Is The Pope Catholic

The stories of seven popes who ruled at seven different critical periods in the 600 years leading into the Reformation.

It is as though Jesus said, "Keep doing it, until you get it right." Doing what? "Being pope." And 264 human beings have tried their hand at it. Jesus hand-picked Simon, a Jewish fisherman, to be the first pope, renaming him Peter. Surely he was the most unlikely candidate for such an election: rash, full of doubts and fears, bragging, a weak reed, if there ever was one. Under Jesus' skillful guidance, Peter became a good pope but not a perfect one, and the long list of successor popes proved to be good, bad or indifferent. The centuries went by and the perfect pope failed to appear, as papal history illustrates. This was regrettable, but not fatal. Until now. With the coming of the Third Millennium a merely good pope is not good enough. Nothing short of a perfect pope will be able turn the tide now threatening to drown every hope for an earthly measure of human happiness or even for bare survival. This is a tremendus burden on Cardinal Isaac. Will he be able to be the perfect pope? Will he be good enough? If not, he will be the last Pope. This is his story.

Joanna Manning draws on her experience as a teacher in the Catholic school system, a former nun, and an outspoken advocate of women's equality. She powerfully articulates how Pope John Paul's views on women are not only a disaster for the Catholic Church, but are also a threat to the well-being of all women, regardless of belief.

Marcantonio Colonna's The Dictator Pope has rocked Rome and the entire Catholic Church with its portrait of an authoritarian, manipulative, and politically partisan pontiff. Occupying a privileged perch in Rome during the tumultuous first years of Francis’s pontificate, Colonna was privy to the shock, dismay, and even panic that the reckless new pope engendered in the Church’s most loyal and judicious leaders. The Dictator Pope discloses that Father Mario Bergoglio (the future Pope Francis) was so unsuited for ecclesiastical leadership that the head of his own Jesuit order tried to prevent his appointment as a bishop in Argentina. Behind the benign smile of the "people's pope" Colonna reveals a ruthless autocrat aggressively asserting the powers of the papacy in pursuit of a radical agenda.

THE STORY BEHIND THE SCREENPLAY OF THE TWO POPES, THE MAJOR MOTION PICTURE STARRING ANTHONY HOPKINS AND JONATHAN PRYCE (PREVIOUSLY PUBLISHED AS THE POPE). From the Academy Award-nominated screenwriter of The Theory of Everything and Darkest Hour comes the fascinating and revealing tale of an unprecedented transfer of power, and of two very different men - who both happen to live in the Vatican. In February 2013, the arch-conservative Pope Benedict XVI made a startling announcement: he would resign, making him the first pope to willingly vacate his office in over 700 years. Reeling from the news, the College of Cardinals rushed to Rome to congregate in the Sistine Chapel to pick his successor. Their unlikely choice? Francis, the first non-European pope in 1,200 years, a one time tango club bouncer, a passionate soccer fan, a man with the common touch. Why did Benedict walk away at the height of power, knowing his successor might be someone whose views might undo his legacy? How did Francis - who used to ride the bus to work back in his native Buenos Aires - adjust to life as leader to a billion followers? If, as the Church teaches, the pope is infallible, how can two living popes who disagree on almost everything both be right? Having immersed himself in these men's lives to write the screenplay for The Two Popes, Anthony McCarten masterfully weaves their stories into one gripping narrative. From Benedict and Francis's formative experiences in war-torn Germany and Argentina to the sexual abuse scandal that continues to rock the Church to its foundations, to the intrigue and the occasional comedy of life in the Vatican, The Two Pope glitters with the darker and the lighter details of one of the world's most opaque but significant institutions.

Days after the assassination of his prime minister in the middle of Rome in November 1848, Pope Pius IX found himself a virtual prisoner in his own palace. The wave of revolution that had swept through Europe now seemed poised to put an end to the popes' thousand-year reign over the Papal States, if not indeed to the papacy itself. Disguising himself as a simple parish priest, Pius escaped through a back door. Climbing inside the Bavarian ambassador's carriage, he embarked on a journey into a fateful exile.Only two years earlier Pius's election had triggered a wave of optimism across Italy. After the repressive reign of the dour Pope Gregory XVI, Italians saw the youthful, benevolent new pope as the man who would at last bring the Papal States into modern times and help create a new, unified Italian nation. But Pius found himself caught between a desire to please his subjects and a fear--stoked by the cardinals--that heeding the people's pleas would destroy the church. The resulting drama--with a colorful cast of characters, from Louis Napoleon and his rabble-rousing cousin Charles Bonaparte to Garibaldi, Tocqueville, and Metternich--was rife with treachery, tragedy, and international power politics.David Kertzer is one of the world's foremost experts on the history of Italy and the Vatican, and has a rare ability to bring history vividly to life. With a combination of gripping, cinematic storytelling, and keen historical analysis rooted in an unprecedented richness of archival sources, The Pope Who Would Be King sheds fascinating new light on the end of rule by divine right in the west and the emergence of modern Europe.