Inside The Heart Of A Glass Knight

Inside the Heart of a Glass Knight is a collection of poems by Laura A. Fisher that were written between the years of 2005–2008. The poems introduce you to your author. It shows you her life, her struggles, her strengths, her thoughts, and more. It shows you the inside of your authors mind and heart. If you enjoyed this book, look out for my third book The Color of Life: Blood and Tears.

"Inside the heart of a glass knight," is a collection of poems by Laura A. Fisher that were written between the years of 2005-2008. The poems introduce you to your author. It shows you her life, her struggles, her strengths, her thoughts and more. It shows you the inside of your authors mind and heart. If you enjoyed this book, look out for my third book "The Color of Life: Blood and Tears."

“Life, Love and Letting Go”, is a collection of poems by Laura A. Fisher that were written between the years of 1996-2006. The poems speak about the many aspects of life. It speaks of family, love, lust, lost, slavery, pain, war and many other things. I began writing in elementary school where my 5th grade teacher Ms Quattlander told me I had a way with words. There are so many things that people neglect to notice, or are yet to understand; so through my poems I want to help them to see life in a different light. Notice things they’ve ignored and open up both their minds and hearts to things that they have long ago shut out and cast away. If you enjoyed this book, look out for my next book “Inside the heart of a glass knight”.

The Heart in the Glass Jar begins with one man's literal heart (that of a prominent statesman in mid-nineteenth-century Mexico) but is truly about the hearts, bodies, legal entanglements, and letters--as both symbols and material objects--of northern Mexicans from the 1860s through the 1930s. William E. French's innovative study of courtship practice and family formation examines love letters of everyday folk within the framework of literacy studies and explores how love letters functioned culturally and legally. French begins by situating love letters in the context of the legal system, which protected the moral order of families and communities and also perpetuated the gender order--the foundation of power structures in Mexican society. He then examines reading and writing practices in the communities that the letters came from: mining camps, villages, small towns, and the "passionate public sphere" that served as the wider social context for the love letters and crimes of passion. Finally, French considers "sentimental anatomy," the eyes, hearts, souls, and wills of novios (men and women in courting relationships), that the letters gave voice to and helped bring into being. In the tradition of Carlo Ginzburg's The Cheese and the Worms and Natalie Zemon Davis's The Return of Martin Guerre, French connects intimate lives to the broader cultural moment, providing a rich and complex cultural history from the intersection of love and law.

Arthurian romance revisited in this opening volume of the Lancelot trilogy. A legend recounts his life story in his waning years, as Lancelot grows from a sheltered boyhood to become the greatest knight of the Round Table.

First published in 1865, Alice’s Adventures in Wonderland began as a story told to Alice Liddell and her two sisters on a boating trip in July 1862. The novel follows Alice down a rabbit-hole and into a world of strange and wonderful characters who constantly turn everything upside down with their mind-boggling logic, word play, and fantastic parodies. The sequel, Through the Looking-Glass and What Alice Found There, was published in 1871, and was both a popular success and appreciated by critics for its wit and philosophical sophistication. Along with both novels and the original Tenniel illustrations, this edition includes Carroll’s earlier story Alice’s Adventures Under Ground. Appendices include Carroll’s photographs of the Liddell sisters, materials on film and television adaptations, selections from other “looking-glass” books for children, and “The Wasp in a Wig,” an originally deleted section of Through the Looking-Glass.