Irish Travel Writing

Covering all aspects of travel since the 12th century, this guide provides a reference on Irish travel literature. The book also examines the tradition and content of tourist guides to Ireland. The information included ranges from diary-accounts of journeys undertaken through the country and towns of Ireland, written for the information of others, to private writings, such as the 17th-century account by Mary Granville of her journey to Galway. There are also excerpts from the journals and letters of historical figures, such as John Wesley and Mary Wollstonecraft. Furthermore, the author has added to the bibliographical data for each entry wherever possible, indicating the itinerary followed by the writer in question.

This book analyses travel texts aimed at the emergent Irish middle classes in the long nineteenth century. Unlike travel writing about Ireland, Irish travel writing about foreign spaces has been under-researched. Drawing on a wide range of neglected material and focusing on selected European destinations, this study draws out the distinctive features of an Irish corpus that often subverts dominant trends in Anglo-Saxon travel writing. As it charts Irish participation in a new ‘mass’ tourism, it shows how that participation led to heated ideological debates in Victorian and Edwardian Irish print culture. Those debates culminate in James Joyce’s ‘The Dead’, which is here re-read through new discursive contextualizations. This book sheds new light on middle-class culture in pre-independence Ireland, and on Ireland’s relation to Europe. The methodology used to define its Irish corpus also makes innovative contributions to the study of travel writing.

"This book is intended as an aid to Irish historians on the use of traveller's accounts as source-material. It consists of a discursive introduction, annotations of over 200 accounts from the years 1635-1948, a select bibliography and indexes of travellers and places. The annotations consist of the usual bibliographical details, identification of the traveller, the purpose and period of his or her travel, the exact itinerary followed, his or her mode of transport, the traveller's observations, and persons encountered. Whereas those who have published on Irish travel writing in recent years have generally seen it as another literary genre suitable for development of concepts of literary scholarship (image, identity, influences, etc.). C. J. Woods sees travel narratives as an important primary source of information - on transport, landscape, the economy, society, religion etc. This guide is invaluable to Irish local historians as a means of identifying those accounts that refer to the dark places in which they are interested." --Book Jacket.

Travel Writing and Ireland, 1760-1860 examines a range of mainly British travel and travel-writing material from the period 1760 to 1860. Beginning with an analysis of the Home Tour and Ireland's function within it, the book then considers the role of the Post-Union traveller, followed by an analysis of the impressions formed by Famine writers; the book then concludes with an assessment of those who journeyed to Ireland in the immediate aftermath of Famine. Following a chronological structure, Travel Writing and Ireland, 1760-1860 offers readings of hitherto under-researched material from a significant period in Irish history.

From the mid-eighteenth century to the twentieth, tourism became established as a leisure industry and travel writing as a popular genre. In this collection of essays, leading international historians and travel writing experts examine the role of home tourism in the UK and Ireland in the development of national identities and commercial culture.

In recent years, Ireland has enjoyed a newfound prosperity as Europe's most affluent nation. But tucked away in a far corner of the so-called "Celtic Tiger," that other enduring and authentic country—that small, hidden place of simple magic and romance—still exists. Acclaimed travel writer David Yeadon and his wife, Anne, set out to find it. On the Beara Peninsula of southwest Ireland, the Yeadons discovered their own "little lost world," an enticing Brigadoon of soaring mountain ranges and spectacular coastal scenery, far removed from the touristic hullabaloo of Dublin, Killarney, and the Ring of Kerry. Here is the fabled "Old Ireland," alive and well with music seisuins, hooley dances, and seanachai storytellers—a haven for searchers, healers, artists, and poets hardy enough to have braved the same narrow and winding mountain roads that keep the package-tour coaches out. Bursting with color and life, At the Edge of Ireland is an intrepid wanderer's celebration of a magical, unspoiled, and unforgettable Éire.

Between the late 1890s and the early 1900s, the young Irish writer John Millington Synge journeyed across his home country, documenting his travels intermittently for ten years. His body of travel writing includes the travel book The Aran Islands, his literary journalism about West Kerry and Wicklow published in various periodicals, and his articles for the Manchester Guardian about rural poverty in Connemara and Mayo. Although Synge’s nonfiction is often considered of minor weight compared with his drama, Bruna argues persuasively that his travel narratives are instances of a pioneering ethnographic and journalistic imagination. J. M. Synge and Travel Writing of the Irish Revival is the first comprehensive study of Synge’s travel writing about Ireland, compiled during the zeitgeist of the preindependence Revival movement. Bruna argues that Synge’s nonfiction subverts inherited modes of travel writing that put an emphasis on Empire and Nation. Synge’s writing challenges these grand narratives by expressing a more complex idea of Irishness grounded in his empathetic observation of the local rural communities he traveled amongst. Drawing from critically neglected revivalist travel literature, newspapers and periodicals, and visual and archival documents, Bruna sketches a new portrait of a seminal Irish Literary Renaissance figure and sheds new light on the itineraries of activism and literary engagement of the broader Revival movement.