Instruments Of Empire

"At the turn of the twentieth century, the United States extended its empire into the Philippines while subjugating Black Americans in the Jim Crow south. And yet, one of the most popular musical acts was a band of "little brown men," Filipino musicians led by an African American conductor playing European and American music. The Philippine Constabulary Band and Lt. Walter H. Loving entertained thousands in concert halls and world's fairs, held a place of honor in Taft's presidential parade, and garnered praise by bandmaster John Philip Sousa-all the while facing beliefs and policies that Filipinos and African Americans were "uncivilized." Author Mary Talusan draws on hundreds of newspaper accounts and exclusive interviews with band members and their descendants to compose the story from the band's own voices. The heretofore untold story of the Philippine Constabulary Band offers a unique opportunity to examine the limits and porousness of America's racial ideologies, exploring musical pleasure at the intersection of Euro-American cultural hegemony, racialization, and US colonization of the Philippines"--

At the turn of the twentieth century, the United States extended its empire into the Philippines while subjugating Black Americans in the Jim Crow South. And yet, one of the most popular musical acts was a band of “little brown men,” Filipino musicians led by an African American conductor playing European and American music. The Philippine Constabulary Band and Lt. Walter H. Loving entertained thousands in concert halls and world’s fairs, held a place of honor in William Howard Taft’s presidential parade, and garnered praise by bandmaster John Philip Sousa—all the while facing beliefs and policies that Filipinos and African Americans were “uncivilized.” Author Mary Talusan draws on hundreds of newspaper accounts and exclusive interviews with band members and their descendants to compose the story from the band’s own voices. She sounds out the meanings of Americans’ responses to the band and identifies a desire to mitigate racial and cultural anxieties during an era of overseas expansion and increasing immigration of nonwhites, and the growing “threat” of ragtime with its roots in Black culture. The spectacle of the band, its performance and promotion, emphasized a racial stereotype of Filipinos as “natural musicians” and the beneficiaries of benevolent assimilation and colonial tutelage. Unable to fit Loving’s leadership of the band into this narrative, newspapers dodged and erased his identity as a Black American officer. The untold story of the Philippine Constabulary Band offers a unique opportunity to examine the limits and porousness of America’s racial ideologies, exploring musical pleasure at the intersection of Euro-American cultural hegemony, racialization, and US colonization of the Philippines.

M. K. Beauchamp’s Instruments of Empire examines the challenges that resulted from U.S. territorial expansion through the Louisiana Purchase of 1803. With the acquisition of this vast region, the United States gained a colonial European population whose birthplace, language, and religion often differed from those of their U.S. counterparts. This population exhibited multiple ethnic tensions and possessed little experience with republican government. Consequently, administration of the territory proved a trial-and-error endeavor involving incremental cooperation between federal officials and local elites. As Beauchamp demonstrates, this process of gradual accommodation served as an essential nationalizing experience for the people of Louisiana. After the acquisition, federal officials who doubted the loyalty of the local French population and their capacity for self-governance denied the territory of Orleans—easily the region’s most populated and economically robust area—a quick path to statehood. Instead, U.S. officials looked to groups including free people of color, Native Americans, and recent immigrants, all of whom found themselves ideally placed to negotiate for greater privileges from the new territorial government. Beauchamp argues that U.S. administrators, despite claims of impartiality and equality before the law, regularly acted as fickle agents of imperial power and frequently co-opted local elites with prominent positions within the parishes. Overall, the methods utilized by the United States in governing Louisiana shared much in common with European colonial practices implemented elsewhere in North America during the early nineteenth century. While historians have previously focused on Washington policy makers in investigating the relationship between the United States and the newly acquired territory, Beauchamp emphasizes the integral role played by territorial elites who wielded enormous power and enabled government to function. His work offers profound insights into the interplay of class, ethnicity, and race, as well as an understanding of colonialism, the nature of republics, democracy, and empire. By placing the territorial period of early national Louisiana in an imperial context, this study reshapes perceptions of American expansion and manifest destiny in the nineteenth century and beyond. Instruments of Empire serves as a rich resource for specialists studying Louisiana and the U.S. South, as well as scholars of slavery and free people of color, nineteenth-century American history, Atlantic World and border studies, U.S. foreign relations, and the history of colonialism and empire.

What does it mean to hear scientifically? What does it mean to see musically? This volume uncovers a new side to the long nineteenth century in London, a hidden history in which virtuosic musical entertainment and scientific discovery intersected in remarkable ways. Sound Knowledge examines how scientific truth was accrued by means of visual and aural experience, and, in turn, how musical knowledge was located in relation to empirical scientific practice. James Q. Davies and Ellen Lockhart gather work by leading scholars to explore a crucial sixty-year period, beginning with Charles Burney’s ambitious General History of Music, a four-volume study of music around the globe, and extending to the Great Exhibition of 1851, where musical instruments were assembled alongside the technologies of science and industry in the immense glass-encased collections of the Crystal Palace. Importantly, as the contributions show, both the power of science and the power of music relied on performance, spectacle, and experiment. Ultimately, this volume sets the stage for a new picture of modern disciplinarity, shining light on an era before the division of aural and visual knowledge.

Research into the mechanisms and the morality of Athenian hegemony is now perhaps livelier than ever. Of particular importance are the methods by which Athens drew money from the Aegean world with which to fund a vast fleet, to facilitate her own demokratia and to create ambitious public buildings still visible today. This collection of new studies, inspired and guided by an internationally-acknowledged authority on ancient finance, Thomas Figueira, by focusing on how Athens raised finance, sheds light on more familiar questions: How oppressive, or otherwise, was Athens to fellow-Greeks and how did her demands vary over time? Contributors here suggest that Athens may have exercised hegemonic ambitions for longer than usually thought, applying greater experience, and more sensitivity to individual communities.

Scientific Instruments between East and West is a collection of essays on the transmission of knowledge about scientific instruments and the trade in such instruments between the Eastern and Western worlds.

Religion and empire were inseparable forces in the early modern Atlantic world. Religious passions and conflicts drove much of the expansionist energy of post-Reformation Europe, providing both a rationale and a practical mode of organizing the dispersal and resettlement of hundreds of thousands of people from the Old World to the New World. Exhortations to conquer new peoples were the lingua franca of Western imperialism, and men like the mystically inclined Christopher Columbus were genuinely inspired to risk their lives and their fortunes to bring the gospel to the Americas. And in the thousands of religious refugees seeking asylum from the vicious wars of religion that tore the continent apart in the sixteenth and seventeenth centuries, these visionary explorers found a ready pool of migrants—English Puritans and Quakers, French Huguenots, German Moravians, Scots-Irish Presbyterians—equally willing to risk life and limb for a chance to worship God in their own way. Focusing on the formative period of European exploration, settlement, and conquest in the Americas, from roughly 1500 to 1760, Empires of God brings together historians and literary scholars of the English, French, and Spanish Americas around a common set of questions: How did religious communities and beliefs create empires, and how did imperial structures transform New World religions? How did Europeans and Native Americans make sense of each other's spiritual systems, and what acts of linguistic and cultural transition did this entail? What was the role of violence in New World religious encounters? Together, the essays collected here demonstrate the power of religious ideas and narratives to create kingdoms both imagined and real.

"Detailed and mysterious, a place to explore and relish. Empire of Exiles is highly recommended!”—R.A. Salvatore, author or “The Legend of Drizzt” and the DemonWars novels The Imperial Archives holds the treasures of the ten nations that fled the collapse of the world to settle in Semilla behind a wall of salt and iron. When Quill, an apprentice scribe, arrives to request the loan of several artifacts for a client, he’s hoping for a tour and maybe a glimpse of some of the rarer relics the archives’ sorcerous caretakers are rumored to protect. Instead, Quill finds himself a witness to a ghastly murder tangled in present-day politics and the history of the empire—worse, the accused killer is his own shy and scholarly best friend, a very unlikely assassin. Quill’s amateur investigations run afoul of an archivist dodging questions about her buried past, an investigator eyeing Quill’s motives too closely, and threads that lead back to a long-dead usurper—nothing makes sense, and Quill doesn’t know who to trust. But if he can’t find allies, the next victim may be the empire of Semilla itself. This edition includes a brand-new illustrated guide to the peoples of the empire. Praise for Empire of Exiles: "Readers will be drawn in by the memorable cast, vibrantly drawn fantasy cultures, and vivid prose. Epic fantasy fans will be eager to see where the series goes."—Publishers Weekly "An excellent new fantasy series by Evans (The Devil You Know), perfect for fans of Katherine Addison or those who enjoy slow-burning and complex court intrigue."—Library Journal "From the rich world building as these remnants of humanity hide from changelings behind a Salt Wall, to the interesting culture, a unique magic system, and a variety of humanoids, readers will be delighted that nothing is predictable in this intriguing story."—Booklist "Empire of Exiles by Erin M. Evans is a triumph of fantasy, murder mystery, and political thriller that handles grief, PTSD, panic, and anxiety disorder with tact.... I cannot wait to read what Evans has cooking up for the follow-up."—Geekly Inc “Empire of Exiles has it all: characters I love, intertwined compelling mysteries in the past and present, plot twists that keep coming, and a unique and fascinating world and magic system! One of my favorite books of the year!"—Melissa Caruso, author of the Swords and Fire Trilogy