Ireland

A heart-warming story about family secrets and one woman’s escape to dreamy Sandy Cove on the stunning west coast of Ireland. The picturesque beach of Wild Rose Bay is the last place Lydia Butler thought she’d be. But having just lost everything, the run-down cottage she inherited from her Great Aunt Nellie is the only place she can take her daughter, Sunny. Hidden away in a tiny Irish village, she can protect Sunny from the gossip in Dublin, and the real reason they have nowhere else to live… The cottage is part of the old coastguard station and other eccentric residents are quick to introduce themselves when Lydia arrives. Lydia instantly feels less alone, fascinated by the stories they have about Nellie, and she’s charmed by American artist, Jason O’Callaghan, the mysterious man who lives next door. But the longer Lydia relaxes under the moonlit sky, the more the secret she’s keeping from Sunny threatens to come out. And as she finds herself running into Jason’s arms, she knows she must be honest and face up to the past she has tried to forget. Has she finally found people who will truly accept her, or will the truth force her to leave the cottage for good? Will transport you to Ireland to relax on the shore and stare at the perfect emerald waters. The Lost Girls of Ireland is perfect for readers of Debbie Macomber, Sheila O’Flanagan and Mary Alice Monroe. This novel can be enjoyed as a standalone. What readers are saying about The Lost Girls of Ireland: ‘OMG! OMG!! I cannot remember the last time I was so gutted to come to the end of a book!! I absolutely fell in love and it genuinely felt like I was packing my bags and being whisked away from my Irish holiday… Absolutely gorgeous!!!... an absolutely stunning, heart-warming romance that will have you heading off to Ireland in the blink of an eye.’ Bookworm 86, 5 stars ‘Truly touched my heart. Impossible to put down, this moving story kept me tapping the screen of my Kindle deep into the night until I reached the heart-warming conclusion… a stellar read, one that will be with me for a long while.’ Robin Loves Reading, 5 stars ‘This fabulous story is a rapid page-turner. It will whisk you away to the great Irish Sea. I absolutely loved this unputdownable read… it was phenomenal, loved it.’ Reviews by Caroline, 5 stars ‘A lovely read. This heart-warming story set in the West Coast of Ireland is just delightful… I devoured it in days and was sad to say goodbye to characters who felt like friends. The descriptions of Sandy Cove made me wish I could jump on a plane and experience Wild Rose Bay for myself.’ NetGalley reviewer, 5 stars ‘Perfect… like slipping my feet into handmade shoes – the fit was spot on, and I don’t know how I haven’t read any of Susanne O’Leary’s books before… made me feel the wind in my hair, and I could even smell the salt from the Wild Atlantic sea without leaving my living room… a wonderfully, brilliant story.’ Book-mad-mum, 5 stars ‘A heart-warming tale… A beautiful clean romance and wonderfully uplifting tale of second chances and starting over… we need more places like Sandy Cove where people are not judged by what they have, but rather by who they are and how they treat others.’ Goodreads reviewer ‘Wonderful… I just loved it.’ NetGalley reviewer, 5 stars ‘Lovely book. A hope-filled read about the power of reinvention and second chances… Susanne O’Leary transported me to this lovely place where the villagers are accepting for who you are not for what you have. This is a story of heart and soul and is highly recommended.’ NetGalley reviewer

Often imitated but never equalled, the Old Ireland in Colour books are beloved by Irish readers at home and abroad, and in this, the third book of the series, the authors have uncovered yet more photographic gems and breathed new life into them in glorious colour. All of Irish life is here – from evictions in Connemara to the mosgt elegant drawing rooms in Dublin. Famous faces from politics and the arts appear alongside humble labourers and farmers and impish children from all kinjds of backgrounds light up this book’s glorious pages. With endless surprising details to pore over in every picture, and captivating and illuminating text, Old Ireland in Colour 3 is a winning addition to this spectacular series of bestsellng books.

For over two centuries, the 'Irish question' has dogged UK politics. Though the Good Friday Agreement carved a fragile peace from the bloodshed of the Troubles, the Brexit process has shown a largely uncomprehending British audience just how uneasy that peace always was – and thrown new light on Northern Ireland's uncertain constitutional status. Remote from the British mainland in its politics, economy and cultural attitudes, Northern Ireland is, in effect, in an antechamber, its place within the UK conditional on the border poll guaranteed by the peace process. As shifting demographic trends erode the once-dominant Protestant–Unionist majority, making a future referendum a racing certainty, the reunification of Ireland becomes a question not of if but when – and how. In this new, fully updated edition of A United Ireland, Kevin Meagher argues that a reasoned, pragmatic discussion about Britain's relationship with its nearest neighbour is now long overdue, and questions that have remained unasked (and perhaps unthought) must now be answered.

“[L]ike reading a great tragicomic Irish novel.” —James Wood, The New Yorker “Masterful . . . astonishing.” —Cullen Murphy, The Atlantic "A landmark history . . . Leavened by the brilliance of O'Toole's insights and wit.” —Claire Messud, Harper’s Winner • 2021 An Post Irish Book Award — Nonfiction Book of the Year • from the judges: “The most remarkable Irish nonfiction book I’ve read in the last 10 years”; “[A] book for the ages.” A celebrated Irish writer’s magisterial, brilliantly insightful chronicle of the wrenching transformations that dragged his homeland into the modern world. Fintan O’Toole was born in the year the revolution began. It was 1958, and the Irish government—in despair, because all the young people were leaving—opened the country to foreign investment and popular culture. So began a decades-long, ongoing experiment with Irish national identity. In We Don’t Know Ourselves, O’Toole, one of the Anglophone world’s most consummate stylists, weaves his own experiences into Irish social, cultural, and economic change, showing how Ireland, in just one lifetime, has gone from a reactionary “backwater” to an almost totally open society—perhaps the most astonishing national transformation in modern history. Born to a working-class family in the Dublin suburbs, O’Toole served as an altar boy and attended a Christian Brothers school, much as his forebears did. He was enthralled by American Westerns suddenly appearing on Irish television, which were not that far from his own experience, given that Ireland’s main export was beef and it was still not unknown for herds of cattle to clatter down Dublin’s streets. Yet the Westerns were a sign of what was to come. O’Toole narrates the once unthinkable collapse of the all-powerful Catholic Church, brought down by scandal and by the activism of ordinary Irish, women in particular. He relates the horrific violence of the Troubles in Northern Ireland, which led most Irish to reject violent nationalism. In O’Toole’s telling, America became a lodestar, from John F. Kennedy’s 1963 visit, when the soon-to-be martyred American president was welcomed as a native son, to the emergence of the Irish technology sector in the late 1990s, driven by American corporations, which set Ireland on the path toward particular disaster during the 2008 financial crisis. A remarkably compassionate yet exacting observer, O’Toole in coruscating prose captures the peculiar Irish habit of “deliberate unknowing,” which allowed myths of national greatness to persist even as the foundations were crumbling. Forty years in the making, We Don’t Know Ourselves is a landmark work, a memoir and a national history that ultimately reveals how the two modes are entwined for all of us.

The immigrants were at last removed from the colony; their name became the town's shorthand for lying, drunken failures.".

This book, the first devoted to the history and contemporary forms of Irish performance art in the north and south of Ireland, brings together contributions by prominent Irish artists and major academics. It features rigorous critical and theoretical analysis as well as historical commentaries that provide an absorbing sense of the rich histories of performance art in Ireland. Presenting diverse visual documentation of performance art practices, this collection shows how performance art in Ireland engaged with – and in turn influenced and led – contemporary performance and Live Art internationally. Co-published with Live Art Development Agency.

Between 1922 and 1996, over 10,000 girls and women were imprisoned in Magdalene Laundries, including those considered 'promiscuous', a burden to their families or the state, those who had been sexually abused or raised in the care of the Church and State, and unmarried mothers. These girls and women were subjected to forced labour as well as psychological and physical maltreatment. Using the Irish State's own report into the Magdalene institutions, as well as testimonies from survivors and independent witnesses, this book gives a detailed account of life behind the high walls of Ireland's Magdalene institutions. The book offers an overview of the social, cultural and political contexts of institutional survivor activism, the Irish State's response culminating in the McAleese Report, and the formation of the Justice for Magdalenes campaign, a volunteer-run survivor advocacy group. Ireland and the Magdalene Laundries documents the ongoing work carried out by the Justice for Magdalenes group in advancing public knowledge and research into Magdalene Laundries, and how the Irish State continues to evade its responsibilities not just to survivors of the Magdalenes but also in providing a truthful account of what happened. Drawing from a variety of primary sources, this book reveals the fundamental flaws in the state's investigation and how the treatment of the burials, exhumation and cremation of former Magdalene women remains a deeply troubling issue today, emblematic of the system of torture and studious official neglect in which the Magdalene women lived their lives. The Authors are donating all royalties in the name of the women who were held in the Magdalenes to EPIC (Empowering People in Care).