Insider S Guide To Book Editors Publishers And Literary Agents 1995 1996

No other book gives aspiring authors the inside scoop on the names and interest areas of acquisition editors. This vital information makes all the difference when submitting a book proposal. Fully revised to keep on top of the rapidly changing publishing world, this guide includes information on the book acquisition process, literary agents, submission, ghost writing, and more.

No other book gives aspiring authors the inside scoop on the names and specialties of acquisitions editors. This vital information makes all the difference when submitting a book proposal or manuscript by keeping writers of all genres on top of the rapidly changing world of publishing. Who's moved where, who's new to the scene, who's gone for good--it's all here in one big volume.

Now in its third edition, this insider's reference has been fully revised to keep up with the rapidly changing publishing world. Includes detailed information on book acquisitions, literary agents, unsolicited submissions, ghostwriting and collaboration, and more. Index/appendices.

Literary agent Jeff Herman and a staff of five surveyed more than 150 publishing houses. Each entry includes the name of editors and their interest areas, as well as other important information about the idiosyncracies of many of the houses.

Dozens of industry professionals provide writers with essential information about a variety of important topics--everything from preparing a manuscript, getting it into the hands of an editor, how to market their books and gain publicity, plus what they should know about sub rights.

In this elegantly written inquiry into the function and purpose of illness, Duff reflects upon her own experience with Chronic Fatigue and Immune Dysfunction Syndrome (CFIDS) and offers a fresh perspective on recovery and healing. While we are conditioned to think of health as the norm, the author reveals that illness has its own geography, laws and commandments.

Why sacrifice ten to fifteen percent of your book advance to a commissioned agent when you don'¬?t have to? If you'¬?re a talented writer with a head for details, you can prepare your manuscript, pitch it to publishers, secure an offer, and negotiate your contract without using an agent or spending hundreds of dollars on a publishing lawyer. In this revised and updated edition of BE YOUR OWN LITERARY AGENT, fifty-year publishing veteran Martin P. Levin walks first-time authors through the intimidating process of selling their work with a clear, intelligent, and supportive approach that works. Sample letters and proposals show you exactly how to write a query letter, compile an author bio, phrase a book summary, organize a sample chapter, and more. With a clean manuscript in your hand and BE YOUR OWN LITERARY AGENT in your pocket, publishing success is virtually assured.,Ä¢ Includes a glossary of publishing terms, a list of publishers most likely to read and accept a first-time author'¬?s book, and a handy manuscript submission record.,Ä¢ The new edition covers how to get published on the Internet and protect electronic rights, and includes new copyright terms for authors.,Ä¢ Original edition sold over 20,000 copies.

In 1889, the editor of the San Francisco Examiner, having accepted an article from Rudyard Kipling, informed the author that he should not bother to submit any more. "This isn't a kindergarten for amateur writers," the editor wrote. "I'm sorry, Mr. Kipling, but you just don't know how to use the English language." A century later, John Grisham was turned down by sixteen agents before he found representation-and it was only after Hollywood showed an interest in The Firm that publishers began to take him seriously. The anxiety of rejection is an inevitable part of any writer's development. In this book, Ralph Keyes turns his attention from the difficulty of putting pen to paper-the subject of his acclaimed The Courage to Write -to the frustration of getting the product to the public. Inspiration isn't nearly as important to the successful writer, he argues, as tenacity, and he offers concrete ways to manage the struggle to publish. Drawing on his long experience as a writer and teacher of writing, Keyes provides new insight into the mind-set of publishers, the value of an agent, and the importance of encouragement and hope to the act of authorial creation.