It Looks At You

As heard on NPR's "Science Friday," discover the book recommended by Malcolm Gladwell, Susan Cain, Daniel Pink, and Adam Grant: an "accessible, informative, and hilarious" introduction to the weird and wonderful world of artificial intelligence (Ryan North). "You look like a thing and I love you" is one of the best pickup lines ever . . . according to an artificial intelligence trained by scientist Janelle Shane, creator of the popular blog AI Weirdness. She creates silly AIs that learn how to name paint colors, create the best recipes, and even flirt (badly) with humans—all to understand the technology that governs so much of our daily lives. We rely on AI every day for recommendations, for translations, and to put cat ears on our selfie videos. We also trust AI with matters of life and death, on the road and in our hospitals. But how smart is AI really... and how does it solve problems, understand humans, and even drive self-driving cars? Shane delivers the answers to every AI question you've ever asked, and some you definitely haven't. Like, how can a computer design the perfect sandwich? What does robot-generated Harry Potter fan-fiction look like? And is the world's best Halloween costume really "Vampire Hog Bride"? In this smart, often hilarious introduction to the most interesting science of our time, Shane shows how these programs learn, fail, and adapt—and how they reflect the best and worst of humanity. You Look Like a Thing and I Love You is the perfect book for anyone curious about what the robots in our lives are thinking. "I can't think of a better way to learn about artificial intelligence, and I've never had so much fun along the way." —Adam Grant, New York Times bestselling author of Originals

Whose shining eyes can you see in these 24 picture puzzles? Lift the flaps and...open your eyes!

Visually stunning, tactile, and mesmerizing, this graphic novel is a debut at the summit from a self-taught Argentinian visionary. Lorenzo isn’t happy about moving. But in his new room, he finds an old desk with what seems likes hundreds of drawers. Each even has its own smell! Deep inside the desk, he finds a book and begins to read. When he looks up, he sees all kinds of curious things. Has the book come to life? Or is it something else? This is a graphic novel about observation, imagination, and the many incredible lenses through which everyday experience might be perceived if you read.

In near-future Wichita, USA, Henry Thorner, a world-weary ‘consultant’ is charged with finding a genius young hacker named Tanner Griffen, who disappeared after pulling off a daring data theft. The data was stolen from OraCorp, the most powerful company in the world and owners of ‘Ora’, the all-encompassing social network that tracks the activity and thoughts of every person in the Western world. When Tanner is placed at the scene of a murder hundreds of miles away by the Ora network, nobody is more surprised than Tanner himself. Consultant, hacker and hired muscle – a damaged young girl called Jeopardy – must reach the murderous Tanner before the OraCorp security forces to find out who, or what, is responsible. Part noir detective story, part science fiction, and part social commentary, It Looks Like You’re Writing a Letter deals with the big questions of our increasingly connected world – are we more than our social profile, and how comfortable should we be with the corporations who own our digital souls?

Presents an infant's early actions, sensations, and emotions, as he expresses his happiness at his new-found abilities and explores the world around him. On board pages.

A New York Times Book Review Editors' Choice. A 2019 NPR Staff Pick. "Malcolm is always worth reading; it can be instructive to see how much satisfying craft she brings to even the most trivial article." --Phillip Lopate, TLS Janet Malcolm’s previous collection, Forty-One False Starts: Essays on Artists and Writers, was “unmistakably the work of a master” (The New York Times Book Review). Like Forty-One False Starts, Nobody’s Looking at You brings together previously uncompiled pieces, mainly from The New Yorker and The New York Review of Books. The title piece of this wonderfully eclectic collection is a profile of the fashion designer Eileen Fisher, whose mother often said to her, “Nobody’s looking at you.” But in every piece in this volume, Malcolm looks closely and with impunity at a broad range of subjects, from Donald Trump’s TV nemesis Rachel Maddow, to the stiletto-heel-wearing pianist Yuju Wang, to “the big-league game” of Supreme Court confirmation hearings. In an essay called “Socks,” the Pevears are seen as the “sort of asteroid [that] has hit the safe world of Russian Literature in English translation,” and in “Dreams and Anna Karenina,” the focus is Tolstoy, “one of literature’s greatest masters of manipulative techniques.” Nobody’s Looking at You concludes with “Pandora’s Click,” a brief, cautionary piece about e-mail etiquette that was written in the early two thousands, and that reverberates—albeit painfully—to this day.

The actor and founder of the Alan Alda Center for Communicating Science traces his personal quest to understand how to relate and communicate better, from practicing empathy and using improv games to storytelling and developing better intuitive skills.