Inside Joss Dollhouse

Though Joss Whedon's television show Dollhouse ended in January 2010 after its second season, its small but devoted cult following is still reeling from not only from its mind-blowing plot twists but also its challenging, dystopic look at the ethics of new technology. Inside Joss' Dollhouse is a fitting tribute to this complex, engaging show. The anthology's 18 sometimes funny, always insightful pieces cover Dollhouse from anticipated start to explosive finish. Drawn from an international contest judged by fan favorite Whedon screenwriter Jane Espenson, its essays get right to heart of what Dollhouse viewers loved most about the show. Espenson also acts as the book's editor, offering context and extra insight on its topics and the show—a role she played in previous anthologies Finding Serenity and Serenity Found, also on Joss Whedon creations. From programmer Topher's amorality to the accuracy of the show's neurobiology, Inside Joss' Dollhouse brings Dollhouse back to life with a depth sure to satisfy its many still-mourning fans.

Though Joss Whedons television show Dollhouse ended in January 2010 after its second season, its small but devoted cult following is still reeling from not only from its mind-blowing plot twists but also its challenging, dystopic look at the ethics of new technology. INSIDE JOSS' DOLLHOUSE is a fitting tribute to this complex, engaging show. The anthologys 18 sometimes funny, always insightful pieces cover Dollhouse from anticipated start to explosive finish. Drawn from an international contest judged by fan favorite Whedon screenwriter Jane Espenson, its essays get right to heart of what Dollhouse viewers loved most about the show. Espenson also acts as the books editor, offering context and extra insight on its topics and the show-a role she played in previous anthologies Finding Serenity and Serenity Found, also on Joss Whedon creations. From programmer Tophers amorality to the accuracy of the shows neurobiology, INSIDE JOSS' DOLLHOUSE brings Dollhouse back to life with a depth sure to satisfy its many still-mourning fans.

Premiering on Fox in 2009, Joss Whedon's Dollhouse was an innovative, contentious and short-lived science fiction series whose themes were challenging for viewers from the outset. A vast global corporation operates establishments (Dollhouses) that program individuals with temporary personalities and abilities. The protagonist assumes a different identity each episode--her defining characteristic a lack of individuality. Through this obtuse premise, the show interrogated free will, morality and sex, and in the process its own construction of fantasy and its audience. A decade on, the world is--for better or worse--catching up with Dollhouse's provocative vision. This collection of new essays examines the series' relevance in the context of today's social and political issues and media landscape.

Although it lasted barely more than a season, Dollhouse continues to intrigue viewers as one of Joss Whedon’s most provocative forays into television. The program centered on men and women who have their memories and personalities repeatedly wiped and replaced with new ones by a shadowy corporation dedicated to “fulfilling the whims of the rich.” This chilling scenario was used to tell stories about big issues—power and resistance, freedom and servitude, class and gender—while always returning to its central themes of identity and individuality. In Joss Whedon’s Dollhouse: Confounding Purpose, Confusing Identity, Sherry Ginn, Alyson R. Buckman, and Heather M. Porter bring together fourteen diverse essays that showcase the series’ complex vision of the future. Contributors probe deeply into the fictional universe of the show by considering the motives of the wealthy clients and asking what love means when personalities are continually remade. Other essays consider the show’s relations to politics, philosophy, and psychology and its representations of race and gender. Several essays explore the show’s complex relationship to transhumanism: considering the dark potential for dehumanization and abuse that lurks beneath the promise of turning bodies into temporary vessels for immortal, downloadable personalities. Though a short-lived series, Dollhouse has been hailed as one of television’s most thoughtful explorations of classic science fiction themes. As the first serious treatment of this landmark show, this collection will interest science-fiction scholars and Whedon fans alike.

 Joss Whedon has created numerous TV series, movies, comics and one sing-along-blog, all of which focus on societal problems in the metaphorical guise of monsters-of-the-week and over-arching big-bads. The present work examines structural violence through interdimensional law firm Wolfram & Hart's legal representation of evil. We explore the limits of consent through the Rossum Corporation's coercion and manipulation. We rehearse the struggle to find meaningful freedom from the crew of Serenity. This book traces a theme of anarchist theory through the multiple strings of the Whedonverse--all of his works show how ordinary heroes can unite for the love of humanity to save the world from hierarchy and paternalism.

Director, producer and screenwriter Joss Whedon is a creative force in film, television, comic books and a host of other media. This book provides an authoritative survey of all of Whedon's work, ranging from his earliest scriptwriting on Roseanne, through his many movie and TV undertakings--Toy Story, Buffy the Vampire Slayer, Angel, Firefly/Serenity, Dr. Horrible, The Cabin in the Woods, and Agents of S.H.I.E.L.D.--to his forays into the Marvel Cinematic Universe. The book covers both the original texts of the Whedonverse and the many secondary works focusing on Whedon's projects, including about 2000 books, essays, articles, documentaries and dissertations.

From Buffy the Vampire Slayer to the Marvel Cinematic Universe, Joss Whedon's work presents various representations of home spaces that give depth to his stories and storytelling. Through the spaceship in Firefly, a farmhouse in Avengers: Age of Ultron or Whedon's own house in Much Ado About Nothing, his work collectively offers audiences the opportunity to question the ways we relate to and inhabit homes. Focusing on his television series, films and comics, this collection of new essays explores the diversity of home spaces in Whedon's many 'verses, and the complexity these spaces afford the narratives, characters, objects and relationships within them.

Ever since the premiere of the small-screen incarnation of Buffy the Vampire Slayer in 1997, the television worlds of Joss Whedon--which have grown to include Angel, Firefly, and Dollhouse--have acquired a cult following of dedicated fans and inspired curious scholars. The quest for power and control over humans and other animals is a constant theme running throughout all four series. This study explores the myriad natural and supernatural methods Whedon's characters use to achieve power and control over unsuspecting friends and foes, including witchcraft and other paranormal means, love, aggression, and scientific devices such as psychosurgery and psychopharmacology. A catalog of characters and a complete list of episodes for each series completes this valuable addition to the growing body of scholarship on television's "Whedonverse."