Jews And Other Germans

The first book to examine multicultural visual art in Germany, discussing more than thirty contemporary artists and arguing for a cosmopolitan Germanness. With Turks, Jews, and Other Germans in Contemporary Art, Peter Chametzky presents a view of visual culture in Germany that leaves behind the usual suspects--those artists who dominate discussions of contemporary German art, including Gerhard Richter, Anselm Kiefer, and Rosemarie Trockel--and instead turns to those artists not as well known outside Germany, including Maziar Moradi, Hito Steyerl, and Tanya Ury. In this first book-length examination of Germany's multicultural art scene, Chametzky explores the work of more than thirty German artists who are (among other ethnicities) Turkish, Jewish, Arab, Asian, Iranian, Sinti and Roma, Balkan, and Afro-German. With a title that echoes Peter Gay's 1978 collection of essays, Freud, Jews and Other Germans, this book, like Gay's, rejects the idea of "us" and "them" in German culture. Discussing artworks in a variety of media that both critique and expand notions of identity and community, Chametzky offers a counternarrative to the fiction of an exclusively white, Christian German culture, arguing for a cosmopolitan Germanness. He considers works that deploy critical, confrontational, and playful uses of language, especially German and Turkish; that assert the presence of "foreign bodies" among the German body politic; that grapple with food as a cultural marker; that engage with mass media; and that depict and inhabit spaces imbued with the element of time. American discussions of German contemporary art have largely ignored the emergence of non-ethnic Germans as some of Germany's most important visual artists. Turks, Jews, and Other Germans in Contemporary Art fills this gap.

Examines the integration of Jews into German society between 1860-1925, taking as an example the city of Breslau (then Germany, now Wrocław, Poland). Questions whether there was a continuous line from the German treatment of Jews before World War I to Nazi antisemitism. During and after World War I, relations between Jews and non-Jews worsened and the high level of Jewish integration eroded between 1916-25. Although the constitution of the Weimar Republic accorded Jews equality, they experienced acts of violence and discrimination. Argues that antisemitism became stronger as the economic situation of the Jews deteriorated, due to inflation and the emigration to Germany of 4,273 impoverished Jews from Poland and Russia between 1919-23. Concludes, nevertheless, that no direct line can be drawn between the antisemitism in Imperial Germany and that of the Nazi period.

A “very readable” history of Jewish conversions to Christianity over two centuries that “tracks the many fascinating twists and turns to this story” (Library Journal). When the Nazis came to power and created a racial state in the 1930s, they considered it an urgent priority to identify Jews who had converted to Christianity over the preceding centuries. With the help of church officials, a vast system of conversion and intermarriage records was created in Berlin, the country’s premier Jewish city. Deborah Hertz’s discovery of these records, the Judenkartei, was the first step on a long research journey that led to this compelling book. Hertz begins the book in 1645, when the records begin, and traces generations of German Jewish families for the next two centuries. The book analyzes the statistics and explores letters, diaries, and other materials to understand in a far more nuanced way than ever before why Jews did or did not convert to Protestantism. Focusing on the stories of individual Jews in Berlin, particularly the charismatic salon woman Rahel Levin Varnhagen and her husband, Karl, a writer and diplomat, Hertz brings out the human stories behind the documents, sets them in the context of Berlin’s evolving society, and connects them to the broad sweep of European history.

Jews and Germans is the only book in English to delve fully into the history and challenges of the German-Jewish relationship, from before the Holocaust to the present day. The Weimar Republic era—the fifteen years between Germany’s defeat in World War I (1918) and Hitler’s accession (1933)—has been characterized as a time of unparalleled German-Jewish concord and collaboration. Even though Jews constituted less than 1 percent of the German population, they occupied a significant place in German literature, music, theater, journalism, science, and many other fields. Was that German-Jewish relationship truly reciprocal? How has it evolved since the Holocaust, and what can it become? Beginning with the German Jews’ struggle for emancipation, Guenter Lewy describes Jewish life during the heyday of the Weimar Republic, particularly the Jewish writers, left-wing intellectuals, combat veterans, and adult and youth organizations. With this history as a backdrop he examines the deeply disparate responses among Jews when the Nazis assumed power. Lewy then elucidates Jewish life in postwar West Germany; in East Germany, where Jewish communists searched for a second German-Jewish symbiosis based on Marxist principles; and finally in the united Germany—illuminating the complexities of fraught relationships over time.

A collection of essays dealing with the integration of Jewish intellectuals in German culture and society during the 19th-20th centuries, and the self-hatred expressed by some of them. The introduction surveys 19th-century antisemitism in Germany, raising the question whether it should be considered an opening phase of the Holocaust. Discusses the ambivalent relations between Wagner and the Jewish conductor Hermann Levi, and the contribution of Max Liebermann (whose Jewish origins were emphasized by art critics) to modern art.

Tracing Germany's significance as an essential crossroads and incubator for modern Jewish culture

Among the many narratives about the atrocities committed against Jews in the Holocaust, the story about the Jews who lived in the eye of the storm—the German Jews—has received little attention. Germans against Germans: The Fate of the Jews, 1938–1945, tells this story—how Germans declared war against other Germans, that is, against German Jews. Author Moshe Zimmermann explores questions of what made such a war possible? How could such a radical process of exclusion take place in a highly civilized, modern society? What were the societal mechanisms that paved the way for legal discrimination, isolation, deportation, and eventual extermination of the individuals who were previously part and parcel of German society? Germans against Germans demonstrates how the combination of antisemitism, racism, bureaucracy, cynicism, and imposed collaboration culminated in "the final solution."

A provocative and insightful analysis that sheds new light on one of the most puzzling and historically unsettling conundrums Why the Germans? Why the Jews? Countless historians have grappled with these questions, but few have come up with answers as original and insightful as those of maverick German historian Götz Aly. Tracing the prehistory of the Holocaust from the 1800s to the Nazis' assumption of power in 1933, Aly shows that German anti-Semitism was—to a previously overlooked extent—driven in large part by material concerns, not racist ideology or religious animosity. As Germany made its way through the upheaval of the Industrial Revolution, the difficulties of the lethargic, economically backward German majority stood in marked contrast to the social and economic success of the agile Jewish minority. This success aroused envy and fear among the Gentile population, creating fertile ground for murderous Nazi politics. Surprisingly, and controversially, Aly shows that the roots of the Holocaust are deeply intertwined with German efforts to create greater social equality. Redistributing wealth from the well-off to the less fortunate was in many respects a laudable goal, particularly at a time when many lived in poverty. But as the notion of material equality took over the public imagination, the skilled, well-educated Jewish population came to be seen as having more than its fair share. Aly's account of this fatal social dynamic opens up a new vantage point on the greatest crime in history and is sure to prompt heated debate for years to come.