Italian Colonialism And Resistances To Empire 1930 1970

This book provides an innovative cultural history of Italian colonialism and its impact on twentieth-century ideas of empire and anti-colonialism. In October 1935, Mussoliniʼs army attacked Ethiopia, defying the League of Nations and other European imperial powers. The book explores the widespread political and literary responses to the invasion, highlighting how Pan-Africanism drew its sustenance from opposition to Italy’s late empire-building, and reading the work of George Padmore, Claude McKay, and CLR James alongside the feminist and socialist anti-colonial campaigner Sylvia Pankhurst’s broadsheet, New Times and Ethiopia News. Extending into the postwar period, the book examines the fertile connections between anti-colonialism and anti-fascism in Italian literature and art, tracing the emergence of a “resistance aesthetics” in works such as The Battle of Algiers and Giovanni Pirelli’s harrowing books of testimony about Algeria’s war of independence, both inspired by Frantz Fanon. This book will interest readers passionate about postcolonial studies, the history of Italian imperialism, Pan-Africanism, print cultures, and Italian postwar culture.

Italian Colonialism is a pioneering anthology of texts by scholars from seven countries who represent the best of classical and newer approaches to the study of Italian colonization. Essays on the political, economic, and military aspects of Italian colonialism are featured alongside works that reflect the insights of anthropology, race and gender studies, film, architecture, and oral and cultural history. The volume includes many essays by Italian and African scholars that have never been translated into English. It is a unique resource that offers students and scholars a comprehensive view of the field.

The essays in this volume explores the ways in which the Italian colonial experience continues to be relevant, despite the extent to which forgetting colonialism became an integral part of Italian culture and national identity.

The twentieth century saw a proliferation of media discourses on colonialism and, later, decolonisation. Newspapers, periodicals, films, radio and TV broadcasts contributed to the construction of the image of the African “Other” across the colonial world. In recent years, a growing body of literature has explored the role of these media in many colonial societies. As regards the Italian context, however, although several works have been published about the links between colonial culture and national identity, none have addressed the specific role of the media and their impact on collective memory (or lack thereof). This book fills that gap, providing a review of images and themes that have surfaced and resurfaced over time. The volume is divided into two sections, each organised around an underlying theme: while the first deals with visual memory and images from the cinema, radio, television and new media, the second addresses the role of the printed press, graphic novels and comics, photography and trading cards.

After Italy's conquest of Ethiopia in 1935, Mussolini boasted that Italy has joined the rank of the "satisfied" nations because it "has at last got an empire of her own." In this book, Haile M. Larebo examines the formation, development and workings of Italian colonialism and the forces that shaped it. Ethiopia under Italian rule was to have solved a number of Italy's social and economic problems. The flow of immigrants was to be diverted from the Americas to Ethiopia which, following incorporation into the Italian empire, was to provide cheap raw materials for Italian industry, and become a protected market for its products. In this book, the mythology behind these aims is well drawn, and the vast chasms between policies and practices are charted in detail. Firmly grounded in extensive archival research, the work makes a distinct and original contribution to historical scholarship on Italian colonialism and Ethiopian history and helps us to understand how Italian politics and propaganda worked in the Fascist era.

The Italian Empire and the Great War brings an imperial and colonial perspective to the Italian experience of the First World War. Italy's decision for war in 1915 built directly on Italian imperial ambitions from the late nineteenth century onwards, and its conquest of Libya in 1911DS12. The Italian empire was conceived both as a system of overseas colonies under Italian sovereignty, and as an informal global empire of emigrants; both were mobilized to support the war in 1915DS18. The war was designed to bring about 'a greater Italy' both literally and metaphorically. In pursuit of global status, Italy fought a global war, sending troops to the Balkans, Russia, and the Middle East, though with limited results. Italy's newest colony, Libya, was also a theatre of the war effort, as the anti-colonial resistance there linked up with the Ottoman Empire, Germany, and Austria to undermine Italian rule. Italian race theories underpinned this expansionism: the book examines how Italian constructions of whiteness and racial superiority informed a colonial approach to military occupation in Europe as well as the conduct of its campaigns in Africa. After the war, Italy's failures at the Peace Conference meant that the 'mutilated victory' was an imperial as well as a national sentiment. Events in Paris are analysed alongside the military occupations in the Balkans and Asia Minor as well as efforts to resolve the conflicts in Libya, to assess the rhetoric and reality of Italian imperialism.

Transnational Italian Studies is specifically targeted at a student audience and is designed to be used as a key text when approaching the disciplinary field of Italian studies. It allows the study of Italian culture to be construed and practised not simply as the inquiry into a national tradition but as the study of the interaction of cultural practices both within Italy itself and in those parts of the world that have witnessed the extent of Italian mobility. The text argues that Italian culture needs to be considered in a transnational/transcultural perspective and that an understanding of linguistic and cultural translation underlies all approaches to the study of Italian culture in a global context. Contributions deploy a range of methodological approaches to understand and illustrate how language operates, how culture inhabits and constitutes public and private space, how notions of time operate within people’s lives, and the multiple ways in which people experience a sense of personhood. Chapters stretch from the medieval period to the present and demonstrate how transnational Italian culture can be critically addressed through the examination of carefully chosen examples. Contributors: Alessandra Diazzi, Andrea Rizzi, Barbara Spadaro, Charles Burdett, Clorinda Donato, David Bowe, Derek Duncan, Donna Gabaccia, Eugenia Paulicelli, Fabio Camilletti, Giuliana Muscio, Jennifer Burns, Loredana Polezzi, Marco Santello, Monica Jansen, Naomi Wells, Nathalie Hester, Serena Bassi, Stefania Tufi, Teresa Fiore and Tristan Kay.

Five case studies show how different people and places were marginalized and socially excluded as the Italian nation-state was formed.