Is Is Not

You will discover that this book can be: A secret message - tear out a page, write a note on it for a stranger, and leave it in a public place. A recording device - have everyone you contact today write their name in the book. An instrument - create as many sounds as you can using the book, like flipping the pages fast or slapping the cover. This Is Not a Book will engage readers by having them define everything a book can be by asking, 'If it's not a book, what is it then?' - with a kaleidoscope of possible answers.

This is a challenging critique of narrative theologies. Murphy argues that the widespread notion that the role of the theologian it so 'tell God's story' has not helped theology to advance the reality of its doctrines. She offers her own alternative approach, making use of cinema and film theory.

“A distinctive and insightful perspective on being Muslim in the post-9/11 world.” — Charles Taylor Veteran Toronto Star editor Haroon Siddiqui, brown and Muslim, has spent a life on the media front lines, covering conflicts both global and local, and tracked rising xenophobia. Canada has no official culture. It follows that there's no standard way of being Canadian, beyond obeying the law. Toronto Star editor Haroon Siddiqui shows how Canada let him succeed on his own terms. Coming from India in 1967, he didn't do in Rome as some Romans expected him to. He refused to forget his past. He didn't change his name, didn't dilute his dignity, didn't compromise his conscience or his dissident views. Championed immigration and multiculturalism when that was not popular. Upbraided media colleagues for being white-centric, Orientalist. Pioneered cross-cultural journalism, bridging divided communities. Insisted it was un-Canadian to use free speech as a licence for hate speech. Opposed the limitless American war on terror, the invasion of Iraq, the long war on Afghanistan. Exposed how liberals could also be narrow-minded and nasty. Here he shares such journalistic forays into the corridors of power, war zones, and cultural minefields. He also takes the reader along his personal journey from British colonial India to the evolution of Canada as the only Western nation where skin colour is no longer a fault line.

Retired at last, think the women and men in these entertaining episodes. Finally being able to do what they want. But that's not as easy as some thought. Because now you have to structure your day yourself and give it a meaning. This throws many people off track - or sometimes even their partner. The stories are about money worries, quarrels, alcoholism, gambling and jealousy, and so on... But it is not unusual for couples to find a solution and often to get back together. But many a long-troubled wife takes advantage of the new freedom and frees herself from the yoke of marriage. These are stories that life writes.

With mounting disbelief, Regan Trent realises that the death of her beloved mother has left her totally at her stepfather's mercy. But mercy is a foreign concept to Sherwyn Huntley. To this ruthless man, Regan is simply an obstacle between him and the Trent fortune. Denied a place at her mother's funeral, cruelly separated from her younger brother, promised in marriage to a sadistic pervert, Regan prefers to take her chance in the wide world. But Huntley will stop at nothing to achieve his cruel ambitions . . .

From the Governor General’s Award winning author of Forms of Devotion, Our Lady of the Lost and Found and By the Book “Never once in my life had I dreamed of being in bed with a convicted killer.” For almost six turbulent years, award-winning writer Diane Schoemperlen was involved with a prison inmate serving a life sentence for second-degree murder. The relationship surprised no one more than her. How do you fall in love with a man with a violent past? How do you date someone who is in prison? This Is Not My Life is the story of the romance between Diane and Shane—how they met and fell in love, how they navigated passes and parole and the obstacles facing a long-term prisoner attempting to return to society, and how, eventually, things fell apart. While no relationship takes place in a vacuum, this is never more true than when that relationship is with a federal inmate. In this candid, often wry, sometimes disturbing memoir, Schoemperlen takes us inside this complex and difficult relationship as she journeys through the prison system with Shane. Not only did this relationship enlarge her capacity for both empathy and compassion, but it also forced her to more deeply examine herself.

A playfully deceptive format that encourages young readers to see things differently. Selected by Publishers Weekly as one of the Best Books of 2016, Picture Books category This is not a book - it's a laptop, a pair of hands to clap, a toolbox! Each spread of this book is actually something else entirely, challenging young readers to see things quite differently! Turning the page and finding a full-sized image of piano keys will invite children to swing the book on its side for imaginative play; turning the page again to find a monster with its mouth wide open will prompt children to use the book to chomp everything around them! The result stretches beyond the pages of this book, prompting readers to think creatively about other objects in their daily lives. Created for ages 2-4 years

Winner, Quebec Writers' Federation Janet Savage Blachford Prize for Children and Young Adult Literature Finalist, Governor General’s Literary Award for Young People’s Literature In this sequel to the award-winning A Boy Is Not a Bird, a boy is exiled to Siberia during World War II. Based on a true story. Torn from his home in Eastern Europe, with his father imprisoned in a Siberian gulag, twelve-year-old Natt finds himself stranded with other deportees in a schoolyard in Novosibirsk. And he is about to discover that life can indeed get worse than the horrific two months he and his mother have spent being transported on a bug-infested livestock train. He needs to write to his best friend, Max, but he knows the Soviet police reads everyone’s mail. So Natt decides to write in code, and his letters are a lifeline, even though he never knows whether Max will receive them. Every day becomes a question of survival, and where they might be shunted to next. When his mother is falsely arrested for stealing potatoes, Natt is truly on his own and must learn how to live the uncertain life of an exile. Practice being invisible as a ghost, change your name and identity if you have to, watch out for spies, and never draw the attention of the authorities. Even then, he will need luck on his side if he is ever going to be reunited with his family. Key Text Features author's note Illustrations map Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.4.3 Describe in depth a character, setting, or event in a story or drama, drawing on specific details in the text (e.g., a character's thoughts, words, or actions). CCSS.ELA-LITERACY.RL.5.3 Compare and contrast two or more characters, settings, or events in a story or drama, drawing on specific details in the text (e.g., how characters interact). CCSS.ELA-LITERACY.RL.5.4 Determine the meaning of words and phrases as they are used in a text, including figurative language such as metaphors and similes. CCSS.ELA-LITERACY.RL.5.6 Describe how a narrator's or speaker's point of view influences how events are described. CCSS.ELA-LITERACY.RL.5.7 Analyze how visual and multimedia elements contribute to the meaning, tone, or beauty of a text (e.g., graphic novel, multimedia presentation of fiction, folktale, myth, poem).