It S Not All About You Calma

Calma Harrison is in love. Not just with herself, but also with the handsome checkout guy at Crazi-Cheep. But when Calma gets a job at Crazi-Cheep, her cynical approach to customer service makes headlines. And then there's the small matter of the rest of her life, which is fast falling apart: her absent father turns up unexpectedly and wants to 'talk'; her mother, The Fridge, is keeping secrets; and her new best friend, Vanessa, is hiding something horrible. Fearing the worst for her family and friends, Calma knows the only sure way to shape events is direct, personal intervention... It's not all about YOU, Calma! is a bold and witty novel about friendship, loyalty and acting on impulse.

Calma Harrison is in love. Not just with herself, but also with the handsome checkout guy at Crazi-Cheep. So stocking shelves at the Crazi- Cheep seems like the perfect job—until that annoying customer tries to hold up the store. . . . And then there's the small matter of the rest of Calma's life, which is fast falling apart: her absent father turns up after five years and wants to "talk," her mother is clearly living a secret second life, and her new best friend is hiding something horrible. Calma is sure she knows exactly what's going on. And clearly her direct, personal intervention is required to make things right. Except . . . if she's wrong. And then her butting in will make everything much, much worse. Am I Right or Am I Right? is a whip-smart, wise-cracking, big-hearted novel about a girl who is learning that things are not always what they seem, and how to start again when you've gotten it all so very wrong.

Shakespearean Spaces in Australian Literary Adaptations for Children and Young Adults offers a comprehensive examination of Shakespearean adaptations written by Australian authors for children and Young Adults. The 20-year period crossing the late-twentieth and early twenty-first centuries came to represent a diverse and productive era of adapting Shakespeare in Australian literature. As an analysis of Australian and international marketplaces, physical and imaginative spaces and the body as a site of meaning, this book reveals how the texts are ideologically bound to and disseminate Shakespearean cultural capital in contemporary ways. Combining current research in children’s literature and Bourdieu’s theory of cultural capital deepens the critical awareness of the status of Australian literature while illuminating a corpus of literature underrepresented by the pre-existing concentration on adaptations from other parts of the world. Of particular interest is how these adaptations merge Shakespearean worlds with the spaces inhabited by young people, such as the classroom, the stage, the imagination and the gendered body. The readership of this book would be academics, researchers and students of children’s literature studies and Shakespeare studies, particularly those interested in Shakespearean cultural theory, transnational adaptation and literary appropriation. High school educators and pre-service teachers would also find this book valuable as they look to broaden and strengthen their use of adaptations to engage students in Shakespeare studies.

After terrorizing their English teacher into leaving, Kiffo's tenth grade class finds a challenge in their new teacher.

Twins Ashleigh and Aiden have always promised to protect each other, but after an accident on a school trip, Aiden starts behaving strangely. Are they just growing apart, or is something more sinister going on? In a future Australia ravaged by climate change, twins Ashleigh and Aiden Delatour have always promised to protect and be there for each other, no matter what. Their privileged upbringing and loving, wealthy parents leave them with little to worry about. But when Aiden is seriously injured during a school trip, the twins’ entire world begins to unravel. Back home from the hospital, something about Aiden seems different and Ashleigh’s quest to find out why will uncover dark truths about the world they thought they knew, challenge their bond as twins and push how far they are willing to go to keep their promises. Catch Me If I Fall is a thrilling, timely examination of the possible future of our planet, the true meaning of family and our responsibilities to each other. Key Text Features chapters dialogue epilogue explanation prologue Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.4.3 Describe in depth a character, setting, or event in a story or drama, drawing on specific details in the text (e.g., a character's thoughts, words, or actions). CCSS.ELA-LITERACY.RL.5.6 Describe how a narrator's or speaker's point of view influences how events are described. CCSS.ELA-LITERACY.RL.6.3 Describe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution. CCSS.ELA-LITERACY.RL.6.6 Explain how an author develops the point of view of the narrator or speaker in a text.

"Sixteen can be a tough time. And it's almost unmanageable for a wise-cracking boy whose temper is white-hot. As a consequence he is sentenced to a time-out with his reclusive grandfather in a primitive shack in the Tasmanian forest. There is little to do except chop wood and watch the red-eyed wallabies gather at dusk. They are an unlikely couple: a taciturn old man who prefers the simple life, and a volatile boy addicted to the technology of the 21st century and yet a bond blossoms between them. But denied access to much he desires, and feeling provoked by a local cop cynical of city folk, the boy's frustration grows. And when he encounters situations he can't control anything could happen ..."--Provided by publisher.

From the bestselling multi-award-winning author of My Life as an Alphabet and A Song Only I Can Hear comes another CBCA Notable middle fiction novel that is warm, upbeat, intriguing and wholly absorbing. NOTABLE BOOK: 2023 CBCA Book of the Year, Older ReadersSHORTLISTED: 2023 NSW Premier's Literary Awards, Ethel Turner Prize for Young People's Literature I don't tell Mum and Sam anything about my weekends with Dad. It would be giving them tickets into that world. The world Dad and I have created. And I don't want to do that. It's ours. It's all we have. It's all we've been allowed since my parents got divorced. Cate gets to spend every second weekend with her dad, and each time something special and surprising happens. Something that fires the creative spark that Cate channels into her writing. And everything is fine until Cate's stepdad, Sam, gets offered his dream job in London and her mum decides they are going to move to England with him Cate must decide what she wants for herself. She loves both her parents - but she must choose between them. A warm and funny novel full of unexpected twists and turns, joy and heartbreak.