Jane Austen On Screen

This collection of essays explores the literary and cinematic implications of translating Austen's prose into film. Contributors raise questions of how prose fiction and cinema differ, of how mass commercial audiences require changes to script and character, and of how continually remade films evoke memories of earlier productions. The essays represent widely divergent perspectives, from literary 'purists' suspicious of filmic renderings of Austen to film-makers who see the text as a stimulus for producing exceptional cinema. This comprehensive study will be of interest to students and teachers alike.

An in-depth study of the relationship between Jane Austen's Pride and Prejudice and its various screen versions.

This Companion offers a multi-disciplinary approach to literature on film and television. Writers are drawn from different backgrounds to consider broad topics, such as the issue of adaptation from novels and plays to the screen, canonical and popular literature, fantasy, genre and adaptations for children. There are also case studies, such as Shakespeare, Jane Austen, the nineteenth-century novel and modernism, which allow the reader to place adaptations of the work of writers within a wider context. An interview with Andrew Davies, whose work includes Pride and Prejudice (1995) and Bleak House (2005), reveals the practical choices and challenges that face the professional writer and adaptor. The Companion as a whole provides an extensive survey of an increasingly popular field of study.

In 1995 and 1996 six film or television adaptations of Jane Austen's novels were produced -- an unprecedented number. More amazing, all were critical and/or box office successes. What accounts for this explosion of interest? Much of the appeal of these films lies in our nostalgic desire at the end of the millennium for an age of greater politeness and sexual reticence. Austen's ridicule of deceit and pretentiousness also appeals to our fin de siècle sensibilities. The novels were changed, however, to enhance their appeal to a wide popular audience, and the revisions reveal much about our own culture and its values. These recent productions espouse explicitly twentieth-century feminist notions and reshape the Austenian hero to make him conform to modern expectations. Linda Troost and Sayre Greenfield present fourteen essays examining the phenomenon of Jane Austen as cultural icon, providing thoughtful and sympathetic insights on the films through a variety of critical approaches. The contributors debate whether these productions enhance or undercut the subtle feminism that Austen promoted in her novels. From Persuasion to Pride and Prejudice, from the three Emmas (including Clueless ) to Sense and Sensibility, these films succeed because they flatter our intelligence and education. And they have as much to tell us about ourselves as they do about the world of Jane Austen. This second edition includes a new chapter on the recent film version of Mansfield Park.

Jane Austen is one of England's most enduringly popular authors, renowned for her subtle observations of the provincial middle classes of late eighteenth- and early nineteenth-century England. This guide to Austen's much-loved work offers: an accessible introduction to the contexts and many interpretations of Austen's texts, including film adaptations, from publication to the present an introduction to key critical texts and perspectives on Austen's life and work, situated within a broader critical history cross-references between sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading. Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of Jane Austen and seeking not only a guide to her works but also a way through the wealth of contextual and critical material that surrounds them.

A comprehensive guide to Austen's works in the contexts of her contemporary world and present-day criticism.

Jane Austen's stock in the popular marketplace has never been higher, while academic studies continue to uncover new aspects of her engagement with her world. This fully updated edition of the acclaimed Cambridge Companion offers clear, accessible coverage of the intricacies of Austen's works in their historical context, with biographical information and suggestions for further reading. Major scholars address Austen's six novels, the letters and other works, in terms accessible to students and the many general readers, as well as to academics. With seven new essays, the Companion now covers topics that have become central to recent Austen studies, for example, gender, sociability, economics, and the increasing number of screen adaptations of the novels.

Essay from the year 2010 in the subject English - Literature, Works, grade: 1,7, University of Paderborn (Anglistik/Amerikanistik), course: Hauptseminar Jane Austen, language: English, abstract: Der Essay soll einen allgemeinen Überblick geben, worauf man bei der Adaption von Romanen in Filme achten muss, ohne dabei genauer auf Jane Austen einzugehen. Ich beschäftige mich insbesondere damit, wie narrative Elemente umgesetzt und Stil und Stimmung des Romans beibehalten werden können. Themen meines 4-seitigen Informationspapiers sind die Kürzung der Geschichte, Anpassung narrativer Textstellen, Änderung der Charaktere, Beibehaltung der historischen Distanz und Auswahl der Landschaften, Musik und Kleidung.