogotá urban life, steeped in Andean myth, and tense with the daily reality of the undocumented in America, Infinite Country “is as much an all-American story as it is a global one” (Booklist, starred review).

A REESE’S BOOK CLUB PICK “A knockout of a novel…we predict [Infinite Country] will be viewed as one of 2021’s best.” —O, The Oprah Magazine "An exquisitely told story of family, war, and migration, this is a novel our increasingly divided country wants and needs to read." --R.O. Kwon, Electric Literature Named a Most Anticipated Book of 2021 from Esquire, O, The Oprah Magazine, Elle, GMA, New York Post, Ms. Magazine, The Millions, Electric Literature, LitHub, AARP, Refinery29, BuzzFeed, Autostraddle, She Reads, Alma, and more. I often wonder if we are living the wrong life in the wrong country. Talia is being held at a correctional facility for adolescent girls in the forested mountains of Colombia after committing an impulsive act of violence that may or may not have been warranted. She urgently needs to get out and get back home to Bogotá, where her father and a plane ticket to the United States are waiting for her. If she misses her flight, she might also miss her chance to finally be reunited with her family in the north. How this family came to occupy two different countries, two different worlds, comes into focus like twists of a kaleidoscope. We see Talia’s parents, Mauro and Elena, fall in love in a market stall as teenagers against a backdrop of civil war and social unrest. We see them leave Bogotá with their firstborn, Karina, in pursuit of safety and opportunity in the United States on a temporary visa, and we see the births of two more children, Nando and Talia, on American soil. We witness the decisions and indecisions that lead to Mauro’s deportation and the family’s splintering—the costs they’ve all been living with ever since. Award-winning, internationally acclaimed author Patricia Engel, herself a dual citizen and the daughter of Colombian immigrants, gives voice to all five family members as they navigate the particulars of their respective circumstances. And all the while, the metronome ticks: Will Talia make it to Bogotá in time? And if she does, can she bring herself to trade the solid facts of her father and life in Colombia for the distant vision of her mother and siblings in America? Rich with Bogotá urban life, steeped in Andean myth, and tense with the daily reality of the undocumented in America, Infinite Country is the story of two countries and one mixed-status family—for whom every triumph is stitched with regret, and every dream pursued bears the weight of a dream deferred.

A REESE’S BOOK CLUB PICK AND INSTANT NEW YORK TIMES BESTSELLER “A knockout of a novel…we predict [Infinite Country] will be viewed as one of 2021’s best.” —O, The Oprah Magazine Named a Most Anticipated Book of 2021 from Esquire, O, The Oprah Magazine, Elle, GMA, New York Post, Ms. Magazine, The Millions, Electric Literature, LitHub, AARP, Refinery29, BuzzFeed, Autostraddle, She Reads, Alma, and more. I often wonder if we are living the wrong life in the wrong country. Talia is being held at a correctional facility for adolescent girls in the forested mountains of Colombia after committing an impulsive act of violence that may or may not have been warranted. She urgently needs to get out and get back home to Bogotá, where her father and a plane ticket to the United States are waiting for her. If she misses her flight, she might also miss her chance to finally be reunited with her family in the north. How this family came to occupy two different countries, two different worlds, comes into focus like twists of a kaleidoscope. We see Talia’s parents, Mauro and Elena, fall in love in a market stall as teenagers against a backdrop of civil war and social unrest. We see them leave Bogotá with their firstborn, Karina, in pursuit of safety and opportunity in the United States on a temporary visa, and we see the births of two more children, Nando and Talia, on American soil. We witness the decisions and indecisions that lead to Mauro’s deportation and the family’s splintering—the costs they’ve all been living with ever since. Award-winning, internationally acclaimed author Patricia Engel, herself a dual citizen and the daughter of Colombian immigrants, gives voice to all five family members as they navigate the particulars of their respective circumstances. And all the while, the metronome ticks: Will Talia make it to Bogotá in time? And if she does, can she bring herself to trade the solid facts of her father and life in Colombia for the distant vision of her mother and siblings in America? Rich with Bogotá urban life, steeped in Andean myth, and tense with the daily reality of the undocumented in America, Infinite Country is the story of two countries and one mixed-status family—for whom every triumph is stitched with regret, and every dream pursued bears the weight of a dream deferred.

“Stunning—a totally original, surreal mystery shot through with hints of the best of César Aira, Vladimir Nabokov, Angela Carter, and Julio Cortázar. Smart, clever, and honest. I doubt you’ve read anything quite like it.” —Jeff VanderMeer, author of The Southern Reach trilogy On a sweltering summer night at a restaurant in an unnamed Latin American city, a man at a family dinner gets up from the table to go to the restroom . . . and never comes back. He was acting normal, say family members. None of the waiters or other customers saw him leave. A semi-retired detective takes the case, but what should be a routine investigation becomes something strange, intangible, even sinister. The corporation for which the missing man worked seems to be a front for something else; the staff describes their colleague as having suffered alarming, shifting physical symptoms; a forensic scientist examining his office uncovers evidence of curious microorganisms. As the detective relives and retraces the man’s footsteps, the trail leads him away from the city sprawl and deep into the country’s rainforest interior . . . where, amidst the overwhelming horrors and wonders of the natural world, a chilling police procedural explodes into a dislocating investigation into the nature of reality.

Named a BEST BOOK OF THE YEAR by * NPR * Esquire * O, The Oprah Magazine * Real Simple * BBC * PopSugar * Bustle * Kirkus Reviews * Lit Hub “A gripping, astute, and deeply humane political thriller.” —The Boston Globe “Mesmerizing [and] uncannily prescient.”—Los Angeles Times A taut, timely novel about what a powerful politician thinks he can get away with and the group of misfits who finally bring him down, from the award-winning author of Ways to Disappear. On an unnamed island country ten years after the collapse of a U.S.-supported regime, Lena suspects the powerful senator she was involved with back in her student activist days is taking advantage of a young woman who's been introducing him at rallies. When the young woman ends up dead, Lena revisits her own fraught history with the senator and the violent incident that ended their relationship. Why didn't Lena speak up then, and will her family's support of the former regime still impact her credibility? What if her hunch about this young woman's death is wrong? What follows is a riveting exploration of the cost of staying silent and the mixed rewards of speaking up in a profoundly divided country. Those Who Knew confirms Novey's place as an essential new voice in American fiction.

Country living evokes bucolic landscapes and picturesque villages rolling Connecticut countryside, verdant farmland, the sun-drenched hills of Malibu and the architecture that echoes these idyllic settings. These houses, ranging from family estates to weekend retreats, are the personal homes of decorators and tastemakers, including Jonathan Adler, Martyn Lawrence-Bullard, and Steven Gambrel. The properties exemplify varied design perspectives and provide fresh ideas about how country living is ideal for creative expression. This inspiring medley ranges from Tony Duquette s exotic pavilion-style California home to a charming New York Victorian, a modernist Palm Springs desert getaway by Neutra, a nineteenth-century Gothic cottage on Shelter Island, and an eighteenth-century Connecticut house. Along with design ideas for interiors, the book also covers the garden and pool areas. Since outdoor entertaining is an integral part of country living, a section devoted to tabletop display is included. These beautifully photographed inspirations encourage the reader to explore the design opportunities in the country guided by the best interior designers.

The story of one woman’s struggle to care for her seriously ill husband—and a revealing look at the role unpaid family caregivers play in a society that fails to provide them with structural support. Already Toast shows how all-consuming caregiving can be, how difficult it is to find support, and how the social and literary narratives that have long locked women into providing emotional labor also keep them in unpaid caregiving roles. When Kate Washington and her husband, Brad, learned that he had cancer, they were a young couple: professionals with ascending careers, parents to two small children. Brad’s diagnosis stripped those identities away: he became a patient and she his caregiver. Brad’s cancer quickly turned aggressive, necessitating a stem-cell transplant that triggered a massive infection, robbing him of his eyesight and nearly of his life. Kate acted as his full-time aide to keep him alive, coordinating his treatments, making doctors’ appointments, calling insurance companies, filling dozens of prescriptions, cleaning commodes, administering IV drugs. She became so burned out that, when she took an online quiz on caregiver self-care, her result cheerily declared: “You’re already toast!” Through it all, she felt profoundly alone, but, as she later learned, she was in fact one of millions: an invisible army of family caregivers working every day in America, their unpaid labor keeping our troubled healthcare system afloat. Because our culture both romanticizes and erases the realities of care work, few caregivers have shared their stories publicly. As the baby-boom generation ages, the number of family caregivers will continue to grow. Readable, relatable, timely, and often raw, Already Toast—with its clear call for paying and supporting family caregivers—is a crucial intervention in that conversation, bringing together personal experience with deep research to give voice to those tasked with the overlooked, vital work of caring for the seriously ill.

Three children from other countries (Somalia, Spain, and Korea) struggle to adjust to their new home and school in the United States.