Jaguars

After a jaguar mother gives birth to her cubs in a hidden den, she fiercely protects them for many months. So begins the life of a baby jaguar. In this coming-of-age introduction to the biggest wildcats in the world, children will learn all about a baby jaguar’s daily life, how the mother cares for it, teaches it to hunt, and prepares it for life as an adult. The colorful interior spreads and gorgeous photos of the adorable baby jaguars are sure to delight emergent readers.

Provides comprehensive information on the anatomy, special skills, habitats, and diet of jaguars.

Jaguars, the largest big cats in the Western Hemisphere, pad quietly around thick rainforests looking for their next meal. Sometimes they rest in tall trees, watching and waiting for prey to pass by. When an animal comes within reach, these wild cats can kill them with a single bite. Readers will learn many reasons why jaguars are successful hunters. Mesmerizing photographs of these beautiful creatures in their habitats engage readers of all levels. Fun-fact boxes and a graphic organizer offer more information and aid in comprehension.

Gives an overview of the history of the stylish automobile known company as Jaguar, describing some of its notable models.

A great, innovative and restless thinker, the young Humboldt (1769-1859) went on his epochal journey to the New World during a time of revolutionary ferment across Europe. This part of his matchless narrative of adventure and scientific research focuses on his time in Venezuela - in the Llanos and on the Orinoco River - riding and paddling, restlessly and happily noting the extraordinary things on every hand. Great Journeys allows readers to travel both around the planet and back through the centuries – but also back into ideas and worlds frightening, ruthless and cruel in different ways from our own. Few reading experiences can begin to match that of engaging with writers who saw astounding things: Great civilisations, walls of ice, violent and implacable jungles, deserts and mountains, multitudes of birds and flowers new to science. Reading these books is to see the world afresh, to rediscover a time when many cultures were quite strange to each other, where legends and stories were treated as facts and in which so much was still to be discovered.

Jaguars are the largest cats in North America, and readers learn all about their amazing lives as they explore common science curriculum topics, such as life cycles and predator-prey relationships. Vibrant photographs of these massive predators in the wild are presented alongside main text that is both factual and fun for young readers. Exciting fact boxes present additional information, and a color-coded habitat map shows where jaguars live in North America. A detailed graphic organizer presents another avenue through which readers can learn new information about these cool cats.

An important new way of viewing the prehistoric art of the Americas, The Jaguar Within demonstrates that understanding a work of art’s connection with shamanic trance can lead to an appreciation of it as an extremely creative solution to the inherent challenge of giving material form to nonmaterial realities and states of being. Shamanism—the practice of entering a trance state to experience visions of a reality beyond the ordinary and to gain esoteric knowledge—has been an important part of life for indigenous societies throughout the Americas from prehistoric times until the present. Much has been written about shamanism in both scholarly and popular literature, but few authors have linked it to another significant visual realm—art. In this pioneering study, Rebecca R. Stone considers how deep familiarity with, and profound respect for, the extra-ordinary visionary experiences of shamanism profoundly affected the artistic output of indigenous cultures in Central and South America before the European invasions of the sixteenth century. Using ethnographic accounts of shamanic trance experiences, Stone defines a core set of trance vision characteristics, including enhanced senses; ego dissolution; bodily distortions; flying, spinning, and undulating sensations; synaesthesia; and physical transformation from the human self into animal and other states of being. Stone then traces these visionary characteristics in ancient artworks from Costa Rica and Peru. She makes a convincing case that these works, especially those of the Moche, depict shamans in a trance state or else convey the perceptual experience of visions by creating deliberately chaotic and distorted conglomerations of partial, inverted, and incoherent images.