Jazz Dialogues

Backstage, on the bus, or in the studio, saxophonist Jon Gordon, winner of the prestigious Thelonious Monk International Jazz Saxophone competition, chats with several generations of great musicians. From Jay McShann to Renee Rosnes, Jazz Dialogues lets the reader hang out with dozens of jazz artists to learn about their careers, influences, and the dues they've paid. These candid, poignant, and often hilarious conversations paint a first-person portrait of jazz history. Artists include: Jay McShann, Eddie Locke, Cab Calloway, Maria Schneider, Jan Garbarek, Ken Peplowski, Tim Hagans, Mark Turner, Hank Mobley, Bill Easley, Doc Cheatham, Scott Robinson, Eddie Bert, Phil Woods, Danny Bank, Billy Drummond, Ben Monder, Charles McPherson, Milt Hinton, Ben Riley, Bill Stewart, Art Blakey, Jon-Erik Kellso, Eddie Chamblee, Jimmy Lewis, Chuck Redd, Bill Charlap, McCoy Tyner, Melissa Aldana, Ronnie Mathews, Kevin Hays, Jim McNeely, Steve Wilson, Red Holloway, Barney Kessel, Joe Williams, Quincy Davis, Bob Mintzer, Dick Hyman, Lee Konitz, Leroy Jones, Renee Rosnes, David Sanborn, Gil Evans, Don Sickler, Sean Smith, Sarah Vaughn, Derrick Gardner, Sylvia Cuenca, Harold Mabern, Gene Bertoncini, Mike LeDonne, Essiet Okon Essiet, Bill Mays, and Joe Magnarelli.

Celebrate Pride every day with the teen advocate, trailblazer, and reality show star Jazz Jennings—one of Time Magazine's "25 Most Influential Teens" of the year. In this groundbreaking memoir, she inspires people to accept the differences in others while they embrace their own truths through sharing her very public transgender journey. "Jazz is one of the transgender community's most important activists." —Cosmopolitan "A role model for teens everywhere." —Seventeen At the age of five, Jazz Jennings’s transition to life as a girl put her in the public spotlight after she shared her story on national television. She’s since become one of the most recognizable and prominent advocates for transgender teens, through her TV show, interviews, and social media. Jazz’s openness has led to bullying and mistreatment from those who don’t understand her choices. She’s fought for the right to use the girls’ bathroom and to play on a girls’ soccer team, paving the way for others. And in this book, Jazz faces an even greater struggle—dealing with the physical and social stresses of being a teen. But being on the front lines of trans activism doesn't stop Jazz from experiencing the joys of growing up, from day camp to first dates. Jazz Jennings is one of the youngest and most prominent voices in the national discussion about gender identity. This remarkable memoir is a testament to the power of accepting yourself, learning to live an authentic life, and helping everyone to embrace their own truths.

This contemporary classic gets a limited edition makeover with movie art and a new preface from Donald Miller. In print for nearly a decade, Blue Like Jazz has earned a coveted spot on readers' shelves and in their hearts. Many have said that Donald Miller expressed exactly what they were feeling but couldn't find the words to say themselves. In this landmark book that changed what people expected from Christian writers, that changed what people needed for their spiritual journeys, Donald Miller takes readers through a real life striving to understand relationship with God. Heartwarming and hilarious, poignant and unexpected, Blue Like Jazz has become a contemporary classic. For anyone wondering if the Christian faith is still relevant in a postmodern culture, thirsting for a genuine encounter with a God who is real, or yearning for a renewed sense of passion in life . . . Blue Like Jazz is a fresh and original perspective on life, love, and redemption.

What if preachers were as contagiously joyful in their preaching as Louis Armstrong was in his playing and singing? As rich in their sermonic renderings as Sarah Vaughan was in her musical vocals? As honest about heartache as Billie Holiday was every time she sang about the blues of life? As alluringly clear as the angelic voice of Ella Fitzgerald? As tenaciously uninhibited in the action of creating as Duke Ellington? Of course, this is too much to ask of people, even those called by God. However, it is not too much to ask this question: Can preaching be enhanced through the metaphor of jazz? Can an understanding of the inner dynamics of jazz--its particular forms, rules, and styles--inform one's practice of preaching as well? Can jazz's simultaneous structure and spontaneity help preachers better understand their own art? The answer to these questions, says Jones, is an unqualified yes. He explains how one can dramatically improve one's preaching through understanding and applying key elements of the musical art form known as jazz. No musical background is necessary; all examples are well explained and tied in with preaching. The key elements include innovation (what one commentator refers to as "the experimental disposition of jazz"), improvisation, rhythm, call and response, honesty about heartaches, and delight. After discussing the reality and role of each of these elements in jazz, and how they can be important for preaching as well, each chapter concludes with five exercises for applying the jazz element to preaching preparation and performance. Drawing on a deep love of jazz and enlivening the discussion with insights drawn from the realities of African American preaching, Jones introduces readers to rich and rewarding possibilities for constructing and delivering the sermon.

Inside British Jazz explores specific historical moments in British jazz history and places special emphasis upon issues of race, nation and class. Topics covered include the reception of jazz in Britain in the 1910s and 1920s, the British New Orleans jazz revival of the 1950s, the free jazz innovations of the Joe Harriott Quintet in the early 1960s, and the formation of the all-black jazz band, the Jazz Warriors, in 1985. Using both historical and ethnographical approaches, Hilary Moore examines the ways in which jazz, an African-American music form, has been absorbed and translated within Britain's social, political and musical landscapes. Moore considers particularly the ways in which music has created a space of expression for British musicians, allowing them to re-imagine their place within Britain's social fabric, to participate in transcontinental communities, and to negotiate a position of belonging within jazz narratives of race, nation and class. The book also champions the importance of studying jazz beyond the borders of the United States and contributes to a growing body of literature that will enrich mainstream jazz scholarship.

Tracing musicology in Latin American during the twentieth century, this book presents case studies to illustrate how Latin American music has interacted with social and global processes. It addresses popular music, postcolonialism, women in music, tradition and modernity, musical counterculture, globalization, and identity construction.

Speak It Louder: Asian Americans Making Music documents the variety of musics-from traditional Asian through jazz, classical, and pop-that have been created by Asian Americans. This book is not about "Asian American music" but rather about Asian Americans making music. This key distinction allows the author to track a wide range of musical genres. Wong covers an astonishing variety of music, ethnically as well as stylistically: Laotian song, Cambodian music drama, karaoke, Vietnamese pop, Japanese American taiko, Asian American hip hop, and panethnic Asian American improvisational music (encompassing jazz and avant-garde classical styles). In Wong's hands these diverse styles coalesce brilliantly around a coherent and consistent set of questions about what it means for Asian Americans to make music in environments of inter-ethnic contact, about the role of performativity in shaping social identities, and about the ways in which commercially and technologically mediated cultural production and reception transform individual perceptions of time, space, and society. Speak It Louder: Asian Americans Making Music encompasses ethnomusicology, oral history, Asian American studies, and cultural performance studies. It promises to set a new standard for writing in these fields, and will raise new questions for scholars to tackle for many years to come.

In Reaching Beyond, Buddhist thinker and activist Daisaku Ikeda explores the origins, development,and international influence of jazz with legendary artists Herbie Hancockand Wayne Shorter.Reflecting on their lives and careers, Mr. Hancock and Mr. Shorter sharethe lessons they have learned from their musical mentors, including MilesDavis and Art Blakey, and how the Buddhist philosophy they’ve learnedfrom President Ikeda over the past forty years deeply resonates with theemancipatory spirit of jazz.These wide-ranging conversations include such thought-provoking topics as:• Music’s mission for peace in a time of discord• The importance of the artist’s spiritual growth• The Buddhist concept of changing poison into medicine• Ways to make the “ideal America” a reality for everyoneReaching Beyond offers positive new ideasfor musicians and nonmusicians alike.