Jack The Lady Killer

A mystery in verse set in 1930s India. It features Jack Steele, an idealistic and slightly green British policeman investigating the strangling of a white widow. Problem is, he is also the prime suspect.

The surprising true story of Mexico’s hunt, arrest, and conviction of its first female serial killer For three years, amid widespread public outrage, police in Mexico City struggled to uncover the identity of the killer responsible for the ghastly deaths of forty elderly women, many of whom had been strangled in their homes with a stethoscope by someone posing as a government nurse. When Juana Barraza Samperio, a female professional wrestler known as la Dama del Silencio (the Lady of Silence), was arrested—and eventually sentenced to 759 years in prison—for her crimes as the Mataviejitas (the little old lady killer), her case disrupted traditional narratives about gender, criminality, and victimhood in the popular and criminological imagination. Marshaling ten years of research, and one of the only interviews that Juana Barraza Samperio has given while in prison, Susana Vargas Cervantes deconstructs this uniquely provocative story. She focuses, in particular, on the complex, gendered aspects of the case, asking: Who is a killer? Barraza—with her “manly” features and strength, her career as a masked wrestler in lucha libre, and her violent crimes—is presented, here, as a study in gender deviance, a disruption of what scholars call mexicanidad, or the masculine notion of what it means to be Mexican. Cervantes also challenges our conception of victimhood—specifically, who “counts” as a victim. The Little Old Lady Killer presents a fascinating analysis of what serial killing—often considered “killing for the pleasure of killing”—represents to us.

The present age has seen an explosion of verse novels in many parts of the world. Australia is a prolific producer, as are the USA and the UK. Novels in verse have also appeared in Canada, New Zealand, India, South Africa, Jamaica and several other countries. A novel written in verse contradicts theories that distinguish the novel as essentially a prose genre. The boundaries of prose and verse are, however, somewhat fluid. This is especially evident in the case of free verse poetry and the kinds of prose used in many Modernist novels. The contemporary outburst may seem a uniquely Postmodernist flouting of generic boundaries, but, in fact, the verse novel is not new. Its origins reach back to at least the eighteenth century. Byron’s Don Juan, in the early nineteenth century, was an important influence on many later examples. Since its first surge in popularity during the Victorian era, it has never died out, though some fine examples, most of them from the earlier twentieth century, have been neglected or forgotten. This book investigates the status of the verse novel as a genre and traces its mainly English-language history from its beginnings. The discussion will be of interest to genre theorists, prosodists, narratologists and literary historians, as well as readers of verse novels wishing for some background to this apparently new literary phenomenon.

A dizzying tale of lust, mystery, and murder—from a beloved Japanese crime fiction author and LGBT icon The Lady Killer leads a double life in Tokyo's shadowy underworld. By day, he is a devoted husband and hard worker; by night, he cruises cabaret bars and nightclubs in search of lonely single women to seduce. But now the hunter is being hunted, and in his wake lies a trail of gruesome murders. Who is the culprit? The answer lies tangled in a web of clues—and to find it, he must accept that nothing is what it seems. The Lady Killer pulls from author Masako Togawa’s vibrant personal life as a cabaret performer for Tokyo’s gay nightclub scene during the ‘50s and ‘60s. Throughout her writing career, Togawa continued to champion the LGBT community as a queer woman—sealing her reputation as one of Japan’s most prominent crime fiction authors and LGBT heroines.

"Two murderers stalk their prey --and two romances blossom in their dark shadows"--Jacket

Smuggling leads to murder, with Kent Murdock caught in the middle When the Kemnora, a stately liner on her maiden voyage, docks in Boston, Kent Murdock is there to cover the story. He’s joined by Harry Felton, a reporter and one-time foreign correspondent in France. As they leave the port, Murdock notices customs officials working over some passengers, but leaves without a second thought. After all, reporters are never bothered at customs. Only later does Murdock learn that he left with a small package in his camera bag, hidden there by someone on the ship—and retrieved later by Felton. He goes to ask Felton why he was used as an unwitting smuggler, but finds the reporter dead on the floor of his apartment. Whatever was in that package was worth killing for, and Murdock will find it, even if it means becoming a target himself.

The killer housewife is back! The Schuller family has moved to Cocoa Beach, where life carries on as usual. Josie continues to juggle Tupperware parties, her kids, and a few heads--and things don't get any easier for the entrepreneur hit lady when her past comes back to haunt her. Lady Killer is a black comedy that juxtaposes the wholesome imagery of early 1960s domestic bliss with a tightening web of murder, paranoia, and cold-blooded survival. From rising star author Joelle Jones comes the much anticpated return of Josie Schuller the Lady Killer! Collects Lady Killer (Series 2) issues#1-#5. "A level of violence that can only be described as Mad Men's Betty Draper meets Dexter." -Comic Book Resources "Lady Killer somehow manages to perfectly incorporate the quaint concept of the 1950's TV housewife with blood-fueled antics of vicious killer for hire."-IGN "Lady Killer is worth its weight in gold for the art alone, but the enigmatic Josie Schuller is the real appeal."--Newsarama