Invented Worlds

Psychologist Ellen Winner studies the creative, nonliteral discourse of children's spontaneous speech, examining how their abilities to use and interpret figurative language change as they grow older, and what such language shows us about the changing feature's of children's minds.

"The exhibition ... [and catalog] represents a collaboration between the Haggerty Museum of Art and the Department of Special Collections and University Archives, Marquette University Archives. The exhibition was held in conjunction with the international conference The lord of the rings, 1954-2004: scholarship in honor of Dr. Richard E. Blackwelder at Marquette University (October 22-23, 2004) ... the aim of the exhibiton is to examine in a scholarly context and for the public the work of J.R.R. Tolkien in the Marquette University collection ... presented with the cooperation of Christopher Tolkien, The J.R.R. Tolkien Estate Limited and The J.R.R. Tolkien Copyright Trust ... Curtis L. Carter, director"--Acknowledgments, p. 4.

Thesis (M.A.) from the year 2001 in the subject English Language and Literature Studies - Literature, grade: 1,1, Saarland University, 52 entries in the bibliography, language: English, abstract: In my thesis, I will analyse the two contrasted fictional worlds that Rowling has created in the first four Harry Potter novels: the mundane Muggle world in which Harry first grows up and the fantasy world he enters once he has learned that he is a wizard. At first, I will establish a theoretical background, dealing with fantasy literature in general. I will give an idea of what constitutes a fantasy world and present several definitions of "fantasy" or "the fantastic". I continue with an attempt to define and locate the two worlds in the Harry Potter novels and to find out how they relate to one another. Inspired by Rosemary Jackson's theory about the fantastic as subversion, I would like to find out whether the wizarding world has any subversive potential. I will analyse why it initially appears subversive and whether or not it lives up to this impression. This will involve an examination of the educational and political system of the wizarding world. I will have a look at the concept of family that the novels promote, and questions of gender will be raised. The central question is: what does it mean to be different in the wizarding world? Is the wizarding world more open to otherness than the Muggle world seems to be? *** In meiner Magisterarbeit analysiere ich die beiden gegensätzlichen fiktionalen Welten, die Rowling in ihren Harry-Potter-Romanen geschaffen hat. Dabei bezieht sich die Arbeit auf die bis zum Erscheinungsdatum der Arbeit veröffentlichten Bände 1-4. Zunächst gebe ich einen sehr kurzen theoretischen Überblick über Fantasy-Literatur im Allgemeinen und und stelle verschiedene Definitionen des Fantastischen vor. Ich beschäftige mich mit der Lokalisierung und Beschaffenheit der beiden kontrastierten Welten in HP und erläutere, in welcher Beziehung sie zueinander stehen. Anknüpfend an Rosemary Jackson's Theory vom Fantastischen als Subversion, untersuche ich, ob Rowlings Zauberwelt tatsächlich subversives Potential besitzt. Dabei unterziehe ich das Schulsystem und das politische System der Zauberwelt einem kritischen Blick. Ich analysiere außerdem das Familienbild, das die Romane entwerfen und beschäftige mich mit Gender-Fragen. Die zentrale Frage ist, wie mit Anderssein in der Zauberwelt umgegangen wird.

An expertly written investigation of the places that shaped the work of one of the world's best loved authors, exploring the relationship between worlds real and fantastical.

Enter a land of infinite possibility . . . In this, the sixth volume of the NEW WORLDS series of worldbuilding guides for science fiction and fantasy writers, award-winning author Marie Brennan takes a deep dive into topics as weighty as slavery, as illicit as crime, and as fun as the inner workings of a magic system. With essays ranging from siege warfare to artistic patronage to food prohibitions, there is something here for every story! This volume collects essays from the sixth year of the New Worlds Patreon.

New painting and drawing is the subject ofRemote Viewing, which accompanies an exhibition at the Whitney Museum. The book brings together eight artists, some well known, others emerging, all of whom create new worlds that exist somewhere between abstraction and representation. Each of the featured artists-Franz Ackermann, Steve DiBenedetto, Carroll Dunham, Ati Maier, Julie Mehretu, Matthew Ritchie, Alexander Ross, and Terry Winters -is part of a revitalization that has been seen in recent years in contemporary painting and drawing. Their work grapples with the overwhelming abundance of information now present in our lives, information that is historical, scientific, technological, geographical, visual, literary, hallucinogenic, mass-media, or otherwise, and shares a fascination with assertive color, invented form, and the construction of dynamic spaces. The book includes color illustrations of works in the exhibition as well as studio photography of each artist.

Then, Donal Keneally, an Irish giant who thought he could invent the world, led a band of faithful followers from rural Ireland to Vancouver Island in search of Eden. In the course of his search, he founded the Revelations Colony of Truth. Now, Maggie Kyle runs an extraordinary boarding house on the original site of the Colony, and she and her irrepressible boarders search out Keneally’s story as a key to their own roots and even the possibility of love.

Jim Henson was the creative force behind a huge catalog of television series, films, specials, and other productions, even excepting the Muppets. This collection of essays delves into the rest of Henson's body of work, including projects developed during his lifetime and those that represent his legacy. Covered here are Fraggle Rock, The Dark Crystal, Labyrinth, The Jim Henson Hour, Dinosaurs, Farscape, and more. Henson's influence on both audiences and later productions remains palpable on screens large and small, as this collection attests.