Jazz For Classic Guitar Made Easy

This original music for solo and duo guitar features beautiful melodies and convenient fingering and is very easy to perform. the author's comments explain how to move from classical style to jazz. the pieces, divided into two chapters, Etudes and Pieces, are written in different jazz styles: Swing, Bossa Nova, and Blues. Their melodies are perfect and their harmonies refined. Seven duets are included which may be played either by two guitars or by guitar and a melody instrument. They have fine melodies and are easy to perform. the first part can be played by the beginner. These duets can be used in teaching situations with teacher and student playing together. Written in notation only.

This original music for solo and duo guitar features beautiful melodies and convenient fingering and is very easy to perform. The author's comments explain how to move from classical style to jazz. The pieces, divided into to two chapters, Etudes and Pieces, are written in different jazz styles: Swing, Bossa Nova, and Blues. Their melodies are perfect and their harmonies refined. Seven duets are included which may be played either by two guitars or by guitar and a melody instrument. They have fine melodies and are easy to perform. The first part can be played by the beginner. These duets can be used in teaching situations with teacher and student playing together. Written in notation only.

This collection of jazz solos presents many relatively easy solos based on some of the most common jazz standard chord progressions. Technically, many of these are not overly difficult, but still will posses characteristics that group them within the jazz tradition. Each etude is presented on the accompanying play-along CD which should be used to hear (and copy) articulation, phrasing and other musical elements that cannot be conveyed through musical notation. Each tune has been recorded twice, once with the guitar playing the lead lines and once without. the rhythm section only tracks will give students the chance to play with a professional rhythm section and work on issues such as time, groove, and feel.Check out the Free PDF Download that contains a third of the book!

A comprehensive 96-page, large print perfect-bound jazz chord dictionary containing essential barre chord and rhythm chord forms. Included are chord froms ranging from major, minor and dominant 7th shapes to extensions such as minor 7b5, augmented 11, 9#5, 13th and more!

Mastering the Classical Guitar Book 2A is the third book in a progressive method series that uses a wide variety of music and educational material to provide a solid technical foundation for classical guitar students while revealing the full range of the instrument’s potential and repertoire. This book is appropriate for students who have completed Books 1A and 1B and can read standard notation in the first and second positions. The book is written in four broad sections: Progressive Studies and Pieces, Technical Exercises, Chords and Chord Progressions, and Rhythmic Reading. Tips on how to integrate the four sections are given throughout the book. Mastering the Classical Guitar Book 2A focuses on the concepts of melody and accompaniment by introducing cue-sized notation that helps the student understand the structure of the piece and emphasize the melody. Concepts introduced in this particular volume include: tuning the guitar, notes on the first string, musical forms, dotted eighth notes, guitar and nail care, and the use of the barré technique to implement moveable chord shapes. Teachers will welcome the generous number of attractive intermediate-level recital pieces by Carulli, Carcassi, Giuliani, Paganini, and others. Written in standard notation only. Includes access to online audio.

In this book, Dr. Lily Afshar has clearly laid out the music and fingerings for 48 beginning to intermediate-level pieces by Aguado, Bach, Carcassi, Milan, Mertz, Sor and other Renaissance through nineteenth-century composers. While many of these selections are set in first position for ease of reading, they are effective for teaching different rhythms and arpeggio techniques, as well as for learning to play simple intervals and three and four-note chords. These compositions were carefully chosen for their use in developing finger independence in both hands, and can be used to advance rest stroke, free stroke, arpeggio, and tremolo techniques. Dynamic markings have been added for interpretation if not originally indicated in the originals so, in addition to learning positions and note locations along the fretboard, you’ll have to pay attention to dynamic and tempo changes. Written in standard notation only, this book is ideal for private study, as a teaching and student recital sourcebook, or for inclusion in the syllabus for a high school or first-year collegiate guitar program.

During the course of my teaching piano and guitar, I have not come across another book that took these classic masterpieces and arranged them for the beginner guitar student. There is an amazing amount of literature like this for the piano, but not for the guitar. My goal with this book is to fill this void in the guitar literature. I chose compositions that the young guitar student would most likely have heard before and thus used familiar melodies. I then made easy arrangements of them, mostly using the top four strings, simple chords and fingerings. the right hand fingering is not indicated, because I used the general rule of thumb: a = 1st string, m = 2nd string, i = 3rd string, p = 4th, 5th and 6th strings." All 12 solos are scored in notation and tablature.

World-famous guitarist and composer Andrew York has created the Classical Cats series to be the classical guitarist's ultimate guide to jazz. This book includes introductory lessons on chord voicings, voice leading, and arranging for solo guitar. Original compositions by Andrew York are featured.