Islands And Cultures

A uniquely collaborative analysis of human adaptation to the Polynesian islands, told through oral histories, biophysical evidence, and historical records Humans began to settle the area we know as Polynesia between 3,000 and 800 years ago, bringing with them material culture, including plants and animals, and ideas about societal organization, and then adapting to the specific biophysical features of the islands they discovered. The authors of this book analyze the formation of their human-environment systems using oral histories, biophysical evidence, and historical records, arguing that the Polynesian islands can serve as useful models for how human societies in general interact with their environments. The islands' clearly defined (and relatively isolated) environments, comparatively recent discovery by humans, and innovative and dynamic societies allow for insights not available when studying other cultures. Kamana Beamer, Te Maire Tau, and Peter Vitousek have collaborated with a dozen other scholars, many of them Polynesian, to show how these cultures adapted to novel environments in the past and how we can draw insights for global sustainability today.

Even before Western contact, the Pacific Islanders inhabited nearly every island north and east of Australia - a thousand distinctive peoples. This overview of the cultures of the Pacific Islands treats their physical setting, prehistory, activities, and social relations before European influences subjected them to radical changes. It is intended mainly for college-level students in courses dealing with the region, but Native Cultures of the Pacific Islands will also be enjoyed by those interested in the Pacific Islands and by visitors to the Pacific. The book is an abridgement of the author’s larger, two-volume work, Oceania: The Native Cultures of Australia and the Pacific Islands. Native Cultures of the Pacific Islands contains a number of maps and illustrations from the larger work.

"This book provides the first overall survey of the peoples and cultures of Micronesia since the anthropological information explosion on the area began in the 1950s. It attempts to summarize these studies in a logical and coherent fashion. Ten island societies of Micronesia have been selected and discussed in some detail; these societies reflect a range of cultural adaptations to the varying microenvironments of the region. An attempt is made throughout to emphasize similarities in organizational patterns, where such exist, without losing sight of individuality."--Preface.

"Part 1 of the book...deals with the geography of the region and with the biological, linguistic, and archaeological evidence concerning the origins of the Oceanians and their movements into and within the region. Part 2 describes the tools and techniques by which the recent (but not yet markedly Westernized) Oceanians satisfied their basic, pan-human needs, as qualified by their many different, culturally defined, perceptions of those needs...Finally, Part 3 focuses on the varieties of social structures within which those 'technical' activities took place." -from the Prologue

The islands of Melanesia, Micronesia, and Polynesia are steeped in diverse musical traditions that reach far beyond the expanse of the Pacific Ocean. Music in Pacific Island Cultures is the first brief, single-volume text to provide a thematic, succinct introduction to the music of the Pacific Islands--a region of the world that has long been underrepresented in ethnomusicological studies. Based on the authors' extensive fieldwork and experiences in Pacific Island cultures, the text draws on interviews with performers, eyewitness accounts of performances, vivid illustrations, and insights gained from ongoing participation in Pacific music. The authors use four themes--colonialism, belief systems, musical flows, and the re/presentation of Pacific cultures--to survey the region and draw parallels and contrasts between its various musical traditions [Publisher description]

This book brings together information on various disciplines from the three main island regions of the world - the Caribbean, Indian Ocean and Pacific Ocean - to explore the ways in which the peoples of small islands have lived, and continue to live, in their culturally diverse societies. Leading anthropologists, historians, economists, archaeologists and others provide information on the complexity and dynamics of societies in small island developing states. It reflects the outcomes of a UNESCO symposium held in the Seychelles in 2007.--Publisher's description.

The years since World War II have brought unprecedented social change to Micronesia. Now, drawing on more than four decades of experience living and working in the region, Francis X. Hezel assesses the most striking changes to have swept over the islands in the past fifty years. His careful and comprehensive reading of Micronesian anthropology and history allows him to present insights into patterns of change touching the lives of not only Micronesians but people in other parts of the Pacific as well. The broad range of topics covered include family structure, land, gender roles, cultural treatment of life events (birth, marriage, death), sexuality, political authority, and demography and migration. Hezel argues that the primary engine of social change in Micronesia has been the dramatic shift from subsistence fishing and gardening to salaried employment in a cash economy. He makes the case that this fundamental change has fragmented the extended family, changed the way land is viewed, revolutionized gender roles, and paved the way for an ethics of individualism.

Looking at the development of cultural identity in the global context, this text uses the approach of historical anthropology. It examines the way in which the West Indian Community of Nevis, has, since the 1600s, incorporated both African and European cultural elements into the framework of social life, to create an Afro-Caribbean culture that was distinctive and yet geographically unbounded - a "global culture". The book takes as its point of departure the processes of cultural interaction and reflectivity. It argues that the study of cultural continuity should be guided by the notion of cultural complexity involving the continuous constitution, development and assertion of culture. It emphasizes the interplay between local and global cultures, and examines the importance of cultural display for peoples who have experienced the process of socioeconomic marginalization in the Western world.