Integraci N Y Resistencia En La Era Global

With insightful essays and interviews, this volume examines how artists have experimented with the medium of video across different regions of Latin America since the 1960s. The emergence of video art in Latin America is marked by multiple points of development, across more than a dozen artistic centers, over a period of more than twenty-five years. When first introduced during the 1960s, video was seen as empowering: the portability of early equipment and the possibility of instant playback allowed artists to challenge and at times subvert the mainstream media. Video art in Latin America was—and still is—closely related to the desire for social change. Themes related to gender, ethnic, and racial identity as well as the consequences of social inequality and ecological disasters have been fundamental to many artists’ practices. This compendium explores the history and current state of artistic experimentation with video throughout Latin America. Departing from the relatively small body of existing scholarship in English, much of which focuses on individual countries, this volume approaches the topic thematically, positioning video artworks from different periods and regions throughout Latin America in dialogue with each other. Organized in four broad sections—Encounters, Networks and Archives, Memory and Crisis, and Indigenous Perspectives—the book’s essays and interviews encourage readers to examine the medium of video across varied chronologies and geographies.

Tania Bruguera is an interdisciplinary artist who explores exile and survival. Bruguera recently developed a form she calls "Arte de Conducta," or behavior art, in which she constructs situations that compel audience response.

Since Tate Modern opened, the Turbine Hall has hosted some of the most memorable and acclaimed site-specific art installations of the twenty-first century, reaching an audience of millions. This book is published to accompany the inaugaral Hyundai Commission, the first in a new series of annual exhibitions that will give renowned international contemporary artists an opportunity to create new work for one of the world's most iconic museum spaces. Abraham Cruzvillegas (b.1968), one of the key figures to have emerged in Mexico among a new wave of conceptual artists, is best known for his sculptural works made from local found objects and materials. He has titled this body of work autoconstruccion or 'self-construction'.

This book examines the rise of human rights movements in five Latin American countries—Ecuador, Mexico, Brazil, Nicaragua, and Bolivia—among the hemisphere's most isolated and powerless people, Latin American Indians. It describes the impact of the Indian rights movement on world politics, from reforming the United Nations to evicting foreign oil companies, and analyzes the impact of these human rights experiences for all of Latin America's indigenous citizens and native people throughout the world.

This book examines US foreign policy and global standing in the 21st Century. The United States is the most powerful actor in world politics today. Against this backdrop, the present volume examines how the foreign policies pursued by Presidents’ George W. Bush and Barack Obama have affected elite and public perceptions of the United States. By examining America’s standing from the perspective of different actors from across various regions, including China, Russia, Latin America and the Middle East, while also assessing how these perceptions interact with America’s own policies, this books presents a fresh interpretation of America’s global standing. In doing so, the volume evaluates how these perceptions affect the realities of US power, and what impact this has on moulding US foreign policy and the policies of other global powers. A number of books address the question of which grand strategy the United States should adopt and the issue of whether or not America is in relative decline as a world power. However, the debate on these issues has largely been set against the policies of the Bush administration. By contrast, this volume argues that while Obama has raised the popularity of America since the low reached by Bush, America’s credibility and overall standing have actually been damaged further under President Obama. This book will be of much interest to students of US foreign policy, US national security, strategic studies, Middle Eastern politics, international relations and security studies generally.

In Another Aesthetics Is Possible Jennifer Ponce de León examines the roles that art can play in the collective labor of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated with leftist movements and popular uprisings that have repudiated neoliberal capitalism and its violence. Whether enacting solidarity with Zapatista communities through an alternate reality game or using surrealist street theater to amplify the more radical strands of Argentina's human rights movement, these artists fuse their praxis with forms of political mobilization from direct-action tactics to economic resistance. Advancing an innovative transnational and transdisciplinary framework of analysis, Ponce de León proposes a materialist understanding of art and politics that brings to the fore the power of aesthetics to both compose and make visible a world beyond capitalism.

Mexico in Transition provides a wide-ranging, empirical and up-to-date survey of the multiple impacts neoliberal policies have had in practice in Mexico over twenty years, and the specific impacts of the NAFTA Agreement. The volume covers a wide terrain, including the effects of globalization on peasants; the impact of neoliberalism on wages, trade unions, and specifically women workers; the emergence of new social movements El Barzón and the Zapatistas (EZLN); how the environment, especially biodiversity, has become a target for colonization by transnational corporations; the political issue of migration to the United States; and the complicated intersections of economic and political liberalization. Mexico in Transition provides rich concrete evidence of what happens to the different sectors of an economy, its people, and natural resources, as the profound change of direction that neoliberal policy represents takes hold. It also describes and explains the diverse forms of resistance and challenge that different civil-society groups of those affected are now offering to a model the downsides of which are becoming increasingly manifest.