Jesus Christ Movie Star

What did Jesus look like? Pop some popcorn and invite friends as America’s beloved faith-and-film writer Edward McNulty leads us through a dozen big-screen stories inspired by Jesus’s life. McNulty provides everything you need to spark spirited discussion from the best film clips to show your group—to dozens of questions you could ask. You’ll explore hits like The Passion of the Christ and Jesus Christ Superstar. And some surprises, too! Can you find Gospel themes in Cool Hand Luke and Broadway Danny Rose?

The life of Jesus Christ has challenged and inspired filmmakers from the pioneering works of the late 1890s through today's digital cinema. No other life story has been the subject of so many films, with so many wildly different interpretations. The big screen Jesus has traveled through multimillion dollar epics and microbudget underground films, recreating the miracles of the Gospels while also advocating for modern political issues. Moviegoers have seen Jesus walk on water and conquer death, and also break into show tunes and play straight man to a zany Bette Midler. Films about Jesus have inspired a diverse range of controversies, ranging from a groundbreaking copyright infringement lawsuit brought by Thomas Edison to an intellectual scandal that rocked the 1964/65 New York World's Fair to accusations of anti-Semitism against Mel Gibson's distinctive interpretation of the New Testament. Phil Hall, author of the critically acclaimed books The History of Independent Cinema and In Search of Lost Films and host of the award-winning podcast The Online Movie Show, takes the reader on the most extraordinary odyssey in cinematic studies by tracing how filmmakers from across the years and around the world have sought to fill theaters with the story of Jesus. Beloved classics and bizarre curios are part of this memorable journey as the "light of the world" brings illumination through the lens of a movie projector.

The history of Jesus on film.

Religion and cinema share a capacity for world making, ritualizing, mythologizing, and creating sacred time and space. Through cinematography, mise-en-scène, editing, and other production activities, film takes the world “out there” and refashions it. Religion achieves similar ends by setting apart particular objects and periods of time, telling stories, and gathering people together for communal actions and concentrated focus. The result of both cinema and religious practice is a re-created world: a world of fantasy, a world of ideology, a world we long to live in, or a world we wish to avoid at all costs. Religion and Film introduces readers to both religious studies and film studies by focusing on the formal similarities between cinema and religious practices and on the ways they each re-create the world. Explorations of film show how the cinematic experience relies on similar aesthetic devices on which religious rituals have long relied: sight, sound, the taste of food, the body, and communal experience. Meanwhile, a deeper understanding of the aesthetic nature of religious rituals can alter our understanding of film production. Utilizing terminology and theoretical insights from the study of religion as well as the study of film, Religion and Film shows that by paying attention to the ways films are constructed, we can shed new light on the ways religious myths and rituals are constructed and vice versa. This thoroughly revised and expanded new edition is designed to appeal to the needs of courses in religion as well as film departments. In addition to two new chapters, this edition has been restructured into three distinct sections that offer students and instructors theories and methods for thinking about cinema in ways that more fully connect film studies with religious studies.

"What makes us open to mystery, to glimpses of the Transcendent in our daily lives? The power of the imagination, according to Sandra Levy - a power that has been seriously depleted in today's postmodern culture. To address and redress this deficit, Levy explores how the imagination expresses itself - through ritual, music, poetry, art, story - and focuses on specific practices that can exercise and enrich our spiritual capacity, thus opening us up to divine encounter. Imagination and the Journey of Faith will speak to all readers, whether religious believers or not, who wish to strengthen and deepen the imaginative power of their spiritual lives."--BOOK JACKET.

An in-depth look at the powerful story and symbolism behind God's unique design of our universe. Thousands of words have been written about the first ten words in the Bible: "In the beginning, God created the heavens and the earth," a simple and profound statement that has ignited a firestorm of debate and controversy. People often only focus on the "how" and "when" of creation, but Story in the Stars explores the "why." Why did God create such a vast universe? Why did He choose the sun and moon to light our paths? Why did He design images with stars in the night sky? The Bible is very clear when it states that God created, named, and positioned all of the stars of the universe in their place in a very specific way-a way that tells us the greatest story ever to be told. In Luke 21:25 Jesus says, "There will be signs in the sun, moon and stars." Signs are meant to point us towards something: Jesus. Story in the Stars takes an in-depth look at the Bible and all the signs God mapped out through constellations, planets, and even the way the Earth is tilted. We are uniquely designed by God, and He loves us so much that He ensured a way for all inhabitants of the earth, through all of time, to see the messages of salvation and redemption that He painted in the stars.

Savior on the Silver Screen examines nine movies about the life of Jesus - ranging from the traditional to the provocativeand explores how the image of Jesus in each reflects the time and culture in which the film was produced. The selections encompass silent, foreign, epic, and musical films. Both entertaining and insightful, Savior on the Silver Screen is structured for easy use in classroom, small group, and individual settings and includes rental information and practical tips for using the book. For each film there is an introduction, pre-viewing and post-viewing questions, and a discussion of its major features. -- Provided by publisher.