Jack Benny S Lost Radio Broadcasts Volume One May 2 July 27 1932

This is the hardback version. For the first time in almost 90 years, we can experience the origins of Jack Benny's radio comedy genius. Jack Benny's Lost Radio Broadcasts, brought up from Benny's subterranean vault [or the UCLA archives, almost as difficult to access!] finally share scripts of his earliest live radio programs--for which no recordings exist. See how the soon-to-be-king of radio comedy moved from his vaudeville stand-up comedy background to invent the workplace situation comedy. In these first shows of 1932, Jack plays a "Broadway Romeo," a genial, self-deprecating comedian, who is not yet the famously cheap "fall guy" he would become over the next two years. Jack claims that it's his bandleader, George Olsen, who's the tightwad. Highlights of Volume One include: - Jack's commercials for Canada Dry Ginger Ale- the funniest, and most controversial, advertising parodies he would ever perform. - Jack's panic as he realizes he has used up every vaudeville routine he'd ever performed on stage, and this is a twice-a-week program. - The initial Introduction of Mary Livingstone, the radio fan from Plainfield, New Jersey. - An introduction by Kathy Fuller-Seeley that sets the stage for why these historic shows are so important to understand Benny's career. These 26 hilarious radio scripts offer Jack Benny at his early creative best.

For the first time in almost 90 years, we can experience the origins of Jack Benny's radio comedy genius. Jack Benny's Lost Radio Broadcasts, brought up from Benny's subterranean vault [or the UCLA archives, almost as difficult to access!] finally share scripts of his earliest live radio programs--for which no recordings exist. See how the soon-to-be-king of radio comedy moved from his vaudeville stand-up comedy background to invent the workplace situation comedy. In these first shows of 1932, Jack plays a "Broadway Romeo," a genial, self-deprecating comedian, who is not yet the famously cheap "fall guy" he would become over the next two years. Jack claims that it's his bandleader, George Olsen, who's the tightwad. Highlights of Volume One include: - Jack's commercials for Canada Dry Ginger Ale- the funniest, and most controversial, advertising parodies he would ever perform. - Jack's panic as he realizes he has used up every vaudeville routine he'd ever performed on stage, and this is a twice-a-week program. - The initial Introduction of Mary Livingstone, the radio fan from Plainfield, New Jersey. - An introduction by Kathy Fuller-Seeley that sets the stage for why these historic shows are so important to understand Benny's career. These 26 hilarious radio scripts offer Jack Benny at his early creative best. Kathryn Fuller-Seeley is the author of Jack Benny and the Golden Age of Radio Comedy (2017) and books on early motion pictures and nickelodeon audiences. She teaches media history at the University of Texas at Austin.

Early radio comedy scripts by Jack Benny.

Early radio comedy scripts by Jack Benny.

Volume 3 of Jack Benny's radio scripts.

The king of radio comedy from the Great Depression through the early 1950s, Jack Benny was one of the most influential entertainers in twentieth-century America. A master of comic timing and an innovative producer, Benny, with his radio writers, developed a weekly situation comedy to meet radio’s endless need for new material, at the same time integrating advertising into the show’s humor. Through the character of the vain, cheap everyman, Benny created a fall guy, whose frustrated struggles with his employees addressed midcentury America’s concerns with race, gender, commercialism, and sexual identity. Kathryn H. Fuller-Seeley contextualizes her analysis of Jack Benny and his entourage with thoughtful insight into the intersections of competing entertainment industries and provides plenty of evidence that transmedia stardom, branded entertainment, and virality are not new phenomena but current iterations of key aspects in American commercial cultural history.

Before television, radio was the sole source of simultaneous mass entertainment in America. The medium served as launching pad for the careers of countless future stars of stage and screen. Singers and conductors became legends by offering musical entertainment directly to Americans in their homes, vehicles, and places of work and play. This volume presents biographies of 24 renowned performers who spent a significant portion of their careers in front of a radio microphone. Profiles of individuals like Steve Allen, Rosemary Clooney, Bob Crosby, Johnny Desmond, Jo Stafford, and Percy Faith, along with groups such as the Ink Spots and the King's Men, reveal the private lives behind the public personas and bring to life the icons and ambiance of a bygone era.

In its third edition, this massive reference work lists the final resting places of more than 14,000 people from a wide range of fields, including politics, the military, the arts, crime, sports and popular culture. Many entries are new to this edition. Each listing provides birth and death dates, a brief summary of the subject's claim to fame and their burial site location or as much as is known. Grave location within a cemetery is provided in many cases, as well as places of cremation and sites where ashes were scattered. Source information is provided.