Jane Austen And Her Readers 17861945

‘Jane Austen and her Readers, 1786–1945’ is a study of the history of reading Jane Austen’s novels. It discusses Austen’s own ideas about books and readers, the uses she makes of her reading, and the aspects of her style that are related to the ways in which she has been read. The volume considers the role of editions and criticism in directing readers’ responses, and presents and analyses a variety of source material related to the ordinary readers who read Austen’s works between 1786 and 1945.

‘Jane Austen and her Readers, 1786–1945’ is a study of the history of reading Jane Austen’s novels. It discusses Austen’s own ideas about books and readers, the uses she makes of her reading, and the aspects of her style that are related to the ways in which she has been read. The volume considers the role of editions and criticism in directing readers’ responses, and presents and analyses a variety of source material related to the ordinary readers who read Austen’s works between 1786 and 1945.

Reading Austen in America presents a colorful, compelling account of how an appreciative audience for Austen's novels originated and developed in America, and how American readers contributed to the rise of Austen's international fame. Drawing on a range of sources that have never before come to light, Juliette Wells solves the long-standing bibliographical mystery of how and why the first Austen novel printed in America-the 1816 Philadelphia Emma-came to be. She reveals the responses of this book's varied readers and creates an extended portrait of one: Christian, Countess of Dalhousie, a Scotswoman living in British North America. Through original archival research, Wells establishes the significance to reception history of two transatlantic friendships: the first between ardent Austen enthusiasts in Boston and members of Austen's family in the nineteenth century, and the second between an Austen collector in Baltimore and an aspiring bibliographer in England in the twentieth.

Completing Juliette Wells' groundbreaking trio of books on Austen's readers, this latest volume revolutionizes our understanding of how Austen came to be viewed as the world's greatest novelist. Wells shows that Austen's global reputation was established not by British scholars, as is commonly believed, but by visionary American writers and collectors, working largely outside academia. Drawing on extensive research, Wells weaves together colorful, compelling case studies of men and women who, from the 1880s to the 1980s, helped readers appreciate Austen's novels, persuasively advocated for her place in the literary canon, and preserved artifacts vital to her legacy. Engagingly written and abundantly illustrated, A New Jane Austen will inform and delight scholars and Austen fans alike.

Despite dying in relative obscurity, Jane Austen has become a global force as different readers across time, space and media have responded to her work. This volume examines the ways in which her novels affect individual psychologies and how Janeites experience her work, from visiting her home to public re-enactments to films based on her writings.

A scholarly and immensely readable account of Jane Austen's life, her family and friends and surroundings by novelist and critic Laski.

“Jane Austen’s Families” focuses on family dynamics in Jane Austen’s six novels. After a general introduction, which places its approach in the context of ethical criticism, it divides into two sections. The first, “Family Dynamics,” consists of three chapters – “The Function of the Dysfunctional Family,” “Spoilt Children” and “Usefulness and Exertion.” The three chapters of section two, “Fathers and Daughters,” look at father–daughter relationships in “Mansfield Park,” “Emma” and “Persuasion.”

Johnson begins by exploring the most important monuments and portraits of Austen, considering how these artifacts point to an author who is invisible and yet whose image is inseparable from the characters and fictional worlds she created. She then passes through the four critical phases of Austen's reception.