Invasion Of The Iq Snatchers

Gordon Whillickers and his friend Sophia are the only ones who can stop a sinister plot to steal the brain power of the people of Nanaimo.

Can two kids stop a sinister plot to steal the brain power of the people of Nanaimo? Someone is delivering plates of scrumptious Nanaimo bars to every household in Nanaimo, and the people who eat them are behaving very strangely. Gordon Whillickers doesn’t get to eat his because, at the last minute, a hairy arm reaches through his window and steals them. He and Sophia chase after the thief and meet an amazing Sasquatch named Cheryl, who is also puzzled by the sudden appearance of the mouth-watering delicacies. With the help of Cheryl and the technological wizardry of a local librarian, the two kids move ever closer to the alien creature at the centre of the plot. They must stop him before the Nanaimoites’ IQs are lost forever!

Progressions presents another batch of erudite and entertainingessays on a variety of topics covering Saskatchewan’s literarydevelopment, as well as tributes to some of the major con-tributors to that history, and a pictorial glimpse into the past.Writers stopped using typewriters, and even moved beyond theKaypro computer box for their compositions. The SaskatchewanSchool of the Arts was shut down, ending the Fort San writingexperience. But the Sage Hill Writing Experience quickly rose toreplace it. Saskatchewan literary presses really found their feet andpublished important and lasting books. A wave of new writersjoined the founders of the province’s literary tradition. Respondingto this growth in the community, the Saskatchewan Book Awards,and the Saskatchewan Festival of Words in Moose Jaw came intobeing. The Saskatchewan writing community stormed out of the20th Century in a frenzy of creativity and accomplishment.Essay contributors to Volume 2 include Dave Margoshes, JeanetteLynes, Aritha Van Herk, Alison Calder and seven more. The elevenessays include such topics as “To House or House Not: The NewSaskatchewan Women Poets”, “Contemporary Nature Writing inSaskatchewan”, “Fort San/Sage Hill” and “Brave and FoolishNonconformists”. In addition, literary tributes are offered for:Caroline Heath, Pat Krause, Martha Blum and Max Braithwaite.

"Between the voids at the deepest and farthest reaches of our science, there is this eternal now..." In this second suite of intimate essays, Lloyd Ratzlaff summons the secret hiding spots, makeshift rafts, and uncomplicated childhood joys that lay the foundations for adult philosophy. In tune with the vivid simplicities of the sensuous world and the honour of unassuming people, Ratzlaff explores the disguises shaped by religion, family, and memory as he recreates the discovery and illumination that his past has offered. Whether you sit back and savour the ribald yarns of Sandra Dee or pick up a bit of Christian dating advice circa 1950s, remember, the tombstones are talking, and the child's cookie box found in the river may contain miracle or misery-but you won't know until you open it.

“They know the world is dying, but they hope not in their lifetimes. Meanwhile, they’re top dogs and will do anything to stay that way.” Doig Gray is fifteen when his father is killed in a mining accident, which Doig comes to realizes was no accident. Torn from his mother and sister, Doig is sent off to college, his every movement monitored in case he has inherited his dissident father’s unacceptable attitudes . . . or passwords. Doig has nothing but his own sense that there’s something desperately wrong with the world—and a last name that evokes the assumption that he’s destined to be the next traitor-hero. The Traitor’s Son is a science fiction novel about a colony world where everything that could go wrong already has. Stuck on the wrong world at the wrong site, with the wrong leaders, the colony is doomed to extinction unless immediate steps are taken to correct—everything. But 500 years of hiding from the reality of their situation has created an unchallengeable status quo—and the Accident Squad, determined to ensure it remains that way. The Traitor’s Son is a fast-paced SF adventure in the best tradition of Duncan’s Hero, West of January, and Eocene Station.

The Imperial Navy has long been at war. It is a well-oiled machine, a mighty galactic power in which nothing can go wrong. Enter Pre-Private Joseph Fux, self-proclaimed Idiot, Second Class. When Fux arrives on board the light frigate UPS Spitz, things immediately begin to go wrong. It’s not Fux’s fault. It never is. Accidents just happen when he’s around, despite the best intentions. And as the always-cheerful Fux bungles his way through one job after another, he throws the whole ship and its orderly crew into chaos. No one is left unscathed: not the responsible and lonely Lt. Lipton, grieving for his lost love; not the mercilessly logical Doctor Nightingale, who may or may not be Lipton’s current romantic interest; not the overzealous Ensign Berseker, or the pompous political officer, Commander Kapust. Not even the hidden, monstrous Captain. Knowingly or not, Fux is an agent of resistance, his blind stupidity the only sane response to the insanity of war. Something’s gotta give, and the tiny spanner-in-the-works that is Fux threatens at last to destroy the entire machinery of the Galactic Empire . . .

Can two modern-day kids solve the mystery of the ghost that haunts the old hotel--or will they be trapped in the past forever? Walter Biggar Bronson (a.k.a. Wart) and his friend Cindy meet a ghost one night after school. The small, mournful boy leads them across the Broadway Bridge to the gracious Bessborough Hotel. After a strange incident in the elevator, they find themselves still in the hotel–but back in 1936. Some spooky things are going on. The room numbers are all mixed up. The library on the mezzanine is filled with hundreds of copies of the same book. And out on the street, the cars are all the same–vintage Studebakers. Back in the present, Wart and Cindy follow their motto–“Gather, identify, solve”–as they attempt to crack the case, with help from Wart’s distinctly odd parents and the loan of his mother’s time-travel-proof cell phone. If they fail, they may be trapped in the ghostly past forever . . .

Housekeeper—or whore? Twenty-year-old Moira, the daughter of a Newfoundland doctor, dreams of becoming a doctor herself; but when she becomes pregnant out of wedlock, she is banished to the bleak landscape of southern Saskatchewan in 1906. There, she must come to terms with her predicament, her pioneer environment, and her employment as a “dollybird,” a term applied to women who might be housekeepers, whores—or both. A saga of birth, death, and the violent potential of both men and the elements, Dollybird explores the small mercies that mean more than they should under a vast prairie sky that waits, not so quietly, for people to fail. Winner of the Willa Award for Historical Fiction Saskatchewan Book Award Finalist