Is It Ours

If you have tattoos, who owns the rights to the imagery inked on your body? What about the photos you just shared on Instagram? And what if you are an artist, responding to the surrounding landscape of preexisting cultural forms? Most people go about their days without thinking much about intellectual property, but it shapes all aspects of contemporary life. It is a constantly moving target, articulated through a web of laws that are different from country to country, sometimes contradictory, often contested. Some protections are necessary—not only to benefit creators and inventors but also to support activities that contribute to the culture at large—yet overly broad ownership rights stifle innovation. Is It Ours? takes a fresh look at issues of artistic expression and creative protection as they relate to contemporary law. Exploring intellectual property, particularly copyrights, Martha Buskirk draws connections between current challenges and early debates about how something intangible could be defined as property. She examines bonds between artist and artwork, including the ways that artists or their heirs retain control over time. The text engages with fundamental questions about the interplay between authorship and ownership and the degree to which all expressions and inventions develop in response to innovations by others. Most importantly, this book argues for the necessity of sustaining a vital cultural commons.

ÊH. E. MarshallÕs dedication to the preservation of American history is evident in the details of this text, which features over a hundred different stories divided into seven headings. Despite it being nearly a century old, ÒThis Country of OursÓ is just as readable as it was when originally published. ÊIt presents the facts about history and the lives of the men and women that are often lost in history books in this present day. There are Christian morals and Biblical truths discussed in the lives.

"Originally published in Great Britain in 2021 by Simon & Schuster UK Ltd."--Copyright page.

Robert and Margay live successful lives in Colorado. These two Professional adults work, live and love. Their lives begin to change drastically as events unfold through the years. This fictional paranormal work is from the Author's imagination, or is it? Who knows what is possible during "This Life of Ours?" A book about Life and Death and Family and Hope. It is about Past and Future. Although mostly a work of Fiction, many parts of the book did happen and perhaps some parts have either happened already or will in the Future. What do scientists do? They start with a theory. Their goal is to prove that theory. This imaginative theory could be true! Everything that has ever been discovered or created by Man (or Woman) came from an idea, came from "imagination".

The Jewel That Was Ours is the ninth novel in Colin Dexter's Oxford-set detective series. He looked overweight around the midriff, though nowhere else, and she wondered whether perhaps he drank too much. He looked weary, as if he had been up most of the night conducting his investigations . . . For Oxford, the arrival of twenty-seven American tourists is nothing out of the ordinary . . . until one of their number is found dead in Room 310 at the Randolph Hotel. It looks like a sudden – and tragic – accident. Only Chief Inspector Morse appears not to overlook the simultaneous theft of a jewel-encrusted antique from the victim's handbag . . . Then, two days later, a naked and battered corpse is dragged from the River Cherwell. A coincidence? Maybe. But this time Morse is determined to prove the link . . . The Jewel That Was Ours is followed by the tenth Inspector Morse book, The Way Through the Woods.

Ours As We Play It takes a close look at several contemporary Australian productions of three Shakespeare plays; exploring masculinity and madness in Hamlet, the role of landscape and the multiple roles of Rosalind in As You Like It, and hierarchies of gender and social order re-imagined in relation to Australian understandings of power in A Midsummer Night's Dream.

Before the Lower East Side was one of the most expensive and heavily gentrified neighborhoods in New York City, it was infamous as a site of class conflict, abandonment, and open-air drug dealing. With a deep radical history and a thriving arts scene, it was also the incubator for a squatting movement that blended urban homesteading and European-style squatting into something never before seen in the United States. Ours to Lose by anthropologist and historian Amy Starecheski follows a diverse group of Lower East Side squatters as they occupied abandoned city-owned buildings in the 1980s, defended them for decades, and then, in 2002, began a long and difficult process of converting their illegal occupation into legal cooperative ownership. This book does not just tell an interesting story about housing in New York. It uses this case to shed light on how property is crucial to our sense of ourselves as social beings. Starecheski also draws out surprising lessons about homeownership and the morality of debt in post-recession America. This is a timely contribution to the literature on urban housing, inequality, and direct political action by socially marginalized New Yorkers living just a few blocks from Wall Street.