Italian Politics And Nineteenth Century British Literature And Culture

This book examines the intersections among literary works by Elizabeth Barrett Browning, Mary Shelley and Wilkie Collins, journalism, parliamentary records and pamphlets, to establish Britain's imaginative investment in the seismic geopolitical realignment of Italian unification.

This text examines the intersections among literary works by Elizabeth Barrett Browning, Mary Shelley and Wilkie Collins, journalism, parliamentary records and pamphlets, to establish Britain's imaginative investment in the seismic geopolitical realignment of Italian unification.

"In this volume a team of experts in various fields considers the impact of Italian politics and culture on British life from the early nineteenth century to the first decades of the twentieth century. The essays cover a wide range of topics: politics, music, the visual arts, literature and the intellectual life, as well as the emergence of Italian as an academic discipline. Edited, with an introduction, by Martin McLaughlin, the volume includes essays by Ian Campbell, Hilary Fraser, T. G. Griffith, David Kimbell, John Lindon, Denis Mack Smith, Brian Moloney and J. R. Woodhouse, as well as the last article written by the late Serena Professor of Italian at Cambridge, Uberto Limentani."

Charting an 'aesthetic', post-realist tradition of writing, this book considers the significant role played by John Ruskin's art criticism in later writing which dealt with the new kinds of spaces encountered in the nineteenth-century.

The renewed attention to the origin and shape of nationalist discourses has promoted many excellent studies devoted to examining the rich storehouse of cultural responses produced during and after Risorgimento, the political events that, from 1859 to 1870, led Italy from being a fragmented peninsual to an independent and unified nation-state. However, the assessment of Risorgimento and its myths from the post-World War II era to the present remains, for the most part, unexplored. While it is undeniable that the dramatic economic, social, and political transformations that have characterized Italy from the second half of the twentieth century to the present have altered the role and function of nationalist narratives, it remains equally true that interest in the Risorgimento in modern Italian culture has not diminished.

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Dickson identifies the nineteenth century as the beginning of the large-scale absorption of the Arabian Nights into British literature and culture.