Ipso Fatso A Shortcut Man Novel

When the legal system has disappointed, humbled, and humiliated you, there is still one arrow in your quiver. Call the Shortcut Man. Dick Henry, the Shortcut Man, is a purveyor of unlicensed, unofficial, and unauthorized justice. In IPSO FATSO, Dick follows the breadcrumbs leading into the lofty halls of power and influence in Los Angeles. Once there, Dick achieves the unexpected, but along the way settles a variety of scores and puts a number of bad guys in touch with their Inner Child.

Dick Henry, the Shortcut Man, follows the breadcrumbs leading into the lofty halls of power and influence in Los Angeles.

A smart and entertaining crime series debut set in the underbelly of Los Angeles, with a cast of characters that runs the gamut from saints to sinners. In the City of Angels, not everyone plays by the rules. When people need a problem fixed fast, and discreetly, they call Dick Henry. Henry is known as a “shortcut man,” someone who believes that the shortest answer to many problems may not always be legal. As he cuts through the red tape for his clients, who range from an elderly woman ripped off by shady contractors to a landlord with a tenant many months behind on the rent, Henry always gets the job done, no matter what the cost. In Shortcut Man, Henry spends his days hunting down slimy con men and his nights seducing Lynette, an intoxicating, long-legged vixen. But when Henry gets an assignment from porn producer Artie Benjamin, his life suddenly becomes much more complicated. Now Henry must complete the job, avoid being killed, and somehow figure out what to do with Lynette. Filled with dark comedy, whip-smart writing, and a memorable cast of characters, Shortcut Man evokes Chandler and Hammett—hard-boiled crime at its best—and is an exciting beginning to a crackling new series.

In their growing involvement with one another, each becomes a pawn in the other's game. As we weave among these characters, learning about their lives and motivations, and uncovering the conflicts and contradictions between their stories, we realize that the storyteller is not the only one with secrets to conceal that all three are fugitives of one kind or another. All the Sorrentino touches that have thrilled admirers are here: sparkling dialogue, satirical wit, attention to the details of everyday life, dizzyingly inventive prose but it is the deeply imagined interior lives of its all too human main characters that set this novel apart. Moving, funny, tense, and mysterious, The Fugitives is a love story, a ghost story, and a crime thriller.

"This is a forensic numerological criminal profile of Martin John Bryant, who was imprisoned, never to be released for his slaughter of innocents at Port Arthur Tasmania."--Publisher's website.

From award-winning comedian, director, writer, and producer David Steinberg comes the totally original, utterly blasphemous, and hysterically funny memoir of a young man who emerged from a traditional Jewish childhood to become an international star -- all because, it seems, he kept God in stitches. David Steinberg was raised in Winnipeg, Canada, by parents who expected little from him. And no wonder. Instead of studying Talmud in order to become a rabbi, he chose to major in Martin and Lewis with a minor in basketball. As David imagines the story of his life (since his success otherwise makes no sense), God one day spotted him on the playground and decided that this young man with no ambition could go far with His help. Sure enough, God soon had David on network TV and Broadway, and selling out nightclubs across the country -- as well as being pursued by hot starlets. The Book of David is David Steinberg's hilarious trip down memory lane, assuming that the lane has a biblical address. This wild riff on the Old Testament is guaranteed laughter.

This book answers the need of crossword puzzlers for one single-purpose reference work. In addition to general vocabulary and synonyms, there are entries covering history; the natural and physical sciences; literature; music, painting, and other arts; religion; mythology; sports; popular culture; and current affairs, among others. - Preface.

The modern materialist approach to life has conspicuously failed to explain such central mind-related features of our world as consciousness, intentionality, meaning, and value. This failure to account for something so integral to nature as mind, argues philosopher Thomas Nagel, is a major problem, threatening to unravel the entire naturalistic world picture, extending to biology, evolutionary theory, and cosmology. Since minds are features of biological systems that have developed through evolution, the standard materialist version of evolutionary biology is fundamentally incomplete. And the cosmological history that led to the origin of life and the coming into existence of the conditions for evolution cannot be a merely materialist history, either. An adequate conception of nature would have to explain the appearance in the universe of materially irreducible conscious minds, as such. Nagel's skepticism is not based on religious belief or on a belief in any definite alternative. In Mind and Cosmos, he does suggest that if the materialist account is wrong, then principles of a different kind may also be at work in the history of nature, principles of the growth of order that are in their logical form teleological rather than mechanistic. In spite of the great achievements of the physical sciences, reductive materialism is a world view ripe for displacement. Nagel shows that to recognize its limits is the first step in looking for alternatives, or at least in being open to their possibility.