Jane Austen And Representations Of Regency England

In Jane Austen and Representations of Regency England, Roger Sales looks at Jane Austen's entire oeuve, and views her historically as a Regency writer voicing concerns on the condition of England. Examining Austen's literary works; her letters - in the context of those of other Regency women; as well as contemporary texts such as television adaptations of her work, Jane Austen and Representations of Regency England reconstructs the breadth of Jane Austen's writing. It also examines: * her representations of dandyism and masculine identities * the events of the Regency crisis of 1810-12 * the way in which Austen engaged in topical debates such as healthcare in both Emma and Persuasion.

A study of British manners and customs from the years 1811-1837.

- Critical essays reflecting a variety of schools of criticism- Notes on the contributing critics, a chronology of the author's life, and an index- An introductory essay by Harold Bloom.

Jane Austen’s six complete novels and her juvenilia are examined in the context of civil society and gender. Steiner’s study uses a variety of contexts to appraise Austen’s work: Scottish Enlightenment theories of societal development, early-Romantic discourses on gender roles, modern sociological theories on the civilizing process.

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The first novel of the author's maturity, Mansfield Park is complex, highly wrought, and experimental. It marks a transitional stage between the first two published novels, Sense and Sensibility and Pride and Prejudice, and Jane Austen's greatest achievements, Emma and Persuasion. It has been suggested that Mansfield Park is the writer's most autobiographical novel and that, in seeing through the eyes of Fanny Price, deemed the most moralising and judgemental of her heroines, we are seeing through the eyes of Austen herself. Though Fanny Price may be too virtuous for modern readers to take to their hearts, in Mrs Norris Austen creates one of her best, because most plausible, monsters; while in the estate of Mansfield Park itself we find some of the most fully realised descriptions of domestic interiors and exteriors in Austen's fiction. This Guide traces the response to Mansfield Park from the opinions of Jane Austen's contemporaries, through 19th century reviews and 20th century critical analyses, including deconstructionist, feminist, postcolonial and poststructuralist, to diverse 21st century approaches to the novel. Sandie Byrne selects the most useful and insightful of these responses and puts them in context, providing the reader with an essential and approachable introduction to the range of critical debate on this important novel.

Jane Austen's novels portray a leisured society of gentlemen and ladies who do not need to work. Even the minority of clergymen, soldiers and sailors - men with professions - are almost never seen working. Jane Austen herself, despite responsibility for some domestic tasks, wrote as a woman of leisure. Yet leisure, the distinguishing mark of a gentleman, was not meant to be an excuse for idleness. The proper use of leisure to fulfil duties, to read and to think, and above all to pursue social relations in a world where family and marriage for the propertied was of central importance, was a vital test of character.