Infinite Variety

"First published in the United States by Viridian Books, New York, 1999; first published in Great Britain by Pimlico, an imprint of Random House Group UK, 2000; first University of Minnesota Press edition published in 2004"--Title page verso.

'Elegant, lucid and funny, this book will appeal to as many readers as there are desires.'--Shohini Ghosh 'The history of desire in India, ' writes Madhavi Menon in this splendid book, 'reveals not purity but impurity as a way of life. Not one answer, but many. Not a single history, but multiple tales cutting across laws and boundaries.' In Bhakti poetry, Radha and Krishna disregard marital fidelity, age, time and gender for erotic love. In Sufi dargahs, pirs (spiritual guides) who were married to women are buried alongside their male disciples, as lovers are. Vatsyayana, author of the world's most famous manual of sex, insists that he did not compose it 'for the sake of passion', and remained celibate through the writing of it. Long hair is widely seen as a symbol of sexuality; and yet, shaved off in a temple, it is a sacred offering. Even as the country has a draconian law to punish homosexuality, heterosexual men share the same bed without comment. Hijras are increasingly marginalized; yet gender has historically been understood as fluid rather than fixed. Menon navigates centuries, geographies, personal and public histories, schools of philosophy, literary and cinematic works, as she examines the many--and often surprising--faces of desire in the Indian subcontinent. Her study ranges from the erotic sculptures of Khajuraho to the shrine of the celibate god Ayyappan; from army barracks to public parks; from Empress Nur Jahan's paan to home-made kohl; from cross-dressing mystics to androgynous gods. It shows us the connections between grammar and sex, between hair and war, between abstinence and pleasure, between love and death. Gloriously subversive, full of extraordinary analyses and insights, this is a book you will read to be enlightened and entertained for years.

(Amadeus). With style, wit, and expertise, Leonard Bernstein shares his love and appreciation for music in all its varied forms in The Infinite Variety of Music , illuminating the deep pleasure and sometimes subtle beauty it offers. He begins with an "imaginary conversation" with George Washington entitled "The Muzak Muse," in which he argues the values of actively listening to music by learning how to read notes, as opposed to simply hearing music in a concert hall. The book also features the reproduction of five television scripts from Bernstein on the influence of jazz, the timeless appeal of Mozart, musical romanticism, and the complexities of rhythmic innovation. Also included are Bernstein's analyses of symphonies by Dvorak, Tchaikovsky, Beethoven, and Brahms, a rare reproduction of a 1957 lecture on the nature of composing, and a report on the musical scene written for the New York Times after his sabbatical leave from directorship of the New York Philharmonic during the 1964-65 season.

From one of America's greatest men of letters, our sublime master of manners, comes his novel, Her Infinite Variety. Louis Auchincloss has been called "our most astute observer of moral paradox among the affluent" (Arthur Schlesinger, Jr.), and his fiction described as that which "has always examined what makes life worth living" (Washington Post Book World). Now he brings us the rollicking tale of an unforgettable woman of mid-twentieth century America: the devilish, forever plotting, yet wholly beguiling Clara Hoyt. A romantic early in life, Clara gets engaged—much to her mother's horror—to the lackluster Bobbie Lester. Soon after her Vassar graduation, however, Clara sees the error of her ways, spurns Bobbie, and slyly enthralls the well-bred and fabulously wealthy Trevor Hoyt, the first of her husbands. Soon she lands a job at a tony magazine, and so begins her wildly entertaining course to the inner sanctum of New York's aristocracy and into the boardrooms of the publishing world. In a world where women still had to wield the weapons of allure and charm, above all else, to secure positions of power, Clara, one of the last of her kind, succeeds marvelously. Auchincloss gives us, in Clara, an irresistible Cleopatra, lovely, wily, and mercurial. As Shakespeare wrote of that feminine creation, "Age cannot wither her, nor custom stale / Her infinite variety."

Unnerved by the upheavals of the seventeenth century, English writers including Thomas Hobbes, Richard Blackmore, John Locke, Jonathan Swift, and Daniel Defoe came to accept that disorder, rather than order, was the natural state of things. They were drawn to voluntarism, a theology that emphasized a willful creator and denied that nature embodied truth and beauty. Voluntarism, Wolfram Schmidgen contends, provided both theological framework and aesthetic license. In Infinite Variety, he reconstructs this voluntarist tradition of literary invention. Once one accepted that creation was willful and order arbitrary, Schmidgen argues, existing hierarchies of kind lost their normative value. Literary invention could be radicalized as a result. Acknowledging that the will drives creation, such writers as Blackmore and Locke inverted the rules of composition and let energy dominate structure, matter create form, and parts be valued over the whole. In literary, religious, and philosophical works, voluntarism authorized the move beyond the natural toward the deformed, the infinite, and the counterfactual. In reclaiming ontology as an explanatory context for literary invention, Infinite Variety offers a brilliantly learned analysis of an aesthetic framed not by the rise of secularism, but by its opposite. It is a book that articulates how religious belief shaped modern literary practices, including novelistic realism, and one that will be of interest to anyone who thinks seriously about the relationship between literature, religion, and philosophy.

From one of America's greatest men of letters, our sublime master of manners, comes his novel, Her Infinite Variety. Louis Auchincloss has been called "our most astute observer of moral paradox among the affluent" (Arthur Schlesinger, Jr.), and his fiction described as that which "has always examined what makes life worth living" (Washington Post Book World). Now he brings us the rollicking tale of an unforgettable woman of mid-twentieth century America: the devilish, forever plotting, yet wholly beguiling Clara Hoyt. A romantic early in life, Clara gets engaged--much to her mother's horror--to the lackluster Bobbie Lester. Soon after her Vassar graduation, however, Clara sees the error of her ways, spurns Bobbie, and slyly enthralls the well-bred and fabulously wealthy Trevor Hoyt, the first of her husbands. Soon she lands a job at a tony magazine, and so begins her wildly entertaining course to the inner sanctum of New York's aristocracy and into the boardrooms of the publishing world. In a world where women still had to wield the weapons of allure and charm, above all else, to secure positions of power, Clara, one of the last of her kind, succeeds marvelously. Auchincloss gives us, in Clara, an irresistible Cleopatra, lovely, wily, and mercurial. As Shakespeare wrote of that feminine creation, "Age cannot wither her, nor custom stale / Her infinite variety."

The history and collection of the Folger Shakespeare Library are the subjects of this beautifully illustrated volume for the popular reader. The story of the Folgers, their collection, and the creation of the Library is told in lively detail, with many photos. A catalog of selected works and events follows with the object or event depicted in a full-page color plates with facing entry. There is no index. Annotation copyrighted by Book News, Inc., Portland, OR