Islamic Shangri La

A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program for monographs. Visit www.luminosoa.org to learn more. Islamic Shangri-La transports readers to the heart of the Himalayas as it traces the rise of the Tibetan Muslim community from the 17th century to the present. Radically altering popular interpretations that have portrayed Tibet as isolated and monolithically Buddhist, David Atwill's vibrant account demonstrates how truly cosmopolitan Tibetan society was by highlighting the hybrid influences and internal diversity of Tibet. In its exploration of the Tibetan Muslim experience, this book presents an unparalleled perspective of Tibet's standing during the rise of post–World War II Asia.

This inspiring book accompanies the first traveling exhibition about Doris Duke’s estate Shangri La and its influential synthesis of modernist architecture and Islamic art and design. Situated on five acres of terraced gardens and pools overlooking the Pacific Ocean and Honolulu’s Diamond Head, Shangri La was the idyllic paradise of philanthropist Doris Duke, reflecting her personal passion for the art, architecture, and design of the Islamic world. The estate incorporates unique architectural features, such as carved marble doorways, jalis, and floral ceramic tiles, and the decor includes artifacts, such as silk textiles, jewel-toned chandeliers, and gilt and coffered ceilings, many collected during her travels. This volume presents an exclusive tour of Shangri La’s breathtaking interiors and landscape, including the splendid furnishings and art. Archival photographs of Duke and friends as well as correspondence and drawings provide a view into a lifestyle defined by the highest sense of aesthetics. Doris Duke’s Shangri La is sure to inspire both art and design lovers.

Place plays a fundamental role in the structuring of the discipline of Art History. And yet, place also limits the questions art historians can ask and impairs analysis of objects and locations in the interstices of established, ossified categories. The chapters in this interdisciplinary volume investigate place in all of its dynamism and complexity: several call into question traditional constructions regarding place in Art History, while others explore the fundamental role that place plays in lived experience. The particular nexus for this collection lies at the intersection and overlap of two major subfields in the history of art: South Asia and the Islamic world, both of which are seemingly geographically determined, yet at the same time uncategorizable as place with their ever-shifting and contested borders. The eleven chapters brought together here move from the early modern through to the contemporary, and span particular monuments and locations ranging from Asia and Europe to Africa and the Americas. The chapters take on the question of place as it operates in more obvious settings, such as architectural monuments and exhibitionary contexts, while also probing the way place operates when objects move or when the very place they exist in transforms dramatically. This volume engages place through the movement of objects, the evocation of senses, desires, and memories and the on-going project of articulating the parameters of place and location.

Perfect for fans of Nelson DeMille and Daniel Silva Ex-Israeli operative turned private investigator, Dotan Naor—to settle a bet—agrees to locate the missing son of former acquaintance, now ruthless Israeli arms merchant, Willy Mizrachi. Willy, who does not hesitate to sell killing machines to the most heinous players in the world, is desperate to find his only son, Itiel, who has headed to an ashram in the Himalayas. The Himalayas are also host to groups of young Israelis who have completed their mandatory military service—a sort of rite of passage. Now, those innocent kids are being hunted down by violent terrorists. India and the disputed Kashmir region between India and Pakistan is familiar territory to Dotan, as he searches for Itiel and for the source of these heinous attacks on Israeli youth. Unwilling to leave this quest in the hands of Dotan, Willy also travels to India, where he is murdered in Delhi, triggering international repercussions capable of ripping the world apart at one of its most dangerous flashpoints. Nothing is as it seems in this region of the world. Betrayal reigns everywhere. But love, in its purest form, does manage to shine through in this story of brutal international corruption.

In the immediate aftermath of the 2007 "Surge" of American troops in Iraq, the defeat of al-Qaeda in Iraq (AQI) in Anbar Province was widely hailed as one of America's signature victories. US Marines and soldiers fought for years there, in grinding battles such as Fallujah and Ramadi that define the experience of Iraq. Eventually, the fractious tribal sheiks in that province, with the help of American troops, united in an "Awakening" that dealt AQI a stunning defeat. The Awakening's success argued that the United States could intervene in a war-torn country and, with the right strategy, bring stability and peace. It seemed to exemplify snatching victory from the jaws of defeat. A decade later, the situation in Anbar Province is dramatically different. In 2014, much of Anbar fell to the AQI's successor organization, the Islamic State, which swept through the region with shocking ease. In Illusions of Victory, Carter Malkasian looks at the wreckage to explain why the Awakening's initial promise proved misleading and why victory was unsustainable. Malkasian begins by tracing the origins of the Awakening, then turns his attention to what happened in its wake. After the United States left, Iraq's Shi'a government sidelined Sunni leaders throughout the country. AQI, brought back to life as the Islamic State, expanded in northern and western Iraq and quickly found a receptive audience among marginalized Sunnis. In short order, the progress that had resulted from the Awakening fell apart. Malkasian draws many lessons from Anbar. Chief among them, the most stunning of victories may not last. The fact that the leading model of success fell apart severely damages the idea that the United States can send the military to a country for a few years and create lasting peace. Even the most successful example was bound to deeper social, sectarian, and religious forces insensitive to temporary boots on the ground. From today's perspective, rather than decisive success, Anbar exemplifies how intervention itself is a costly, long-term project. The most brilliant victory could not escape this wisdom.

For those who love boldness in design, Los Angeles-based interior designer Martyn Lawrence Bullard demonstrates his mastery of dramatic environments for a clientele of celebrities. Drawn to glamour, Martyn Lawrence Bullard moved from London to Los Angeles to pursue acting but became a star decorator instead. His designs balance the contemporary with the traditional, the Occidental with the ethnic. His celebrity clients’ homes are inspiring in their chic yet sumptuous styles, including Sir Elton John’s disco-luxurious apartment with a python-skin bed, green lacquered walls, and mirrored cabinets;Grey’s Anatomystar Ellen Pompeo’s hip Mediterranean villa in the Hollywood Hills; Cher’s residences-a Moorish palazzo in Malibu and a Beverly Hills Indian fantasy; and Tamara Mellon’s New York City penthouse that dazzles with bold artwork and striking color. With a knack for beautiful and dramatic spaces that don’t sacrifice comfort, Lawrence Bullard-who stars in the upcoming Bravo television showMillion Dollar Decorators-reveals his know-how for creating a sensational home.