Jed And The Junkyard War

Jed is a regular kid with a normal, loving family . . . that is, if it's normal for a loving family to drop their child off in the middle of nowhere and expect him home in time for Sunday dinner. Luckily, Jed excels at being a regular kid who—armed with wit and determination—can make his way out of any situation. At least until the morning of his twelfth birthday, when Jed wakes to discover his parents missing. Something is wrong. Really wrong. Jed just doesn't realize it's floating-city, violent-junk-storm, battling-metals, Frankensteined-scavengers kind of wrong. Yet. A cryptic list of instructions leads Jed into a mysterious world at war over . . . junk. Here, batteries and bottled water are currency, tremendously large things fall from the sky, and nothing is exactly what it seems. Resilient Jed, ready to escape this upside-down place, bargains his way onto a flying tugboat with a crew of misfit junkers. They set course to find Jed's family, but a soul-crushing revelation sends Jed spiraling out of control . . . perhaps for good.

Jed is a regular kid with a normal, loving family . . . that is, if it's normal for a loving family to drop their child off in the middle of nowhere and expect him home in time for Sunday dinner. Luckily, Jed excels at being a regular kid who-armed with wit and determination-can make his way out of any situation. At least until the morning of his twelfth birthday, when Jed wakes to discover his parents missing. Something is wrong. Really wrong. Jed just doesn't realize it's floating-city, violent-junk-storm, battling-metals, Frankensteined-scavengers kind of wrong. Yet. A cryptic list of instructions leads Jed into a mysterious world at war over . . . junk. Here, batteries and bottled water are currency, tremendously large things fall from the sky, and nothing is exactly what it seems. Resilient Jed, ready to escape this upside-down place, bargains his way onto a flying tugboat with a crew of misfit junkers. They set course to find Jed's family, but a soul-crushing revelation sends Jed spiraling out of control . . . perhaps for good.

Jed is a regular kid with a normal, loving family . . . that is, if it's normal for a loving family to drop their child off in the middle of nowhere and expect him home in time for Sunday dinner. Luckily, Jed excels at being a regular kid who-armed with wit and determination-can make his way out of any situation. At least until the morning of his twelfth birthday, when Jed wakes to discover his parents missing. Something is wrong. Really wrong. Jed just doesn't realize it's floating-city, violent-junk-storm, battling-metals, Frankensteined-scavengers kind of wrong. Yet. A cryptic list of instructions leads Jed into a mysterious world at war over . . . junk. Here, batteries and bottled water are currency, tremendously large things fall from the sky, and nothing is exactly what it seems. Resilient Jed, ready to escape this upside-down place, bargains his way onto a flying tugboat with a crew of misfit junkers. They set course to find Jed's family, but a soul-crushing revelation sends Jed spiraling out of control . . . perhaps for good.

In the kingdom of Kaloon, nothing is quite as it seems.... "Y-y-y-you," he stammered, and Flissa turned to see he'd gone ashen. "T-t-t-two of you!" Uh-oh. Flissa reached up and checked. Sure enough, her hood had fallen off. Their secret was out. Princesses Flissa and Sara are even closer than most twins. In fact, most of the kingdom thinks they're the same person. When magic was outlawed in Kaloon generations ago, twins, black cats, and other potentially -magical beings were outlawed, too. Since they were born, Flissa and Sara have pretended to be one princess, Flissara, trading off royal duties like attending glamorous balls, participating in fencing exhibitions, and making friends with other young nobles, all while hiding in plain sight. But when the first magical attack in years puts their mother's life in danger, the girls must break the rules that have protected them to save her. With a brave servant boy and his plucky black kitten as their guides, they set off on an epic quest to the Twists—a forbidden place full of dark magic—to find the evil mage who cursed the queen. With a case of mistaken identity, a wickedly powerful exile out for vengeance, and time running out for their mother, the twins might just need to make their own magic to save the day. In the first book of this new series, author Elise Allen brings to life a fantastical world filled with high-stakes adventure, incredible twists, and all the spark and humor of sisterhood.

Jed--young, gay, black, out of rehab and out of prospects in his hometown of Chicago--flees to the city of his fantasies, a museum of modernism and decadence: Berlin. The paradise that tyranny created, the subsidized city isolated behind the Berlin Wall, is where he's chosen to become the figure that he so admires, the black American expatriate. Newly sober and nostalgic for the Weimar days of Isherwood and Auden, Jed arrives to chase boys and to escape from what it means to be a black male in America. But history, both personal and political, can't be avoided with time or distance. Whether it's the judgment of the cousin he grew up with and her husband's bourgeois German family, the lure of white wine in a down-and-out bar, a gang of racists looking for a brawl, or the ravaged visage of Rock Hudson flashing behind the face of every white boy he desperately longs for, the past never stays past even in faraway Berlin. In the age of Reagan and AIDS in a city on the verge of tearing down its walls, he clambers toward some semblance of adulthood amid the outcasts and expats, intellectuals and artists, queers and misfits. And, on occasion, the city keeps its Isherwood promises and the boy he kisses, incredibly, kisses him back. An intoxicating, provocative novel of appetite, identity, and self-construction, Darryl Pinckney's Black Deutschland tells the story of an outsider, trapped between a painful past and a tenebrous future, in Europe's brightest and darkest city.

The New York Times Bestseller! The story of an outcast boy, his eccentric dad, and the scary underground world they discover through secret TUNNELS.14-year-old Will Burrows has little in common with his strange, dysfunctional family. In fact, the only bond he shares with his eccentric father is a passion for archaeological excavation. So when Dad mysteriously vanishes, Will is compelled to dig up the truth behind his disappearance. He unearths the unbelievable: a secret subterranean society. "The Colony" has existed unchanged for a century, but it's no benign time capsule of a bygone era--because the Colony is ruled by a cultlike overclass, the Styx. Before long--before he can find his father--Will is their prisoner....

Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

What Hurricane Katrina reveals about the fault lines of race and poverty in America-and what lessons we must take from the flood-from best-selling ''hip-hop intellectual'' Michael Eric Dyson Does George W. Bush care about black people? Does the rest of America? When Hurricane Katrina tore through New Orleans and the Gulf Coast, hundreds of thousands were left behind to suffer the ravages of destruction, disease, and even death. The majority of these people were black; nearly all were poor. The federal government's slow response to local appeals for help is by now notorious. Yet despite the cries of outrage that have mounted since the levees broke, we have failed to confront the disaster's true lesson; to be poor, or black, in today's ownership society, is to be left behind. Displaying the intellectual rigor, political passion, and personal empathy that have won him fans across the color line, Michael Eric Dyson offers a searing assessment of the meaning of Hurricane Katrina. Combining interviews with survivors of the disaster with his deep knowledge of black migrations and government policy over decades, Dyson provides the historical context that has been sorely missing from public conversation. He explores the legacy of black suffering in America since slavery, including the shocking ways that black people are framed in the national consciousness even today. With this call-to-action, Dyson warns us that we can only find redemption as a society if we acknowledge that Katrina was more than an engineering or emergency response failure. From the TV newsroom to the Capitol Building to the backyard, we must change the ways we relate to the black and the poor among us. What's at stake is no less than the future of democracy.