Influence And Resistance In Post Independence Egyptian Architecture

This book is an effort towards an in-depth understanding of the architectural discourse in Egypt developed over more than eight decades. It offers a distinctive theoretical interpretation of the forces shaping the kaleidoscopic shifts in Egyptian architecture through the analysis of the micro space of architectural representation of twentieth century Egyptian architecture. Predicated on historical contextualization, theoretical integration, and global conceptualization, Edward Said’s analytical method of contrapuntal reading and the spatial discourse analysis posited by C. Greig Crysler are lucidly assimilated to generate insights into various voices within the architectural discourse in Egypt. The analysis and critique of two important professional magazines, al-‘Imarah (1939–1959) and ‘Alam al-Bena’a (1980–2000), which shaped the collective psyche of both the academic and professional communities in Egypt and the wider region, coupled with the exploration of two other short-lived magazines, M‘imaryah (1982–1989) Medina (1998–2002), and other less-influential professional magazines, discloses the structure of attitude and reference or the exclusions and inclusions that defined the boundaries of the space of the discourse. Influence and Resistance in Post-Independence Egyptian Architecture paves the way to genuinely debate a yet to mature twenty-first century’s architectural discourse in Egypt. This book is a key resource for architects, architectural historians, and critical theorists and will appeal to academics and to both graduate and advanced undergraduate students in architectural history and theory and Middle East and Global South studies.

"This book is an effort towards an in-depth understanding of the architectural discourse in Egypt developed over more than eight decades. It offers a distinctive theoretical interpretation of the forces shaping the kaleidoscopic shifts in Egyptian architecture through the analysis of the micro space of architectural representation of twentieth century Egyptian architecture. Predicated on historical contextualization, theoretical integration, and global conceptualization, Edward Said's analytical method of contrapuntal reading and the spatial discourse analysis posited by C. Greig Crysler are lucidly assimilated to generate insights into various voices within the architectural discourse in Egypt. The analysis and critique of two important professional magazines al-'Imarah (1939-59) and Alam al-Benaa (1980-2000) which shaped the collective psyche of both the academic and professional communities in Egypt and the wider region coupled with the exploration of two other short-lived magazines M'imaryah (1982-1989), Medina (1998-2002), and other less influential professional magazines, discloses the structure of attitude and reference or the exclusions and inclusions that defined the boundaries of the space of the discourse. Influence and Resistance in Post-Independence Egyptian Architecture paves the way to genuinely debate a yet to mature twenty first century's architectural discourse in Egypt. This book is a key resource for architects, architectural historians, and critical theorists and will appeal to academics, and to both graduate and advanced undergraduate students in architectural history and theory and Middle East and global south studies"--

This book explores how histories of migration, cultural encounter and transculturation have shaped formations of urban space, domestic architecture and cultural modernity in Kolkata from the early colonial period to the beginning of the era of India’s economic liberalization. It charts how these themes were manifest in what was an important ‘contact zone’ in the history of globalization and the modern city. Drawing on a wide range of resources and representations, from urban plans and architectural drawings to European travel journals and Bengali literature and cinema, the book investigates the history of Kolkata through an examination of key urban and architectural spaces across the colonial and postcolonial epochs. Through illustrated chapters, it sheds new light on questions of difference and segregation, cultural hybridity, migration, and entanglements of tradition and modernity in the city, analyzing spaces inhabited by a diverse range of cultures, including several neglected in previous studies. Architecture and Urbanism in a Contact Zone offers an instructive contribution to the fields of global architectural history and theory, urban studies and postcolonial cultural studies for scholars, researchers and students alike.

This book is set in Karachi, Pakistan and investigates the possibility of achieving localness through identifying urban process and their impact on built form, addressing how locals associate with the urban spaces and how they value it. Thus, the investigation, using the local terminology maqamiat, goes beyond the physicality of space and develops a framework that helps to understand the social, ethnic, economic, ecological and other the non-physical aspects of space, which are of value to the locals. The aim is to investigate the possibility of achieving localness through identifying urban design elements that can be incorporated into the process of designing new built forms that acknowledges what is valued by the locals instead of superimposing imported designs, negating the contextual realties, both physical and social. For this purpose, the book includes three case studies from Karachi. The book questions the aspiration of many cities in the South Asian context to imitate the built forms of Western cities (increasingly, Singapore and Shanghai) which are viewed as modern and represents future. The book will make a theoretical contribution to the existing literature on postcolonial urbanism and explore space from a local vantage point for understanding how to look inwards for aspiration.

This book explores the complex relationship between societies, architecture, and urbanism of market halls, traditional souqs, bazaars, and speciality street markets in the Middle East and North Africa. It addresses how these trading environments influence perceptions of place and play an extended social, political, and religious role while adapting to their local climates. Through Archival research and social science methodologies, this book records and maps markets in urban fabrics, expanding on practices underlying the push towards historical listings and the development of markets as landmarks in the urban fabric. The role of markets in delivering sustainable place-making strategies and influencing the development of cities’ socio-economic and historical strength is addressed as key to their survival in the urban fabric and as place-making landmarks for preserving tangible and intangible heritage. Going beyond heritage and conservation studies, this book discusses how positioning and restoring markets challenges urban renewal policies, access to public space planning, environmental sustainability, security of food supply, cultural heritage, and tourism. This is an ideal read for those interested in the history of urban development, architecture and urban planning, and architectural heritage.

This new handbook provides a platform to bring together multidisciplinary researchers focusing on greening high-density agglomerations from three perspectives: climate change, social implications, and people’s health. Written by leading scholars and experts, the chapters aim to summarize the “state-of-the-art” and produce a reference book for policymakers, practitioners, academics, and researchers to study, design, and build high-density cities by integrating green spaces. The topics covered in the book include (but are not limited to) Urban Heat Island, Green Space and Carbon Sequestration, Green Space and Social Equity, Green Space and Public Health, Biophilic Cities, Urban Agriculture, Vertical Farms, Urban Farming Technologies, Nature and Biodiversity, Nature and Health, Biophilic Design, Green Infrastructure, Urban Revitalization, Post-Covid Cities, Smart and Resilient Cities, Tall Buildings, and Sustainable Vertical Cities.

“Patterns” of Threshold Spaces in the Historical City of Jeddah explores the meaning of threshold spaces and investigates the relationship between the public spaces and residential units in the historical city of Jeddah, Saudi Arabia, while at the same time revisiting Christopher Alexander’s theory in his canonical 1977 book, A Pattern Language. This book questions and analyses “patterns” relating to the cultural, social, and environmental particularities of Jeddah, with special attention paid to the effect of gender segregation in the city’s urban configuration. It discusses the extension that has been undertaken through testing a concept from the urban design theory of the West (the United States and Canada) and applying it to an Islamic city to find patterns in four different scales, which form the basis of the investigation (body, building, street, and city). Empirical methods have been used in the context of historical Jeddah, through which patterns are investigated using different approaches for the different scales. The book aims to explore the meaning of threshold spaces in old Jeddah. Furthermore, it shows that there are eighteen patterns of threshold spaces in the old town: patterns that are solely related to this specific case study, as well as modified patterns to the ones explored by Christopher Alexander. This book shall allow not only a better understanding of the relationship between housing and the historical city but also an exploration of the role of the threshold space in shaping the old city of Jeddah. It will be of interest to researchers, students of architecture, urban planning and anthropology studies, and people involved in cultural heritage, both academics and practitioners.

This book evolved out of the examination of the works of selected Egyptian architects, whose architectural views and approaches have had an outstanding influence on the development of Egypt’s twentieth century architecture. It contains an analysis of their architectural background and education, and the influences that shaped their thoughts, architectural views, identities and passion for ideal forms. It also examines the influences of modern architectural movements as well as traditional architecture and cultural identity on their work within the context of Egypt’s cultural and intellectual history.