Into The Woods And Beyond

In 1977, after experiencing some tumultuous years, I decided to take "a road less traveled." I left the comforts of city life and moved to a primitive cabin in the woods of New Hampshire. What followed for the next few years was a transformation of spirit that renewed my faith and hope that I could be happy in this life. Confronting my demons through meditation, therapy, and mindfulness practice, I discovered that, yes, I could put aside the past and future, and, for precious moments, live in the present. I literally took a "breather" from the anxious world I left behind, finding healing in this intimate contact with nature. Eventually I left the cabin and returned to city life, needing more human contact than the woods could provide, but using my experience there to continue my close connection with nature. This is the story of that outer and inner journey.

Into The Woods is a revelation of the fundamental structure and meaning of all stories, from the man responsible for more hours of drama on British television than anyone else, John Yorke. We all love stories. Many of us love to tell them, and even dream of making a living from it too. But what is a story? Hundreds of books about screenwriting and storytelling have been written, but none of them ask 'Why?' Why do we tell stories? And why do all stories function in an eerily similar way? John Yorke has been telling stories almost his entire adult life, and the more he has done it, the more he has asked himself why? Every great thinker or writer has their theories: Aristotle, David Hare, Lajos Egri, Robert McKee, Gustav Freytag, David Mamet, Christopher Booker, Charlie Kaufman, William Goldman and Aaron Sorkin - all have offered insightful and illuminating answers. Here, John Yorke draws on these figures and more as he takes us on a historical, philosophical, scientific and psychological journey to the heart of all storytelling. What he reveals is that there truly is a unifying shape to narrative - one that echoes the great fairytale journey into the woods, and one, like any great art, that comes from deep within. Much more than a 'how to write' book, Into the Woods is an exploration of this fundamental structure underneath all narrative forms, from film and television to theatre and novel-writing. With astonishing detail and wisdom, John Yorke explains to us a phenomenon that, whether it is as a simple fable, or a big-budget 3D blockbuster, most of us experience almost every day of our lives.

This is the script of the original musical from which the film was adapted, not the film's screenplay.

A true queen of urban fantasy—the New York Times bestselling author of the wildly popular series featuring bounty hunter witch-turned-daywalking demon Rachel Morgan—the phenomenal Kim Harrison explores the Hollows more deeply than ever before in Into the Woods, her first collection of short stories. Rachel is here, as are Jenks the pixie, elven tycoon Trent Kalamack, and an unholy host of vampires, demons, shapeshifters, ghosts, and other assorted supernatural beings, friends and foes. Into the Woods combines original work, including a new Hollows novella, as well as all of Kim Harrison’s previously published short fiction gathered together in one volume for the very first time. No true Hollows aficionado will want to pass this up—and readers of Laurell K. Hamilton, Kelley Armstrong, Patricia Briggs, and Jim Butcher; fans of Stephanie Meyer’s Twilight novels and of paranormal romance superstars Christine Feehan and Sherrilyn Kenyon, will be likewise enchanted.

Lainey's bad day turns worse when Prilla the fairy calls her clumsy, but while walking in the woods of Never Land, Lainy discovers the hideout of the Lost Boys and makes some new friends.

Once upon a time, the stories that came to be known as “fairy tales” were cultivated to entertain adults more than children; it was only later that they were tamed and pruned into less thorny versions intended for youngsters. But in truth, they have continued to prick the imaginations of readers at all ages. Over the years, authors have often borrowed bits and pieces from these stories, grafting them into their own writing, creating literature with both new meaning and age-old significance. In the last few decades or so, they’ve also intentionally retold and reinvented the tales in a variety of ways—delightful or dark, wistful or wicked, sweet or satirical—that forge new trails through the forests of fantastic fiction. This new anthology compiles some of the best modern fairy-tale retellings and reinventions from award-winning and bestselling authors, acclaimed storytellers, and exciting new talents, into an enchanting collection. Explore magical new realms by traveling with us, Beyond the Woods . . .

The woods were insane in the dark, terrifying and magical at the same time. But best of all were the stars, which trumpeted their light into the misty dark. Castella Cresswell and her five siblings???Hannan, Casper, Mortimer, Delvive, and Jerusalem??? know what it's like to be different. For years, their world has been confined to their ramshackle family home deep in the woods of upstate New York. They abide by the strict rule of God, whose messages come directly from their father. Slowly, Castley and her siblings start to test the boundaries of the laws that bind them. But, at school, they're still the freaks they've always been to the outside world. Marked by their plain clothing. Unexplained bruising. Utter isolation from their classmates. That is, until Castley is forced to partner with the totally irritating, totally normal George Gray, who offers her a glimpse of a life filled with freedom and choice. Castley's world rapidly expands beyond the woods she knows so well and the beliefs she once thought were the only truths. There is a future waiting for her if she can escape her father's grasp, but Castley refuses to leave her siblings behind. Just as she begins to form a plan, her father makes a chilling announcement: the Cresswells will soon return to their home in heaven. With time running out on all of their lives, Castley must expose the depth of her father's lies. The forest has buried the truth in darkness for far too long. Castley might be their last hope for salvation.